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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #695F52 it is the complementary color #96A0AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #695F52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #695F52: #6E5F4D, #7F7160, #908373, #A19586 and #B2A799

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #695F52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #695F52: #695F52, #584D3F, #473B2C, #362919 and #251706

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 22 / 59

HEX #695F52

RGB 105 95 82

HSL 33.91, 0.12%, 0.37%

LAB 40.89, 1.65, 8.9

 

Complementary color

CMYK 13 / 8 / 0 / 32

HEX #96A0AD

RGB 150 160 173

HSL 213.91, 0.12%, 0.63%

LAB 65.47, -0.84, -7.96

 

CMYK 0 / 14 / 30 / 57

HEX #6E5F4D

RGB 110 95 77

HSL 32.73, 0.18%, 0.37%

LAB 41.27, 3.01, 12.54

 

CMYK 0 / 11 / 24 / 50

HEX #7F7160

RGB 127 113 96

HSL 32.9, 0.14%, 0.44%

LAB 48.47, 2.54, 11.44

 

CMYK 0 / 9 / 20 / 44

HEX #908373

RGB 144 131 115

HSL 33.1, 0.12%, 0.51%

LAB 55.48, 2.16, 10.43

 

CMYK 0 / 7 / 17 / 37

HEX #A19586

RGB 161 149 134

HSL 33.33, 0.13%, 0.58%

LAB 62.33, 1.84, 9.51

 

CMYK 0 / 6 / 14 / 30

HEX #B2A799

RGB 178 167 153

HSL 33.6, 0.14%, 0.65%

LAB 69.04, 1.55, 8.66

 

CMYK 0 / 10 / 22 / 59

HEX #695F52

RGB 105 95 82

HSL 33.91, 0.12%, 0.37%

LAB 40.89, 1.65, 8.9

 

CMYK 0 / 13 / 28 / 65

HEX #584D3F

RGB 88 77 63

HSL 33.6, 0.17%, 0.3%

LAB 33.44, 2.08, 10

 

CMYK 0 / 17 / 38 / 72

HEX #473B2C

RGB 71 59 44

HSL 33.33, 0.23%, 0.23%

LAB 25.71, 2.65, 11.26

 

CMYK 0 / 24 / 54 / 79

HEX #362919

RGB 54 41 25

HSL 33.1, 0.37%, 0.15%

LAB 17.65, 3.47, 12.78

 

CMYK 0 / 38 / 84 / 85

HEX #251706

RGB 37 23 6

HSL 32.9, 0.72%, 0.08%

LAB 9.15, 4.77, 11.33

 

CMYK 0 / 10 / 22 / 59

HEX #695F52

RGB 105 95 82

HSL 33.91, 0.12%, 0.37%

LAB 40.89, 1.65, 8.9

 

CMYK 0 / 6 / 21 / 59

HEX #696353

RGB 105 99 83

HSL 43.64, 0.12%, 0.37%

LAB 42.08, -0.57, 9.96

 

CMYK 0 / 2 / 21 / 59

HEX #696753

RGB 105 103 83

HSL 54.55, 0.12%, 0.37%

LAB 43.25, -2.93, 11.59

 

CMYK 1 / 0 / 21 / 59

HEX #686953

RGB 104 105 83

HSL 62.73, 0.12%, 0.37%

LAB 43.76, -4.52, 12.28

 

CMYK 5 / 0 / 21 / 59

HEX #646953

RGB 100 105 83

HSL 73.64, 0.12%, 0.37%

LAB 43.41, -6.18, 11.75

 

CMYK 0 / 10 / 22 / 59

HEX #695F52

RGB 105 95 82

HSL 33.91, 0.12%, 0.37%

LAB 40.89, 1.65, 8.9

 

CMYK 0 / 10 / 22 / 39

HEX #9C8D7A

RGB 156 141 122

HSL 33.53, 0.15%, 0.55%

LAB 59.46, 2.42, 12.18

 

CMYK 0 / 10 / 22 / 19

HEX #CFBBA2

RGB 207 187 162

HSL 33.33, 0.32%, 0.72%

LAB 76.93, 3.13, 15.25

 

CMYK 0 / 0 / 33 / 99

HEX #030302

RGB 3 3 2

HSL 60, 0.2%, 0.01%

LAB 0.8, -0.14, 0.38

 

CMYK 0 / 9 / 22 / 79

HEX #36312A

RGB 54 49 42

HSL 35, 0.13%, 0.19%

LAB 20.63, 0.79, 5.28

 

CMYK 0 / 10 / 22 / 59

HEX #695F52

RGB 105 95 82

HSL 33.91, 0.12%, 0.37%

LAB 40.89, 1.65, 8.9

 

CMYK 16 / 0 / 21 / 59

HEX #586953

RGB 88 105 83

HSL 106.36, 0.12%, 0.37%

LAB 42.46, -11.04, 10.28

 

CMYK 18 / 21 / 0 / 59

HEX #565369

RGB 86 83 105

HSL 248.18, 0.12%, 0.37%

LAB 36.34, 6.29, -12.22

 

CMYK 0 / 10 / 22 / 59

HEX #695F52

RGB 105 95 82

HSL 33.91, 0.12%, 0.37%

LAB 40.89, 1.65, 8.9

 

CMYK 21 / 0 / 10 / 59

HEX #53695F

RGB 83 105 95

HSL 152.73, 0.12%, 0.37%

LAB 42.41, -10.47, 2.92

 

CMYK 10 / 21 / 0 / 59

HEX #5F5369

RGB 95 83 105

HSL 272.73, 0.12%, 0.37%

LAB 37.19, 9.61, -10.85

 

CMYK 0 / 10 / 22 / 59

HEX #695F52

RGB 105 95 82

HSL 33.91, 0.12%, 0.37%

LAB 40.89, 1.65, 8.9

 

CMYK 16 / 0 / 21 / 59

HEX #586953

RGB 88 105 83

HSL 106.36, 0.12%, 0.37%

LAB 42.46, -11.04, 10.28

 

CMYK 21 / 11 / 0 / 59

HEX #535D69

RGB 83 93 105

HSL 212.73, 0.12%, 0.37%

LAB 39.05, -0.99, -8.15

 

CMYK 5 / 21 / 0 / 59

HEX #645369

RGB 100 83 105

HSL 286.36, 0.12%, 0.37%

LAB 37.69, 11.49, -10.04

 

CMYK 0 / 10 / 22 / 59

HEX #695F52

RGB 105 95 82

HSL 33.91, 0.12%, 0.37%

LAB 40.89, 1.65, 8.9

 

CMYK 21 / 0 / 20 / 59

HEX #536954

RGB 83 105 84

HSL 122.73, 0.12%, 0.37%

LAB 42.13, -12.79, 9.16

 

CMYK 21 / 11 / 0 / 59

HEX #535D69

RGB 83 93 105

HSL 212.73, 0.12%, 0.37%

LAB 39.05, -0.99, -8.15

 

CMYK 0 / 21 / 1 / 59

HEX #695368

RGB 105 83 104

HSL 302.73, 0.12%, 0.37%

LAB 38.18, 13.17, -8.63

 

Description

Color code: HEX #695F52 | qconv.com Color code: HEX #695F52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 95 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 95 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 22 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 22% 59% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - MobiMedia博霖行動行銷
Link: http://www.mobimedia.com.tw

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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