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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ADD5E it is the complementary color #9522A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ADD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ADD5E shade: #6FDD59, #80EF6C, #91FF7F, #A2FF92 and #B3FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ADD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ADD5E shade: #6ADD5E, #59CB4B, #48B938, #37A725 and #269512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ADD5E shade: #6BDD5F, #8CDD5F, #AEDD5F, #D0DD5F and #DDC75F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ADD5E shade: #6BDD5F, #5FDD75, #5FDD97, #5FDDB9 and #5FDDDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ADD5E shade matches the following richer shades: #6BDD5F, #5EEC4F and #51FC3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ADD5E shade: #6BDD5F, #77CD6E, #84BD7E, #91AE8E and #9D9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ADD5E shade: #AEDD5F, #8DDD5F, #6BDD5F, #5FDD74 and #5FDD95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ADD5E shade: #37C028, #4BD53D, #6BDD5F, #8AE481 and #AAEBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ADD5E shade: #6ADD5E, #5FD0DD and #DD5F9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ADD5E shade: #6ADD5E, #5F6BDD and #DD5F6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ADD5E shade: #6ADD5E, #5FD0DD, #D05FDD and #DD6B5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ADD5E shade: #6ADD5E, #5FAADD, #D05FDD and #DD915F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 57 / 13

HEX #6ADD5E

RGB 106 221 94

HSL 114.33, 0.65%, 0.62%

LAB 79.38, -56.8, 51.64

 

Complementary color

CMYK 7 / 79 / 0 / 37

HEX #9522A1

RGB 149 34 161

HSL 294.33, 0.65%, 0.38%

LAB 38.03, 61.49, -43.38

 

CMYK 50 / 0 / 60 / 13

HEX #6FDD59

RGB 111 221 89

HSL 110, 0.66%, 0.61%

LAB 79.51, -55.99, 54.05

 

CMYK 46 / 0 / 55 / 6

HEX #80EF6C

RGB 128 239 108

HSL 110.84, 0.8%, 0.68%

LAB 85.71, -56.13, 52.96

 

CMYK 43 / 0 / 50 / 0

HEX #91FF7F

RGB 145 255 127

HSL 111.56, 1%, 0.75%

LAB 91.27, -55.35, 51.09

 

CMYK 36 / 0 / 43 / 0

HEX #A2FF92

RGB 162 255 146

HSL 111.19, 1%, 0.79%

LAB 92.25, -47.83, 43.48

 

CMYK 30 / 0 / 35 / 0

HEX #B3FFA5

RGB 179 255 165

HSL 110.67, 1%, 0.82%

LAB 93.37, -39.81, 35.78

 

CMYK 52 / 0 / 57 / 13

HEX #6ADD5E

RGB 106 221 94

HSL 114.33, 0.65%, 0.62%

LAB 79.38, -56.8, 51.64

 

CMYK 56 / 0 / 63 / 20

HEX #59CB4B

RGB 89 203 75

HSL 113.44, 0.55%, 0.55%

LAB 73.12, -56.48, 52.71

 

CMYK 61 / 0 / 70 / 27

HEX #48B938

RGB 72 185 56

HSL 112.56, 0.54%, 0.47%

LAB 66.79, -55.88, 53.53

 

CMYK 67 / 0 / 78 / 35

HEX #37A725

RGB 55 167 37

HSL 111.69, 0.64%, 0.4%

LAB 60.41, -54.86, 53.83

 

CMYK 74 / 0 / 88 / 42

HEX #269512

RGB 38 149 18

HSL 110.84, 0.78%, 0.33%

LAB 53.97, -53.2, 53.1

 

CMYK 52 / 0 / 57 / 13

HEX #6BDD5F

RGB 107 221 95

HSL 114.29, 0.65%, 0.62%

LAB 79.42, -56.42, 51.25

 

CMYK 37 / 0 / 57 / 13

HEX #8CDD5F

RGB 140 221 95

HSL 98.57, 0.65%, 0.62%

LAB 80.8, -46.54, 53.21

 

