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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D2662 it is the complementary color #92D99D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D2662. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6D2662: #72265D, #833870, #944A83, #A55C96 and #B66EA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D2662. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6D2662: #6D2662, #5C144F, #4B023C, #3A0029 and #290016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 10 / 57

HEX #6D2662

RGB 109 38 98

HSL 309.3, 0.48%, 0.29%

LAB 28.17, 39.24, -20.1

 

Complementary color

CMYK 33 / 0 / 28 / 15

HEX #92D99D

RGB 146 217 157

HSL 129.3, 0.48%, 0.71%

LAB 80.83, -34.29, 22.68

 

CMYK 0 / 67 / 18 / 55

HEX #72265D

RGB 114 38 93

HSL 316.58, 0.5%, 0.3%

LAB 28.78, 39.89, -15.82

 

CMYK 0 / 57 / 15 / 49

HEX #833870

RGB 131 56 112

HSL 315.2, 0.4%, 0.37%

LAB 35.64, 39.56, -17.18

 

CMYK 0 / 50 / 11 / 42

HEX #944A83

RGB 148 74 131

HSL 313.78, 0.33%, 0.44%

LAB 42.51, 38.91, -18.17

 

CMYK 0 / 44 / 9 / 35

HEX #A55C96

RGB 165 92 150

HSL 312.33, 0.29%, 0.5%

LAB 49.32, 38.16, -18.94

 

CMYK 0 / 40 / 7 / 29

HEX #B66EA9

RGB 182 110 169

HSL 310.83, 0.33%, 0.57%

LAB 56.05, 37.38, -19.58

 

CMYK 0 / 65 / 10 / 57

HEX #6D2662

RGB 109 38 98

HSL 309.3, 0.48%, 0.29%

LAB 28.17, 39.24, -20.1

 

CMYK 0 / 78 / 14 / 64

HEX #5C144F

RGB 92 20 79

HSL 310.83, 0.64%, 0.22%

LAB 21.36, 38.89, -18.37

 

CMYK 0 / 97 / 20 / 71

HEX #4B023C

RGB 75 2 60

HSL 312.33, 0.95%, 0.15%

LAB 14.77, 37.44, -15.79

 

CMYK 0 / 100 / 29 / 77

HEX #3A0029

RGB 58 0 41

HSL 317.59, 1%, 0.11%

LAB 9.48, 31.48, -10.46

 

CMYK 0 / 100 / 46 / 84

HEX #290016

RGB 41 0 22

HSL 327.8, 1%, 0.08%

LAB 4.78, 22.11, -3.28

 

CMYK 0 / 65 / 10 / 57

HEX #6D2662

RGB 109 38 98

HSL 309.3, 0.48%, 0.29%

LAB 28.17, 39.24, -20.1

 

CMYK 0 / 65 / 21 / 57

HEX #6D2656

RGB 109 38 86

HSL 319.44, 0.48%, 0.29%

LAB 27.6, 37.23, -13.13

 

CMYK 0 / 65 / 31 / 57

HEX #6D264B

RGB 109 38 75

HSL 328.73, 0.48%, 0.29%

LAB 27.15, 35.59, -6.54

 

CMYK 0 / 65 / 42 / 57

HEX #6D263F

RGB 109 38 63

HSL 338.87, 0.48%, 0.29%

LAB 26.72, 34.02, 0.86

 

CMYK 0 / 65 / 53 / 57

HEX #6D2633

RGB 109 38 51

HSL 349.01, 0.48%, 0.29%

LAB 26.38, 32.71, 8.45

 

CMYK 0 / 65 / 10 / 57

HEX #6D2662

RGB 109 38 98

HSL 309.3, 0.48%, 0.29%

LAB 28.17, 39.24, -20.1

 

CMYK 0 / 65 / 10 / 37

HEX #A03890

RGB 160 56 144

HSL 309.23, 0.48%, 0.42%

LAB 41.71, 53.25, -27.16

 

CMYK 0 / 65 / 10 / 17

HEX #D34ABE

RGB 211 74 190

HSL 309.2, 0.61%, 0.56%

LAB 54.52, 66.34, -33.76

 

CMYK 0 / 71 / 14 / 97

HEX #070206

RGB 7 2 6

HSL 312, 0.56%, 0.02%

LAB 0.92, 1.86, -1.05

 

CMYK 0 / 66 / 10 / 77

HEX #3A1434

RGB 58 20 52

HSL 309.47, 0.49%, 0.15%

LAB 13.52, 23.71, -12.27

 

CMYK 0 / 65 / 10 / 57

HEX #6D2662

RGB 109 38 98

HSL 309.3, 0.48%, 0.29%

LAB 28.17, 39.24, -20.1

 

CMYK 0 / 42 / 65 / 57

HEX #6D3F26

RGB 109 63 38

HSL 21.13, 0.48%, 0.29%

LAB 31.68, 17.48, 23.68

 

CMYK 65 / 0 / 17 / 57

HEX #266D5B

RGB 38 109 91

HSL 164.79, 0.48%, 0.29%

LAB 41.38, -26.8, 3.57

 

CMYK 0 / 65 / 10 / 57

HEX #6D2662

RGB 109 38 98

HSL 309.3, 0.48%, 0.29%

LAB 28.17, 39.24, -20.1

 

CMYK 10 / 0 / 65 / 57

HEX #626D26

RGB 98 109 38

HSL 69.3, 0.48%, 0.29%

LAB 43.76, -15, 37.1

 

CMYK 65 / 10 / 0 / 57

HEX #26626D

RGB 38 98 109

HSL 189.3, 0.48%, 0.29%

LAB 38.29, -15.55, -12

 

CMYK 0 / 65 / 10 / 57

HEX #6D2662

RGB 109 38 98

HSL 309.3, 0.48%, 0.29%

LAB 28.17, 39.24, -20.1

 

CMYK 0 / 42 / 65 / 57

HEX #6D3F26

RGB 109 63 38

HSL 21.13, 0.48%, 0.29%

LAB 31.68, 17.48, 23.68

 

CMYK 65 / 0 / 55 / 57

HEX #266D31

RGB 38 109 49

HSL 129.3, 0.48%, 0.29%

LAB 40.53, -35.85, 26.91

 

CMYK 65 / 23 / 0 / 57

HEX #26546D

RGB 38 84 109

HSL 201.13, 0.48%, 0.29%

LAB 33.68, -7.3, -19.06

 

CMYK 0 / 65 / 10 / 57

HEX #6D2662

RGB 109 38 98

HSL 309.3, 0.48%, 0.29%

LAB 28.17, 39.24, -20.1

 

CMYK 0 / 23 / 65 / 57

HEX #6D5426

RGB 109 84 38

HSL 38.87, 0.48%, 0.29%

LAB 37.36, 4.69, 30.31

 

CMYK 65 / 0 / 55 / 57

HEX #266D31

RGB 38 109 49

HSL 129.3, 0.48%, 0.29%

LAB 40.53, -35.85, 26.91

 

CMYK 65 / 42 / 0 / 57

HEX #263F6D

RGB 38 63 109

HSL 218.87, 0.48%, 0.29%

LAB 26.94, 6.39, -29.64

 

Description

Color code: HEX #6D2662 | qconv.com Color code: HEX #6D2662 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 38 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 38 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 10 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 10% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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