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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 65 / 0 / 71 / 16 it is the complementary color CMYK 7 / 79 / 0 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 65 / 0 / 71 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 65 / 0 / 71 / 16: CMYK 63 / 0 / 73 / 16, CMYK 58 / 0 / 67 / 9, CMYK 54 / 0 / 62 / 2, CMYK 49 / 0 / 55 / 0 and CMYK 42 / 0 / 48 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 65 / 0 / 71 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 65 / 0 / 71 / 16: CMYK 65 / 0 / 71 / 16, CMYK 70 / 0 / 78 / 23, CMYK 77 / 0 / 87 / 30, CMYK 85 / 0 / 97 / 37 and CMYK 95 / 0 / 100 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 71 / 16

HEX #4BD63E

RGB 75 214 62

HSL 114.87, 0.65%, 0.54%

LAB 76.03, -64.71, 60.88

 

Complementary color

CMYK 7 / 79 / 0 / 24

HEX #B429C1

RGB 180 41 193

HSL 294.87, 0.65%, 0.46%

LAB 45.82, 71.05, -49.57

 

CMYK 63 / 0 / 73 / 16

HEX #50D639

RGB 80 214 57

HSL 111.21, 0.66%, 0.53%

LAB 76.13, -64.04, 62.79

 

CMYK 58 / 0 / 67 / 9

HEX #61E84C

RGB 97 232 76

HSL 111.92, 0.77%, 0.6%

LAB 82.26, -64.84, 62.31

 

CMYK 54 / 0 / 62 / 2

HEX #72FA5F

RGB 114 250 95

HSL 112.65, 0.94%, 0.68%

LAB 88.34, -65.34, 61.49

 

CMYK 49 / 0 / 55 / 0

HEX #83FF72

RGB 131 255 114

HSL 112.77, 1%, 0.72%

LAB 90.58, -60.78, 56.04

 

CMYK 42 / 0 / 48 / 0

HEX #94FF85

RGB 148 255 133

HSL 112.62, 1%, 0.76%

LAB 91.46, -53.73, 48.56

 

CMYK 65 / 0 / 71 / 16

HEX #4BD63E

RGB 75 214 62

HSL 114.87, 0.65%, 0.54%

LAB 76.03, -64.71, 60.88

 

CMYK 70 / 0 / 78 / 23

HEX #3AC42B

RGB 58 196 43

HSL 114.12, 0.64%, 0.47%

LAB 69.86, -63.47, 61.05

 

CMYK 77 / 0 / 87 / 30

HEX #29B218

RGB 41 178 24

HSL 113.38, 0.76%, 0.4%

LAB 63.65, -61.63, 60.32

 

CMYK 85 / 0 / 97 / 37

HEX #18A005

RGB 24 160 5

HSL 112.65, 0.94%, 0.32%

LAB 57.41, -58.98, 58.19

 

CMYK 95 / 0 / 100 / 44

HEX #078E00

RGB 7 142 0

HSL 117.04, 1%, 0.28%

LAB 51.14, -55.26, 53.86

 

CMYK 65 / 0 / 71 / 16

HEX #4BD63E

RGB 75 214 62

HSL 114.87, 0.65%, 0.54%

LAB 76.03, -64.71, 60.88

 

CMYK 71 / 0 / 67 / 16

HEX #3DD547

RGB 61 213 71

HSL 123.95, 0.64%, 0.54%

LAB 75.47, -66.18, 56.74

 

CMYK 71 / 0 / 54 / 16

HEX #3DD561

RGB 61 213 97

HSL 134.21, 0.64%, 0.54%

LAB 75.73, -63.17, 45.64

 

CMYK 71 / 0 / 43 / 16

HEX #3DD57A

RGB 61 213 122

HSL 144.08, 0.64%, 0.54%

LAB 76.06, -59.31, 33.82

 

CMYK 71 / 0 / 31 / 16

HEX #3DD593

RGB 61 213 147

HSL 153.95, 0.64%, 0.54%

LAB 76.49, -54.54, 21.48

 

