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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 100 164 it is the complementary color RGB 114 155 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 100 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 141 100 164: RGB 146 100 159, RGB 163 118 178, RGB 180 136 197, RGB 197 154 216 and RGB 214 172 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 100 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 141 100 164: RGB 141 100 164, RGB 124 82 145, RGB 107 64 126, RGB 90 46 107 and RGB 73 28 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 39 / 0 / 36

HEX #8D64A4

RGB 141 100 164

HSL 278.44, 0.26%, 0.52%

LAB 48.83, 28.67, -28.19

 

Complementary color

CMYK 26 / 0 / 41 / 39

HEX #729B5B

RGB 114 155 91

HSL 98.44, 0.26%, 0.48%

LAB 59.69, -26.14, 29.13

 

CMYK 8 / 37 / 0 / 38

HEX #92649F

RGB 146 100 159

HSL 286.78, 0.24%, 0.51%

LAB 49.17, 29.19, -24.69

 

CMYK 8 / 34 / 0 / 30

HEX #A376B2

RGB 163 118 178

HSL 285, 0.28%, 0.58%

LAB 56.05, 28.44, -24.96

 

CMYK 9 / 31 / 0 / 23

HEX #B488C5

RGB 180 136 197

HSL 283.28, 0.34%, 0.65%

LAB 62.8, 27.75, -25.23

 

CMYK 9 / 29 / 0 / 15

HEX #C59AD8

RGB 197 154 216

HSL 281.61, 0.44%, 0.73%

LAB 69.43, 27.1, -25.49

 

CMYK 9 / 27 / 0 / 8

HEX #D6ACEB

RGB 214 172 235

HSL 280, 0.61%, 0.8%

LAB 75.95, 26.51, -25.76

 

CMYK 14 / 39 / 0 / 36

HEX #8D64A4

RGB 141 100 164

HSL 278.44, 0.26%, 0.52%

LAB 48.83, 28.67, -28.19

 

CMYK 14 / 43 / 0 / 43

HEX #7C5291

RGB 124 82 145

HSL 280, 0.28%, 0.45%

LAB 41.79, 29.5, -28.01

 

CMYK 15 / 49 / 0 / 51

HEX #6B407E

RGB 107 64 126

HSL 281.61, 0.33%, 0.37%

LAB 34.6, 30.37, -27.81

 

CMYK 16 / 57 / 0 / 58

HEX #5A2E6B

RGB 90 46 107

HSL 283.28, 0.4%, 0.3%

LAB 27.27, 31.22, -27.53

 

CMYK 17 / 68 / 0 / 65

HEX #491C58

RGB 73 28 88

HSL 285, 0.52%, 0.23%

LAB 19.85, 31.88, -27.03

 

CMYK 14 / 39 / 0 / 36

HEX #8D64A4

RGB 141 100 164

HSL 278.44, 0.26%, 0.52%

LAB 48.83, 28.67, -28.19

 

CMYK 8 / 39 / 0 / 36

HEX #9764A4

RGB 151 100 164

HSL 287.81, 0.26%, 0.52%

LAB 49.95, 31.87, -26.37

 

CMYK 1 / 39 / 0 / 36

HEX #A264A4

RGB 162 100 164

HSL 298.13, 0.26%, 0.52%

LAB 51.24, 35.41, -24.26

 

CMYK 0 / 39 / 5 / 36

HEX #A4649B

RGB 164 100 155

HSL 308.44, 0.26%, 0.52%

LAB 51.12, 34.36, -19.14

 

CMYK 0 / 39 / 12 / 36

HEX #A46491

RGB 164 100 145

HSL 317.81, 0.26%, 0.52%

LAB 50.75, 32.56, -13.82

 

CMYK 14 / 39 / 0 / 36

HEX #8D64A4

RGB 141 100 164

HSL 278.44, 0.26%, 0.52%

LAB 48.83, 28.67, -28.19

 

CMYK 14 / 39 / 0 / 16

HEX #B983D7

RGB 185 131 215

HSL 278.57, 0.51%, 0.68%

LAB 62.89, 35.87, -35.13

 

CMYK 18 / 36 / 0 / 96

HEX #09070B

RGB 9 7 11

HSL 270, 0.22%, 0.04%

LAB 2.12, 1.08, -1.34

 

CMYK 15 / 39 / 0 / 76

HEX #35263E

RGB 53 38 62

HSL 277.5, 0.24%, 0.2%

LAB 17.88, 12.53, -12.63

 

CMYK 14 / 39 / 0 / 56

HEX #614571

RGB 97 69 113

HSL 278.18, 0.24%, 0.36%

LAB 33.96, 20.99, -20.78

 

CMYK 14 / 39 / 0 / 36

HEX #8D64A4

RGB 141 100 164

HSL 278.44, 0.26%, 0.52%

LAB 48.83, 28.67, -28.19

 

CMYK 0 / 39 / 32 / 36

HEX #A4646F

RGB 164 100 111

HSL 349.69, 0.26%, 0.52%

LAB 49.68, 27.27, 4.83

 

CMYK 39 / 0 / 30 / 36

HEX #64A473

RGB 100 164 115

HSL 134.06, 0.26%, 0.52%

LAB 62.08, -31.32, 19.13

 

CMYK 14 / 39 / 0 / 36

HEX #8D64A4

RGB 141 100 164

HSL 278.44, 0.26%, 0.52%

LAB 48.83, 28.67, -28.19

 

CMYK 0 / 14 / 39 / 36

HEX #A48D64

RGB 164 141 100

HSL 38.44, 0.26%, 0.52%

LAB 59.76, 2.66, 25.08

 

CMYK 39 / 0 / 14 / 36

HEX #64A48D

RGB 100 164 141

HSL 158.44, 0.26%, 0.52%

LAB 62.66, -25.96, 5.5

 

CMYK 14 / 39 / 0 / 36

HEX #8D64A4

RGB 141 100 164

HSL 278.44, 0.26%, 0.52%

LAB 48.83, 28.67, -28.19

 

CMYK 0 / 39 / 32 / 36

HEX #A4646F

RGB 164 100 111

HSL 349.69, 0.26%, 0.52%

LAB 49.68, 27.27, 4.83

 

CMYK 24 / 0 / 39 / 36

HEX #7CA464

RGB 124 164 100

HSL 97.5, 0.26%, 0.52%

LAB 63.14, -25.59, 28.91

 

CMYK 39 / 0 / 7 / 36

HEX #64A499

RGB 100 164 153

HSL 169.69, 0.26%, 0.52%

LAB 62.98, -23.16, -0.77

 

CMYK 14 / 39 / 0 / 36

HEX #8D64A4

RGB 141 100 164

HSL 278.44, 0.26%, 0.52%

LAB 48.83, 28.67, -28.19

 

CMYK 0 / 34 / 39 / 36

HEX #A46D64

RGB 164 109 100

HSL 8.44, 0.26%, 0.52%

LAB 51.55, 20.76, 13.98

 

CMYK 24 / 0 / 39 / 36

HEX #7CA464

RGB 124 164 100

HSL 97.5, 0.26%, 0.52%

LAB 63.14, -25.59, 28.91

 

CMYK 39 / 5 / 0 / 36

HEX #649BA4

RGB 100 155 164

HSL 188.44, 0.26%, 0.52%

LAB 60.63, -15.71, -10.44

 

Description

Color code: RGB 141 100 164 | qconv.com Color code: RGB 141 100 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 100 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 100 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 39 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 39% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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