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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 42 / 65 / 57 it is the complementary color CMYK 33 / 12 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 42 / 65 / 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 42 / 65 / 57: CMYK 0 / 44 / 71 / 55, CMYK 0 / 38 / 61 / 48, CMYK 0 / 33 / 52 / 42, CMYK 0 / 29 / 46 / 35 and CMYK 0 / 26 / 40 / 28

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 42 / 65 / 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 42 / 65 / 57: CMYK 0 / 42 / 65 / 57, CMYK 0 / 51 / 80 / 64, CMYK 0 / 63 / 100 / 70, CMYK 0 / 83 / 100 / 77 and CMYK 0 / 100 / 100 / 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 65 / 57

HEX #6E4026

RGB 110 64 38

HSL 21.67, 0.49%, 0.29%

LAB 32.08, 17.34, 24.19

 

Complementary color

CMYK 33 / 12 / 0 / 15

HEX #91BFD9

RGB 145 191 217

HSL 201.67, 0.49%, 0.71%

LAB 75.01, -8.94, -17.9

 

CMYK 0 / 44 / 71 / 55

HEX #734021

RGB 115 64 33

HSL 22.68, 0.55%, 0.29%

LAB 32.75, 19.27, 28.07

 

CMYK 0 / 38 / 61 / 48

HEX #845234

RGB 132 82 52

HSL 22.5, 0.43%, 0.36%

LAB 39.9, 17.69, 26.14

 

CMYK 0 / 33 / 52 / 42

HEX #956447

RGB 149 100 71

HSL 22.31, 0.35%, 0.43%

LAB 46.92, 16.4, 24.41

 

CMYK 0 / 29 / 46 / 35

HEX #A6765A

RGB 166 118 90

HSL 22.11, 0.3%, 0.5%

LAB 53.82, 15.32, 22.88

 

CMYK 0 / 26 / 40 / 28

HEX #B7886D

RGB 183 136 109

HSL 21.89, 0.34%, 0.57%

LAB 60.59, 14.4, 21.5

 

CMYK 0 / 42 / 65 / 57

HEX #6E4026

RGB 110 64 38

HSL 21.67, 0.49%, 0.29%

LAB 32.08, 17.34, 24.19

 

CMYK 0 / 51 / 80 / 64

HEX #5D2E13

RGB 93 46 19

HSL 21.89, 0.66%, 0.22%

LAB 24.73, 19.11, 26.26

 

CMYK 0 / 63 / 100 / 70

HEX #4C1C00

RGB 76 28 0

HSL 22.11, 1%, 0.15%

LAB 17.31, 21.12, 25.86

 

CMYK 0 / 83 / 100 / 77

HEX #3B0A00

RGB 59 10 0

HSL 10.17, 1%, 0.12%

LAB 10.16, 23.23, 15.79

 

CMYK 0 / 100 / 100 / 84

HEX #2A0000

RGB 42 0 0

HSL 0, 1%, 0.08%

LAB 4.45, 19.76, 7.03

 

CMYK 0 / 42 / 65 / 57

HEX #6E4026

RGB 110 64 38

HSL 21.67, 0.49%, 0.29%

LAB 32.08, 17.34, 24.19

 

CMYK 0 / 32 / 66 / 57

HEX #6E4B25

RGB 110 75 37

HSL 31.23, 0.5%, 0.29%

LAB 34.96, 10.56, 28.16

 

CMYK 0 / 21 / 66 / 57

HEX #6E5725

RGB 110 87 37

HSL 41.1, 0.5%, 0.29%

LAB 38.31, 3.28, 31.95

 

CMYK 0 / 10 / 66 / 57

HEX #6E6325

RGB 110 99 37

HSL 50.96, 0.5%, 0.29%

LAB 41.8, -3.82, 35.79

 

CMYK 2 / 0 / 66 / 57

HEX #6C6E25

RGB 108 110 37

HSL 61.64, 0.5%, 0.29%

LAB 44.9, -11.03, 39.04

 

