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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 54 / 0 / 5 it is the complementary color CMYK 53 / 0 / 91 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 54 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 54 / 0 / 5: CMYK 19 / 53 / 0 / 7, CMYK 18 / 49 / 0 / 0, CMYK 11 / 42 / 0 / 0, CMYK 5 / 35 / 0 / 0 and CMYK 0 / 28 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 54 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 54 / 0 / 5: CMYK 23 / 54 / 0 / 5, CMYK 24 / 58 / 0 / 13, CMYK 25 / 63 / 0 / 20, CMYK 26 / 69 / 0 / 27 and CMYK 28 / 77 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 54 / 0 / 5

HEX #BB6FF2

RGB 187 111 242

HSL 274.81, 0.83%, 0.69%

LAB 60.2, 53.01, -54.39

 

Complementary color

CMYK 53 / 0 / 91 / 44

HEX #44900D

RGB 68 144 13

HSL 94.81, 0.83%, 0.31%

LAB 53.17, -44.37, 53.8

 

CMYK 19 / 53 / 0 / 7

HEX #C06FED

RGB 192 111 237

HSL 278.57, 0.78%, 0.68%

LAB 60.51, 53.2, -51.09

 

CMYK 18 / 49 / 0 / 0

HEX #D181FF

RGB 209 129 255

HSL 278.1, 1%, 0.75%

LAB 66.88, 52.2, -50.79

 

CMYK 11 / 42 / 0 / 0

HEX #E293FF

RGB 226 147 255

HSL 283.89, 1%, 0.79%

LAB 72.4, 47.52, -41.99

 

CMYK 5 / 35 / 0 / 0

HEX #F3A5FF

RGB 243 165 255

HSL 292, 1%, 0.82%

LAB 77.98, 43.11, -33.18

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 23 / 54 / 0 / 5

HEX #BB6FF2

RGB 187 111 242

HSL 274.81, 0.83%, 0.69%

LAB 60.2, 53.01, -54.39

 

CMYK 24 / 58 / 0 / 13

HEX #AA5DDF

RGB 170 93 223

HSL 275.54, 0.67%, 0.62%

LAB 53.71, 53.8, -54.23

 

CMYK 25 / 63 / 0 / 20

HEX #994BCC

RGB 153 75 204

HSL 276.28, 0.56%, 0.55%

LAB 47.19, 54.49, -53.97

 

CMYK 26 / 69 / 0 / 27

HEX #8839B9

RGB 136 57 185

HSL 277.03, 0.53%, 0.47%

LAB 40.68, 54.94, -53.52

 

CMYK 28 / 77 / 0 / 35

HEX #7727A6

RGB 119 39 166

HSL 277.8, 0.62%, 0.4%

LAB 34.24, 54.92, -52.74

 

CMYK 23 / 54 / 0 / 5

HEX #BB6FF2

RGB 187 111 242

HSL 274.81, 0.83%, 0.69%

LAB 60.2, 53.01, -54.39

 

CMYK 15 / 54 / 0 / 5

HEX #CE6EF1

RGB 206 110 241

HSL 283.97, 0.82%, 0.69%

LAB 62.19, 58.1, -50.54

 

CMYK 5 / 54 / 0 / 5

HEX #E46EF1

RGB 228 110 241

HSL 294.05, 0.82%, 0.69%

LAB 64.96, 63.73, -45.98

 

CMYK 0 / 54 / 4 / 5

HEX #F16EE8

RGB 241 110 232

HSL 304.12, 0.82%, 0.69%

LAB 66.27, 65.58, -38.81

 

CMYK 0 / 54 / 13 / 5

HEX #F16ED2

RGB 241 110 210

HSL 314.2, 0.82%, 0.69%

LAB 65.36, 62.1, -27.96

 

CMYK 23 / 54 / 0 / 5

HEX #BB6FF2

RGB 187 111 242

HSL 274.81, 0.83%, 0.69%

LAB 60.2, 53.01, -54.39

 

CMYK 24 / 55 / 0 / 85

HEX #1D1126

RGB 29 17 38

HSL 274.29, 0.38%, 0.11%

LAB 7.24, 11.41, -12.1

 

CMYK 22 / 54 / 0 / 65

HEX #452959

RGB 69 41 89

HSL 275, 0.37%, 0.25%

LAB 22.2, 23.3, -23.99

 

CMYK 23 / 54 / 0 / 45

HEX #6C408C

RGB 108 64 140

HSL 274.74, 0.37%, 0.4%

LAB 35.5, 34, -35.02

 

CMYK 23 / 54 / 0 / 25

HEX #9458BF

RGB 148 88 191

HSL 274.95, 0.45%, 0.55%

LAB 48.31, 43.63, -44.71

 

CMYK 23 / 54 / 0 / 5

HEX #BB6FF2

RGB 187 111 242

HSL 274.81, 0.83%, 0.69%

LAB 60.2, 53.01, -54.39

 

CMYK 0 / 54 / 42 / 5

HEX #F16E8C

RGB 241 110 140

HSL 346.26, 0.82%, 0.69%

LAB 63.13, 53.13, 8.52

 

CMYK 54 / 0 / 45 / 5

HEX #6EF184

RGB 110 241 132

HSL 130.08, 0.82%, 0.69%

LAB 85.95, -58.46, 41.82

 

CMYK 23 / 54 / 0 / 5

HEX #BB6FF2

RGB 187 111 242

HSL 274.81, 0.83%, 0.69%

LAB 60.2, 53.01, -54.39

 

CMYK 0 / 24 / 54 / 5

HEX #F1B86E

RGB 241 184 110

HSL 33.89, 0.82%, 0.69%

LAB 78.52, 12.31, 45.2

 

CMYK 54 / 0 / 24 / 5

HEX #6EF1B8

RGB 110 241 184

HSL 153.89, 0.82%, 0.69%

LAB 86.84, -49.2, 16.75

 

CMYK 23 / 54 / 0 / 5

HEX #BB6FF2

RGB 187 111 242

HSL 274.81, 0.83%, 0.69%

LAB 60.2, 53.01, -54.39

 

CMYK 0 / 54 / 42 / 5

HEX #F16E8C

RGB 241 110 140

HSL 346.26, 0.82%, 0.69%

LAB 63.13, 53.13, 8.52

 

CMYK 31 / 0 / 54 / 5

HEX #A7F16E

RGB 167 241 110

HSL 93.89, 0.82%, 0.69%

LAB 88.09, -44.48, 55.3

 

CMYK 54 / 0 / 13 / 5

HEX #6EF1D2

RGB 110 241 210

HSL 165.8, 0.82%, 0.69%

LAB 87.43, -43.47, 4.04

 

CMYK 23 / 54 / 0 / 5

HEX #BB6FF2

RGB 187 111 242

HSL 274.81, 0.83%, 0.69%

LAB 60.2, 53.01, -54.39

 

CMYK 0 / 51 / 54 / 5

HEX #F1776E

RGB 241 119 110

HSL 4.12, 0.82%, 0.69%

LAB 64.18, 46.08, 27.03

 

CMYK 31 / 0 / 54 / 5

HEX #A7F16E

RGB 167 241 110

HSL 93.89, 0.82%, 0.69%

LAB 88.09, -44.48, 55.3

 

CMYK 54 / 4 / 0 / 5

HEX #6EE8F1

RGB 110 232 241

HSL 184.12, 0.82%, 0.69%

LAB 85.7, -31.6, -14.78

 

Description

Color code: CMYK 23 / 54 / 0 / 5 | qconv.com Color code: CMYK 23 / 54 / 0 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 111 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 111 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 54 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 54% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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