CMYK 21 / 0 / 57 / 13

HEX #AEDD5F

RGB 174 221 95

HSL 82.38, 0.65%, 0.62%

LAB 82.67, -34.5, 55.84

 

CMYK 6 / 0 / 57 / 13

HEX #D0DD5F

RGB 208 221 95

HSL 66.19, 0.65%, 0.62%

LAB 84.97, -21.27, 59.06

 

CMYK 0 / 10 / 57 / 13

HEX #DDC75F

RGB 221 199 95

HSL 49.52, 0.65%, 0.62%

LAB 80.21, -4.93, 53.95

 

CMYK 52 / 0 / 57 / 13

HEX #6BDD5F

RGB 107 221 95

HSL 114.29, 0.65%, 0.62%

LAB 79.42, -56.42, 51.25

 

CMYK 57 / 0 / 47 / 13

HEX #5FDD75

RGB 95 221 117

HSL 130.48, 0.65%, 0.62%

LAB 79.29, -56.53, 40.61

 

CMYK 57 / 0 / 32 / 13

HEX #5FDD97

RGB 95 221 151

HSL 146.67, 0.65%, 0.62%

LAB 79.83, -50.75, 24.1

 

CMYK 57 / 0 / 16 / 13

HEX #5FDDB9

RGB 95 221 185

HSL 162.86, 0.65%, 0.62%

LAB 80.54, -43.53, 7.22

 

CMYK 57 / 0 / 1 / 13

HEX #5FDDDB

RGB 95 221 219

HSL 179.05, 0.65%, 0.62%

LAB 81.43, -35.07, -9.55

 

CMYK 52 / 0 / 57 / 13

HEX #6BDD5F

RGB 107 221 95

HSL 114.29, 0.65%, 0.62%

LAB 79.42, -56.42, 51.25

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 68 / 0 / 75 / 1

HEX #51FC3F

RGB 81 252 63

HSL 114.29, 0.97%, 0.62%

LAB 87.84, -75.71, 72.43

 

CMYK 52 / 0 / 57 / 13

HEX #6BDD5F

RGB 107 221 95

HSL 114.29, 0.65%, 0.62%

LAB 79.42, -56.42, 51.25

 

CMYK 42 / 0 / 46 / 20

HEX #77CD6E

RGB 119 205 110

HSL 114.32, 0.49%, 0.62%

LAB 75.27, -44.66, 39.2

 

CMYK 30 / 0 / 33 / 26

HEX #84BD7E

RGB 132 189 126

HSL 114.29, 0.32%, 0.62%

LAB 71.42, -30.89, 26.11

 

CMYK 17 / 0 / 18 / 32

HEX #91AE8E

RGB 145 174 142

HSL 114.38, 0.16%, 0.62%

LAB 68.2, -16.2, 13.17

 

CMYK 1 / 0 / 1 / 38

HEX #9D9E9D

RGB 157 158 157

HSL 120, 0.01%, 0.62%

LAB 65.01, -0.55, 0.39

 

CMYK 21 / 0 / 57 / 13

HEX #AEDD5F

RGB 174 221 95

HSL 82.38, 0.65%, 0.62%

LAB 82.67, -34.5, 55.84

 

CMYK 36 / 0 / 57 / 13

HEX #8DDD5F

RGB 141 221 95

HSL 98.1, 0.65%, 0.62%

LAB 80.85, -46.21, 53.28

 

CMYK 52 / 0 / 57 / 13

HEX #6BDD5F

RGB 107 221 95

HSL 114.29, 0.65%, 0.62%

LAB 79.42, -56.42, 51.25

 

CMYK 57 / 0 / 48 / 13

HEX #5FDD74

RGB 95 221 116

HSL 130, 0.65%, 0.62%

LAB 79.27, -56.68, 41.08

 

CMYK 57 / 0 / 33 / 13

HEX #5FDD95

RGB 95 221 149

HSL 145.71, 0.65%, 0.62%

LAB 79.79, -51.14, 25.09

 