CMYK 65 / 0 / 71 / 16

HEX #4BD63E

RGB 75 214 62

HSL 114.87, 0.65%, 0.54%

LAB 76.03, -64.71, 60.88

 

CMYK 60 / 0 / 70 / 96

HEX #040A03

RGB 4 10 3

HSL 111.43, 0.54%, 0.03%

LAB 2.25, -2.54, 2.1

 

CMYK 66 / 0 / 70 / 76

HEX #153D12

RGB 21 61 18

HSL 115.81, 0.54%, 0.15%

LAB 22.09, -24.17, 21.85

 

CMYK 65 / 0 / 71 / 56

HEX #277020

RGB 39 112 32

HSL 114.75, 0.56%, 0.28%

LAB 41.41, -38.97, 36.36

 

CMYK 65 / 0 / 71 / 36

HEX #39A32F

RGB 57 163 47

HSL 114.83, 0.55%, 0.41%

LAB 59.22, -52.26, 49.02

 

CMYK 65 / 0 / 71 / 16

HEX #4BD63E

RGB 75 214 62

HSL 114.87, 0.65%, 0.54%

LAB 76.03, -64.71, 60.88

 

CMYK 71 / 7 / 0 / 16

HEX #3DC6D5

RGB 61 198 213

HSL 185.92, 0.64%, 0.54%

LAB 73.67, -31.1, -18.07

 

CMYK 0 / 71 / 36 / 16

HEX #D53D89

RGB 213 61 137

HSL 330, 0.64%, 0.54%

LAB 51.02, 64.73, -7.91

 

CMYK 65 / 0 / 71 / 16

HEX #4BD63E

RGB 75 214 62

HSL 114.87, 0.65%, 0.54%

LAB 76.03, -64.71, 60.88

 

CMYK 71 / 64 / 0 / 16

HEX #3D4CD5

RGB 61 76 213

HSL 234.08, 0.64%, 0.54%

LAB 39.52, 39.71, -71.98

 

CMYK 0 / 71 / 64 / 16

HEX #D53D4C

RGB 213 61 76

HSL 354.08, 0.64%, 0.54%

LAB 49.5, 59.65, 26.76

 

CMYK 65 / 0 / 71 / 16

HEX #4BD63E

RGB 75 214 62

HSL 114.87, 0.65%, 0.54%

LAB 76.03, -64.71, 60.88

 

CMYK 71 / 7 / 0 / 16

HEX #3DC6D5

RGB 61 198 213

HSL 185.92, 0.64%, 0.54%

LAB 73.67, -31.1, -18.07

 

CMYK 7 / 71 / 0 / 16

HEX #C63DD5

RGB 198 61 213

HSL 294.08, 0.64%, 0.54%

LAB 52, 71.86, -51.06

 

CMYK 0 / 64 / 71 / 16

HEX #D54C3D

RGB 213 76 61

HSL 5.92, 0.64%, 0.54%

LAB 51.44, 52.99, 37.79

 

CMYK 65 / 0 / 71 / 16

HEX #4BD63E

RGB 75 214 62

HSL 114.87, 0.65%, 0.54%

LAB 76.03, -64.71, 60.88

 

CMYK 71 / 29 / 0 / 16

HEX #3D98D5

RGB 61 152 213

HSL 204.08, 0.64%, 0.54%

LAB 60.12, -7.03, -38.94

 

CMYK 7 / 71 / 0 / 16

HEX #C63DD5

RGB 198 61 213

HSL 294.08, 0.64%, 0.54%

LAB 52, 71.86, -51.06

 

CMYK 0 / 43 / 71 / 16

HEX #D57A3D

RGB 213 122 61

HSL 24.08, 0.64%, 0.54%

LAB 60.25, 30.54, 47.56

 

Description

Color code: CMYK 65 / 0 / 71 / 16 | qconv.com Color code: CMYK 65 / 0 / 71 / 16 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 214 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 214 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 71 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 71% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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