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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EEC4F it is the complementary color #A113B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EEC4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EEC4F shade: #63EC4A, #74FE5D, #85FF70, #96FF83 and #A7FF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EEC4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EEC4F shade: #5EEC4F, #4DDA3C, #3CC829, #2BB616 and #1AA403

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EEC4F shade: #5EEC4F, #88EC4F, #B3EC4F, #DDEC4F and #ECD14F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EEC4F shade: #5EEC4F, #4FEC6A, #4FEC95, #4FECBF and #4FECE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EEC4F shade matches the following richer shades: #5EEC4F and #51FC3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EEC4F shade: #5EEC4F, #6BDC5F, #77CD6E, #84BD7E and #91AD8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EEC4F shade: #B3EC4F, #89EC4F, #5FEC4F, #4FEC69 and #4FEC93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EEC4F shade: #28D316, #3CE82A, #5EEC4F, #80F074 and #A2F49A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EEC4F shade: #5EEC4F, #4FDCEC and #EC4F9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EEC4F shade: #5EEC4F, #4F5FEC and #EC4F5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EEC4F shade: #5EEC4F, #4FDCEC, #DC4FEC and #EC5F4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EEC4F shade: #5EEC4F, #4FADEC, #DC4FEC and #EC8E4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

Complementary color

CMYK 9 / 89 / 0 / 31

HEX #A113B0

RGB 161 19 176

HSL 294.27, 0.81%, 0.38%

LAB 39.88, 69.67, -49.28

 

CMYK 58 / 0 / 69 / 7

HEX #63EC4A

RGB 99 236 74

HSL 110.74, 0.81%, 0.61%

LAB 83.51, -65.92, 64.42

 

CMYK 54 / 0 / 63 / 0

HEX #74FE5D

RGB 116 254 93

HSL 111.43, 0.99%, 0.68%

LAB 89.57, -66.46, 63.69

 

CMYK 48 / 0 / 56 / 0

HEX #85FF70

RGB 133 255 112

HSL 111.19, 1%, 0.72%

LAB 90.63, -60.46, 57.01

 

CMYK 41 / 0 / 49 / 0

HEX #96FF83

RGB 150 255 131

HSL 110.81, 1%, 0.76%

LAB 91.52, -53.39, 49.59

 

CMYK 35 / 0 / 41 / 0

HEX #A7FF96

RGB 167 255 150

HSL 110.29, 1%, 0.79%

LAB 92.55, -45.73, 41.96

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 65 / 0 / 72 / 15

HEX #4DDA3C

RGB 77 218 60

HSL 113.54, 0.68%, 0.55%

LAB 77.31, -65.79, 62.91

 

CMYK 70 / 0 / 80 / 22

HEX #3CC829

RGB 60 200 41

HSL 112.83, 0.66%, 0.47%

LAB 71.17, -64.51, 62.91

 

CMYK 76 / 0 / 88 / 29

HEX #2BB616

RGB 43 182 22

HSL 112.13, 0.78%, 0.4%

LAB 64.98, -62.64, 61.93

 

CMYK 84 / 0 / 98 / 36

HEX #1AA403

RGB 26 164 3

HSL 111.43, 0.96%, 0.33%

LAB 58.77, -60, 59.6

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 42 / 0 / 67 / 7

HEX #88EC4F

RGB 136 236 79

HSL 98.22, 0.81%, 0.62%

LAB 84.89, -55.36, 64.37

 

CMYK 24 / 0 / 67 / 7

HEX #B3EC4F

RGB 179 236 79

HSL 81.78, 0.81%, 0.62%

LAB 87.07, -40.63, 67.33

 

CMYK 6 / 0 / 67 / 7

HEX #DDEC4F

RGB 221 236 79

HSL 65.73, 0.81%, 0.62%

LAB 89.83, -24.33, 71.04

 

CMYK 0 / 11 / 67 / 7

HEX #ECD14F

RGB 236 209 79

HSL 49.68, 0.81%, 0.62%

LAB 83.96, -4.83, 65.4

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 67 / 0 / 55 / 7

HEX #4FEC6A

RGB 79 236 106

HSL 130.32, 0.81%, 0.62%

LAB 83.28, -66.77, 50.62

 

CMYK 67 / 0 / 37 / 7

HEX #4FEC95

RGB 79 236 149

HSL 146.75, 0.81%, 0.62%

LAB 83.87, -60.08, 30.51

 

CMYK 67 / 0 / 19 / 7

HEX #4FECBF

RGB 79 236 191

HSL 162.8, 0.81%, 0.62%

LAB 84.7, -51.32, 9.95

 

CMYK 67 / 0 / 1 / 7

HEX #4FECE9

RGB 79 236 233

HSL 178.85, 0.81%, 0.62%

LAB 85.77, -40.71, -10.54

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 68 / 0 / 75 / 1

HEX #51FC3F

RGB 81 252 63

HSL 114.29, 0.97%, 0.62%

LAB 87.84, -75.71, 72.43

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 51 / 0 / 57 / 14

HEX #6BDC5F

RGB 107 220 95

HSL 114.24, 0.64%, 0.62%

LAB 79.12, -56.04, 50.9

 