CMYK 0 / 42 / 65 / 57

HEX #6E4026

RGB 110 64 38

HSL 21.67, 0.49%, 0.29%

LAB 32.08, 17.34, 24.19

 

CMYK 0 / 42 / 65 / 37

HEX #A15E38

RGB 161 94 56

HSL 21.71, 0.48%, 0.43%

LAB 46.8, 23.77, 33.11

 

CMYK 0 / 42 / 66 / 17

HEX #D47B49

RGB 212 123 73

HSL 21.58, 0.62%, 0.56%

LAB 60.47, 30.27, 41.71

 

CMYK 0 / 37 / 63 / 97

HEX #080503

RGB 8 5 3

HSL 24, 0.45%, 0.02%

LAB 1.51, 0.51, 1.03

 

CMYK 0 / 42 / 66 / 77

HEX #3B2214

RGB 59 34 20

HSL 21.54, 0.49%, 0.15%

LAB 16.13, 10.26, 14.36

 

CMYK 0 / 42 / 65 / 57

HEX #6E4026

RGB 110 64 38

HSL 21.67, 0.49%, 0.29%

LAB 32.08, 17.34, 24.19

 

CMYK 36 / 0 / 66 / 57

HEX #466E25

RGB 70 110 37

HSL 92.88, 0.5%, 0.29%

LAB 42.14, -27.55, 35.25

 

CMYK 66 / 63 / 0 / 57

HEX #25296E

RGB 37 41 110

HSL 236.71, 0.5%, 0.29%

LAB 20.46, 21.97, -40.71

 

CMYK 0 / 42 / 65 / 57

HEX #6E4026

RGB 110 64 38

HSL 21.67, 0.49%, 0.29%

LAB 32.08, 17.34, 24.19

 

CMYK 66 / 0 / 43 / 57

HEX #256E3F

RGB 37 110 63

HSL 141.37, 0.5%, 0.29%

LAB 41.06, -34.05, 19.75

 

CMYK 43 / 66 / 0 / 57

HEX #3F256E

RGB 63 37 110

HSL 261.37, 0.5%, 0.29%

LAB 21.96, 30.06, -38.15

 

CMYK 0 / 42 / 65 / 57

HEX #6E4026

RGB 110 64 38

HSL 21.67, 0.49%, 0.29%

LAB 32.08, 17.34, 24.19

 

CMYK 36 / 0 / 66 / 57

HEX #466E25

RGB 70 110 37

HSL 92.88, 0.5%, 0.29%

LAB 42.14, -27.55, 35.25

 

CMYK 66 / 24 / 0 / 57

HEX #25546E

RGB 37 84 110

HSL 201.37, 0.5%, 0.29%

LAB 33.69, -7.14, -19.68

 

CMYK 30 / 66 / 0 / 57

HEX #4D256E

RGB 77 37 110

HSL 272.88, 0.5%, 0.29%

LAB 23.76, 33.48, -35.16

 

CMYK 0 / 42 / 65 / 57

HEX #6E4026

RGB 110 64 38

HSL 21.67, 0.49%, 0.29%

LAB 32.08, 17.34, 24.19

 

CMYK 56 / 0 / 66 / 57

HEX #306E25

RGB 48 110 37

HSL 110.96, 0.5%, 0.29%

LAB 41.08, -35.17, 33.78

 

CMYK 66 / 24 / 0 / 57

HEX #25546E

RGB 37 84 110

HSL 201.37, 0.5%, 0.29%

LAB 33.69, -7.14, -19.68

 

CMYK 10 / 66 / 0 / 57

HEX #63256E

RGB 99 37 110

HSL 290.96, 0.5%, 0.29%

LAB 27.02, 39.22, -29.76

 

Description

Color code: CMYK 0 / 42 / 65 / 57 | qconv.com Color code: CMYK 0 / 42 / 65 / 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 64 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 64 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 65 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 65% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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