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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C408C it is the complementary color #93BF73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C408C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6C408C: #714087, #82529A, #9364AD, #A476C0 and #B588D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C408C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6C408C: #6C408C, #5B2E79, #4A1C66, #390A53 and #280040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 54 / 0 / 45

HEX #6C408C

RGB 108 64 140

HSL 274.74, 0.37%, 0.4%

LAB 35.5, 34, -35.02

 

Complementary color

CMYK 23 / 0 / 40 / 25

HEX #93BF73

RGB 147 191 115

HSL 94.74, 0.37%, 0.6%

LAB 72.7, -28.22, 33.69

 

CMYK 16 / 53 / 0 / 47

HEX #714087

RGB 113 64 135

HSL 281.41, 0.36%, 0.39%

LAB 35.84, 34.26, -31.36

 

CMYK 16 / 47 / 0 / 40

HEX #82529A

RGB 130 82 154

HSL 280, 0.31%, 0.46%

LAB 42.93, 33.4, -31.57

 

CMYK 15 / 42 / 0 / 32

HEX #9364AD

RGB 147 100 173

HSL 278.63, 0.31%, 0.54%

LAB 49.9, 32.56, -31.74

 

CMYK 15 / 39 / 0 / 25

HEX #A476C0

RGB 164 118 192

HSL 277.3, 0.37%, 0.61%

LAB 56.74, 31.77, -31.89

 

CMYK 14 / 36 / 0 / 17

HEX #B588D3

RGB 181 136 211

HSL 276, 0.46%, 0.68%

LAB 63.45, 31.02, -32.05

 

CMYK 23 / 54 / 0 / 45

HEX #6C408C

RGB 108 64 140

HSL 274.74, 0.37%, 0.4%

LAB 35.5, 34, -35.02

 

CMYK 25 / 62 / 0 / 53

HEX #5B2E79

RGB 91 46 121

HSL 276, 0.45%, 0.33%

LAB 28.27, 34.88, -34.85

 

CMYK 27 / 73 / 0 / 60

HEX #4A1C66

RGB 74 28 102

HSL 277.3, 0.57%, 0.25%

LAB 21, 35.5, -34.43

 

CMYK 31 / 88 / 0 / 67

HEX #390A53

RGB 57 10 83

HSL 278.63, 0.78%, 0.18%

LAB 13.89, 35.2, -33.39

 

CMYK 38 / 100 / 0 / 75

HEX #280040

RGB 40 0 64

HSL 277.5, 1%, 0.13%

LAB 7.42, 32.34, -30.83

 

CMYK 23 / 54 / 0 / 45

HEX #6C408C

RGB 108 64 140

HSL 274.74, 0.37%, 0.4%

LAB 35.5, 34, -35.02

 

CMYK 14 / 54 / 0 / 45

HEX #77408B

RGB 119 64 139

HSL 284, 0.37%, 0.4%

LAB 36.84, 36.93, -32.18

 

CMYK 5 / 54 / 0 / 45

HEX #84408B

RGB 132 64 139

HSL 294.4, 0.37%, 0.4%

LAB 38.61, 40.72, -29.27

 

CMYK 0 / 54 / 4 / 45

HEX #8B4086

RGB 139 64 134

HSL 304, 0.37%, 0.4%

LAB 39.37, 41.84, -24.95

 

CMYK 0 / 54 / 12 / 45

HEX #8B407A

RGB 139 64 122

HSL 313.6, 0.37%, 0.4%

LAB 38.83, 39.7, -18.41

 

CMYK 23 / 54 / 0 / 45

HEX #6C408C

RGB 108 64 140

HSL 274.74, 0.37%, 0.4%

LAB 35.5, 34, -35.02

 

CMYK 23 / 54 / 0 / 25

HEX #9357BF

RGB 147 87 191

HSL 274.62, 0.45%, 0.55%

LAB 47.98, 43.91, -45.23

 

CMYK 23 / 54 / 0 / 5

HEX #BB6FF2

RGB 187 111 242

HSL 274.81, 0.83%, 0.69%

LAB 60.2, 53.01, -54.39

 

CMYK 24 / 55 / 0 / 85

HEX #1D1126

RGB 29 17 38

HSL 274.29, 0.38%, 0.11%

LAB 7.24, 11.41, -12.1

 

CMYK 22 / 54 / 0 / 65

HEX #452959

RGB 69 41 89

HSL 275, 0.37%, 0.25%

LAB 22.2, 23.3, -23.99

 

CMYK 23 / 54 / 0 / 45

HEX #6C408C

RGB 108 64 140

HSL 274.74, 0.37%, 0.4%

LAB 35.5, 34, -35.02

 

CMYK 0 / 54 / 42 / 45

HEX #8B4051

RGB 139 64 81

HSL 346.4, 0.37%, 0.4%

LAB 37.39, 33.72, 5.16

 

CMYK 54 / 0 / 45 / 45

HEX #408B4C

RGB 64 139 76

HSL 129.6, 0.37%, 0.4%

LAB 51.92, -37.48, 26.74

 

CMYK 23 / 54 / 0 / 45

HEX #6C408C

RGB 108 64 140

HSL 274.74, 0.37%, 0.4%

LAB 35.5, 34, -35.02

 

CMYK 0 / 23 / 54 / 45

HEX #8B6B40

RGB 139 107 64

HSL 34.4, 0.37%, 0.4%

LAB 47.46, 7.23, 28.83

 

CMYK 54 / 0 / 23 / 45

HEX #408B6B

RGB 64 139 107

HSL 154.4, 0.37%, 0.4%

LAB 52.53, -31.31, 10.14

 

CMYK 23 / 54 / 0 / 45

HEX #6C408C

RGB 108 64 140

HSL 274.74, 0.37%, 0.4%

LAB 35.5, 34, -35.02

 

CMYK 0 / 54 / 42 / 45

HEX #8B4051

RGB 139 64 81

HSL 346.4, 0.37%, 0.4%

LAB 37.39, 33.72, 5.16

 

CMYK 31 / 0 / 54 / 45

HEX #608B40

RGB 96 139 64

HSL 94.4, 0.37%, 0.4%

LAB 53.3, -28.62, 35.1

 

CMYK 54 / 0 / 12 / 45

HEX #408B7A

RGB 64 139 122

HSL 166.4, 0.37%, 0.4%

LAB 52.91, -27.65, 2.03

 

CMYK 23 / 54 / 0 / 45

HEX #6C408C

RGB 108 64 140

HSL 274.74, 0.37%, 0.4%

LAB 35.5, 34, -35.02

 

CMYK 0 / 50 / 54 / 45

HEX #8B4540

RGB 139 69 64

HSL 4, 0.37%, 0.4%

LAB 38.05, 29.2, 16.74

 

CMYK 31 / 0 / 54 / 45

HEX #608B40

RGB 96 139 64

HSL 94.4, 0.37%, 0.4%

LAB 53.3, -28.62, 35.1

 

CMYK 54 / 4 / 0 / 45

HEX #40868B

RGB 64 134 139

HSL 184, 0.37%, 0.4%

LAB 51.84, -20.43, -9.42

 

Description

Color code: HEX #6C408C | qconv.com Color code: HEX #6C408C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 64 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 64 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 54 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 54% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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