CMYK 42 / 0 / 46 / 20

HEX #77CD6E

RGB 119 205 110

HSL 114.32, 0.49%, 0.62%

LAB 75.27, -44.66, 39.2

 

CMYK 30 / 0 / 33 / 26

HEX #84BD7E

RGB 132 189 126

HSL 114.29, 0.32%, 0.62%

LAB 71.42, -30.89, 26.11

 

CMYK 16 / 0 / 18 / 32

HEX #91AD8E

RGB 145 173 142

HSL 114.19, 0.16%, 0.62%

LAB 67.92, -15.69, 12.78

 

CMYK 24 / 0 / 67 / 7

HEX #B3EC4F

RGB 179 236 79

HSL 81.78, 0.81%, 0.62%

LAB 87.07, -40.63, 67.33

 

CMYK 42 / 0 / 67 / 7

HEX #89EC4F

RGB 137 236 79

HSL 97.83, 0.81%, 0.62%

LAB 84.93, -55.05, 64.43

 

CMYK 60 / 0 / 67 / 7

HEX #5FEC4F

RGB 95 236 79

HSL 113.89, 0.81%, 0.62%

LAB 83.44, -66.42, 62.39

 

CMYK 67 / 0 / 56 / 7

HEX #4FEC69

RGB 79 236 105

HSL 129.94, 0.81%, 0.62%

LAB 83.27, -66.9, 51.06

 

CMYK 67 / 0 / 38 / 7

HEX #4FEC93

RGB 79 236 147

HSL 145.99, 0.81%, 0.62%

LAB 83.84, -60.44, 31.47

 

CMYK 81 / 0 / 90 / 17

HEX #28D316

RGB 40 211 22

HSL 114.29, 0.81%, 0.46%

LAB 74.25, -71.62, 69.9

 

CMYK 74 / 0 / 82 / 9

HEX #3CE82A

RGB 60 232 42

HSL 114.32, 0.81%, 0.54%

LAB 81.2, -74.3, 71.95

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 47 / 0 / 52 / 6

HEX #80F074

RGB 128 240 116

HSL 114.19, 0.81%, 0.7%

LAB 86.09, -55.58, 49.75

 

CMYK 34 / 0 / 37 / 4

HEX #A2F49A

RGB 162 244 154

HSL 114.67, 0.8%, 0.78%

LAB 89.26, -41.95, 35.67

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 67 / 7 / 0 / 7

HEX #4FDCEC

RGB 79 220 236

HSL 186.11, 0.81%, 0.62%

LAB 81.24, -32.47, -18.93

 

CMYK 0 / 67 / 33 / 7

HEX #EC4F9E

RGB 236 79 158

HSL 329.81, 0.81%, 0.62%

LAB 57.94, 66.81, -9.59

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 67 / 60 / 0 / 7

HEX #4F5FEC

RGB 79 95 236

HSL 233.89, 0.81%, 0.62%

LAB 46.85, 38.22, -73.04

 

CMYK 0 / 67 / 60 / 7

HEX #EC4F5F

RGB 236 79 95

HSL 353.89, 0.81%, 0.62%

LAB 56.34, 61.18, 25.17

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 67 / 7 / 0 / 7

HEX #4FDCEC

RGB 79 220 236

HSL 186.11, 0.81%, 0.62%

LAB 81.24, -32.47, -18.93

 

CMYK 7 / 67 / 0 / 7

HEX #DC4FEC

RGB 220 79 236

HSL 293.89, 0.81%, 0.62%

LAB 58.85, 74.03, -52.94

 

CMYK 0 / 60 / 67 / 7

HEX #EC5F4F

RGB 236 95 79

HSL 6.11, 0.81%, 0.62%

LAB 58.59, 53.5, 37.13

 

CMYK 60 / 0 / 67 / 7

HEX #5EEC4F

RGB 94 236 79

HSL 114.27, 0.81%, 0.62%

LAB 83.41, -66.64, 62.35

 

CMYK 67 / 27 / 0 / 7

HEX #4FADEC

RGB 79 173 236

HSL 204.08, 0.81%, 0.62%

LAB 67.73, -8.39, -39.69

 

CMYK 7 / 67 / 0 / 7

HEX #DC4FEC

RGB 220 79 236

HSL 293.89, 0.81%, 0.62%

LAB 58.85, 74.03, -52.94

 

CMYK 0 / 40 / 67 / 7

HEX #EC8E4F

RGB 236 142 79

HSL 24.08, 0.81%, 0.62%

LAB 67.83, 30.3, 47.92

 

Description

Color code: HEX #5EEC4F | qconv.com Color code: HEX #5EEC4F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 236 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 236 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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