CMYK 71 / 0 / 79 / 25

HEX #37C028

RGB 55 192 40

HSL 114.08, 0.66%, 0.45%

LAB 68.51, -62.91, 60.65

 

CMYK 65 / 0 / 71 / 16

HEX #4BD53D

RGB 75 213 61

HSL 114.47, 0.64%, 0.54%

LAB 75.71, -64.46, 60.92

 

CMYK 52 / 0 / 57 / 13

HEX #6BDD5F

RGB 107 221 95

HSL 114.29, 0.65%, 0.62%

LAB 79.42, -56.42, 51.25

 

CMYK 39 / 0 / 43 / 11

HEX #8AE481

RGB 138 228 129

HSL 114.55, 0.65%, 0.7%

LAB 83.17, -46.03, 39.96

 

CMYK 28 / 0 / 31 / 8

HEX #AAEBA3

RGB 170 235 163

HSL 114.17, 0.64%, 0.78%

LAB 87.29, -33.96, 28.58

 

CMYK 52 / 0 / 57 / 13

HEX #6ADD5E

RGB 106 221 94

HSL 114.33, 0.65%, 0.62%

LAB 79.38, -56.8, 51.64

 

CMYK 57 / 6 / 0 / 13

HEX #5FD0DD

RGB 95 208 221

HSL 186.19, 0.65%, 0.62%

LAB 77.74, -28.32, -16.16

 

CMYK 0 / 57 / 29 / 13

HEX #DD5F9E

RGB 221 95 158

HSL 330, 0.65%, 0.62%

LAB 58.06, 55.72, -9.65

 

CMYK 52 / 0 / 57 / 13

HEX #6ADD5E

RGB 106 221 94

HSL 114.33, 0.65%, 0.62%

LAB 79.38, -56.8, 51.64

 

CMYK 57 / 52 / 0 / 13

HEX #5F6BDD

RGB 95 107 221

HSL 234.29, 0.65%, 0.62%

LAB 49.7, 28.51, -59.91

 

CMYK 0 / 57 / 52 / 13

HEX #DD5F6B

RGB 221 95 107

HSL 354.29, 0.65%, 0.62%

LAB 56.7, 50.28, 18.22

 

CMYK 52 / 0 / 57 / 13

HEX #6ADD5E

RGB 106 221 94

HSL 114.33, 0.65%, 0.62%

LAB 79.38, -56.8, 51.64

 

CMYK 57 / 6 / 0 / 13

HEX #5FD0DD

RGB 95 208 221

HSL 186.19, 0.65%, 0.62%

LAB 77.74, -28.32, -16.16

 

CMYK 6 / 57 / 0 / 13

HEX #D05FDD

RGB 208 95 221

HSL 293.81, 0.65%, 0.62%

LAB 58.8, 61.88, -44.71

 

CMYK 0 / 52 / 57 / 13

HEX #DD6B5F

RGB 221 107 95

HSL 5.71, 0.65%, 0.62%

LAB 58.71, 43.53, 27.8

 

CMYK 52 / 0 / 57 / 13

HEX #6ADD5E

RGB 106 221 94

HSL 114.33, 0.65%, 0.62%

LAB 79.38, -56.8, 51.64

 

CMYK 57 / 23 / 0 / 13

HEX #5FAADD

RGB 95 170 221

HSL 204.29, 0.65%, 0.62%

LAB 66.83, -8.65, -32.83

 

CMYK 6 / 57 / 0 / 13

HEX #D05FDD

RGB 208 95 221

HSL 293.81, 0.65%, 0.62%

LAB 58.8, 61.88, -44.71

 

CMYK 0 / 34 / 57 / 13

HEX #DD915F

RGB 221 145 95

HSL 23.81, 0.65%, 0.62%

LAB 66.86, 23.7, 38.11

 

Description

Color code: HEX #6ADD5E | qconv.com Color code: HEX #6ADD5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 221 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 221 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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