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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D64A4 it is the complementary color #929B5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D64A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6D64A4: #72649F, #8376B2, #9488C5, #A59AD8 and #B6ACEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D64A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6D64A4: #6D64A4, #5C5291, #4B407E, #3A2E6B and #291C58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 39 / 0 / 36

HEX #6D64A4

RGB 109 100 164

HSL 248.44, 0.26%, 0.52%

LAB 45.7, 18.86, -33.32

 

Complementary color

CMYK 6 / 0 / 41 / 39

HEX #929B5B

RGB 146 155 91

HSL 68.44, 0.26%, 0.48%

LAB 61.92, -13.53, 32.43

 

CMYK 28 / 37 / 0 / 38

HEX #72649F

RGB 114 100 159

HSL 254.24, 0.24%, 0.51%

LAB 45.9, 19.01, -30.02

 

CMYK 26 / 34 / 0 / 30

HEX #8376B2

RGB 131 118 178

HSL 253, 0.28%, 0.58%

LAB 52.95, 18.3, -30.01

 

CMYK 25 / 31 / 0 / 23

HEX #9488C5

RGB 148 136 197

HSL 251.8, 0.34%, 0.65%

LAB 59.83, 17.67, -30.05

 

CMYK 24 / 29 / 0 / 15

HEX #A59AD8

RGB 165 154 216

HSL 250.65, 0.44%, 0.73%

LAB 66.57, 17.11, -30.12

 

CMYK 23 / 27 / 0 / 8

HEX #B6ACEB

RGB 182 172 235

HSL 249.52, 0.61%, 0.8%

LAB 73.19, 16.6, -30.23

 

CMYK 34 / 39 / 0 / 36

HEX #6D64A4

RGB 109 100 164

HSL 248.44, 0.26%, 0.52%

LAB 45.7, 18.86, -33.32

 

CMYK 37 / 43 / 0 / 43

HEX #5C5291

RGB 92 82 145

HSL 249.52, 0.28%, 0.45%

LAB 38.47, 19.76, -33.46

 

CMYK 40 / 49 / 0 / 51

HEX #4B407E

RGB 75 64 126

HSL 250.65, 0.33%, 0.37%

LAB 31.04, 20.84, -33.67

 

CMYK 46 / 57 / 0 / 58

HEX #3A2E6B

RGB 58 46 107

HSL 251.8, 0.4%, 0.3%

LAB 23.39, 22.15, -33.94

 

CMYK 53 / 68 / 0 / 65

HEX #291C58

RGB 41 28 88

HSL 253, 0.52%, 0.23%

LAB 15.52, 23.73, -34.22

 

CMYK 34 / 39 / 0 / 36

HEX #6D64A4

RGB 109 100 164

HSL 248.44, 0.26%, 0.52%

LAB 45.7, 18.86, -33.32

 

CMYK 27 / 39 / 0 / 36

HEX #7764A4

RGB 119 100 164

HSL 257.81, 0.26%, 0.52%

LAB 46.6, 21.83, -31.84

 

CMYK 21 / 39 / 0 / 36

HEX #8264A4

RGB 130 100 164

HSL 268.13, 0.26%, 0.52%

LAB 47.68, 25.21, -30.08

 

CMYK 14 / 39 / 0 / 36

HEX #8D64A4

RGB 141 100 164

HSL 278.44, 0.26%, 0.52%

LAB 48.83, 28.67, -28.19

 

CMYK 8 / 39 / 0 / 36

HEX #9764A4

RGB 151 100 164

HSL 287.81, 0.26%, 0.52%

LAB 49.95, 31.87, -26.37

 

CMYK 34 / 39 / 0 / 36

HEX #6D64A4

RGB 109 100 164

HSL 248.44, 0.26%, 0.52%

LAB 45.7, 18.86, -33.32

 

CMYK 33 / 39 / 0 / 16

HEX #8F83D7

RGB 143 131 215

HSL 248.57, 0.51%, 0.68%

LAB 58.95, 23.7, -41.58

 

CMYK 36 / 36 / 0 / 96

HEX #07070B

RGB 7 7 11

HSL 240, 0.22%, 0.04%

LAB 2, 0.56, -1.52

 

CMYK 34 / 39 / 0 / 76

HEX #29263E

RGB 41 38 62

HSL 247.5, 0.24%, 0.2%

LAB 16.53, 8.02, -14.82

 

CMYK 34 / 39 / 0 / 56

HEX #4B4571

RGB 75 69 113

HSL 248.18, 0.24%, 0.36%

LAB 31.68, 13.7, -24.51

 

CMYK 34 / 39 / 0 / 36

HEX #6D64A4

RGB 109 100 164

HSL 248.44, 0.26%, 0.52%

LAB 45.7, 18.86, -33.32

 

CMYK 0 / 39 / 13 / 36

HEX #A4648F

RGB 164 100 143

HSL 319.69, 0.26%, 0.52%

LAB 50.68, 32.22, -12.74

 

CMYK 29 / 0 / 39 / 36

HEX #75A464

RGB 117 164 100

HSL 104.06, 0.26%, 0.52%

LAB 62.72, -28.13, 28.28

 

CMYK 34 / 39 / 0 / 36

HEX #6D64A4

RGB 109 100 164

HSL 248.44, 0.26%, 0.52%

LAB 45.7, 18.86, -33.32

 

CMYK 0 / 34 / 39 / 36

HEX #A46D64

RGB 164 109 100

HSL 8.44, 0.26%, 0.52%

LAB 51.55, 20.76, 13.98

 

CMYK 39 / 0 / 34 / 36

HEX #64A46D

RGB 100 164 109

HSL 128.44, 0.26%, 0.52%

LAB 61.97, -32.4, 22.26

 

CMYK 34 / 39 / 0 / 36

HEX #6D64A4

RGB 109 100 164

HSL 248.44, 0.26%, 0.52%

LAB 45.7, 18.86, -33.32

 

CMYK 0 / 39 / 13 / 36

HEX #A4648F

RGB 164 100 143

HSL 319.69, 0.26%, 0.52%

LAB 50.68, 32.22, -12.74

 

CMYK 5 / 0 / 39 / 36

HEX #9BA464

RGB 155 164 100

HSL 68.44, 0.26%, 0.52%

LAB 65.31, -13.51, 32.14

 

CMYK 39 / 0 / 26 / 36

HEX #64A479

RGB 100 164 121

HSL 139.69, 0.26%, 0.52%

LAB 62.2, -30.17, 15.99

 

CMYK 34 / 39 / 0 / 36

HEX #6D64A4

RGB 109 100 164

HSL 248.44, 0.26%, 0.52%

LAB 45.7, 18.86, -33.32

 

CMYK 0 / 39 / 24 / 36

HEX #A4647C

RGB 164 100 124

HSL 337.5, 0.26%, 0.52%

LAB 50.05, 29.14, -2.39

 

CMYK 5 / 0 / 39 / 36

HEX #9BA464

RGB 155 164 100

HSL 68.44, 0.26%, 0.52%

LAB 65.31, -13.51, 32.14

 

CMYK 39 / 0 / 14 / 36

HEX #64A48D

RGB 100 164 141

HSL 158.44, 0.26%, 0.52%

LAB 62.66, -25.96, 5.5

 

Description

Color code: HEX #6D64A4 | qconv.com Color code: HEX #6D64A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 100 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 100 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 39 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 39% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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