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Color name
HEX #CFBBA2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFBBA2 it is the complementary color #30445D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFBBA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFBBA2 shade: #D4BB9D, #E5CDB0, #F6DFC3, #FFF1D6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFBBA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFBBA2 shade: #CFBBA2, #BEA98F, #AD977C, #9C8569 and #8B7356

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFBBA2 shade: #CEBAA1, #CEAEA1 and #CEA1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFBBA2 shade: #CEBAA1, #CEC6A1, #CACEA1, #BECEA1 and #B1CEA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFBBA2 shade matches the following richer shades: #CEBAA1, #DABB95, #E6BD8A, #F1BE7E and #FDBF73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFBBA2 shade: #CEBAA1, #C3B9AC, #B7B8B8, #ACB6C3 and #A0B5CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFBBA2 shade: #CEA2A1, #CEAEA1, #CEBAA1, #CEC6A1 and #CBCEA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFBBA2 shade: #B2926A, #C0A686, #CEBAA1, #DCCEBC and #EBE2D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFBBA2 shade: #CFBBA2, #ACCEA1 and #A8A1CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFBBA2 shade: #CFBBA2, #A1CEBA and #BAA1CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFBBA2 shade: #CFBBA2, #ACCEA1, #A1B5CE and #C3A1CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFBBA2 shade: #CFBBA2, #A1CEA3, #A1B5CE and #CEA1CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 22 / 19

HEX #CFBBA2

RGB 207 187 162

HSL 33.33, 0.32%, 0.72%

LAB 76.93, 3.13, 15.25

 

Complementary color

CMYK 48 / 27 / 0 / 64

HEX #30445D

RGB 48 68 93

HSL 213.33, 0.32%, 0.28%

LAB 28.26, -0.19, -17.27

 

CMYK 0 / 12 / 26 / 17

HEX #D4BB9D

RGB 212 187 157

HSL 32.73, 0.39%, 0.72%

LAB 77.26, 4.32, 18.47

 

CMYK 0 / 10 / 23 / 10

HEX #E5CDB0

RGB 229 205 176

HSL 32.83, 0.5%, 0.79%

LAB 83.68, 3.93, 17.51

 

CMYK 0 / 9 / 21 / 4

HEX #F6DFC3

RGB 246 223 195

HSL 32.94, 0.74%, 0.86%

LAB 90, 3.57, 16.6

 

CMYK 0 / 5 / 16 / 0

HEX #FFF1D6

RGB 255 241 214

HSL 39.51, 1%, 0.92%

LAB 95.59, 0.41, 14.73

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 10 / 22 / 19

HEX #CFBBA2

RGB 207 187 162

HSL 33.33, 0.32%, 0.72%

LAB 76.93, 3.13, 15.25

 

CMYK 0 / 11 / 25 / 25

HEX #BEA98F

RGB 190 169 143

HSL 33.19, 0.27%, 0.65%

LAB 70.39, 3.51, 16.21

 

CMYK 0 / 13 / 28 / 32

HEX #AD977C

RGB 173 151 124

HSL 33.06, 0.23%, 0.58%

LAB 63.73, 3.94, 17.24

 

CMYK 0 / 15 / 33 / 39

HEX #9C8569

RGB 156 133 105

HSL 32.94, 0.2%, 0.51%

LAB 56.94, 4.44, 18.35

 

CMYK 0 / 17 / 38 / 45

HEX #8B7356

RGB 139 115 86

HSL 32.83, 0.24%, 0.44%

LAB 50, 5.04, 19.57

 

CMYK 0 / 10 / 22 / 19

HEX #CEBAA1

RGB 206 186 161

HSL 33.33, 0.31%, 0.72%

LAB 76.57, 3.14, 15.27

 

CMYK 0 / 16 / 22 / 19

HEX #CEAEA1

RGB 206 174 161

HSL 17.33, 0.31%, 0.72%

LAB 73.52, 9.57, 10.98

 

CMYK 0 / 22 / 22 / 19

HEX #CEA1A1

RGB 206 161 161

HSL 0, 0.31%, 0.72%

LAB 70.31, 16.63, 6.38

 

CMYK 0 / 10 / 22 / 19

HEX #CEBAA1

RGB 206 186 161

HSL 33.33, 0.31%, 0.72%

LAB 76.57, 3.14, 15.27

 

CMYK 0 / 4 / 22 / 19

HEX #CEC6A1

RGB 206 198 161

HSL 49.33, 0.31%, 0.72%

LAB 79.66, -3.18, 19.58

 

CMYK 2 / 0 / 22 / 19

HEX #CACEA1

RGB 202 206 161

HSL 65.33, 0.31%, 0.72%

LAB 81.44, -8.82, 21.98

 

CMYK 8 / 0 / 22 / 19

HEX #BECEA1

RGB 190 206 161

HSL 81.33, 0.31%, 0.72%

LAB 80.55, -13.24, 20.62

 

CMYK 14 / 0 / 22 / 19

HEX #B1CEA1

RGB 177 206 161

HSL 98.67, 0.31%, 0.72%

LAB 79.65, -17.92, 19.23

 

CMYK 0 / 10 / 22 / 19

HEX #CEBAA1

RGB 206 186 161

HSL 33.33, 0.31%, 0.72%

LAB 76.57, 3.14, 15.27

 

CMYK 0 / 14 / 32 / 15

HEX #DABB95

RGB 218 187 149

HSL 33.04, 0.48%, 0.72%

LAB 77.65, 5.57, 23.37

 

CMYK 0 / 18 / 40 / 10

HEX #E6BD8A

RGB 230 189 138

HSL 33.26, 0.65%, 0.72%

LAB 79.07, 7.92, 31.29

 

CMYK 0 / 21 / 48 / 5

HEX #F1BE7E

RGB 241 190 126

HSL 33.39, 0.8%, 0.72%

LAB 80.2, 10.55, 39.18

 

CMYK 0 / 25 / 55 / 1

HEX #FDBF73

RGB 253 191 115

HSL 33.04, 0.97%, 0.72%

LAB 81.5, 13.91, 46.62

 

CMYK 0 / 10 / 22 / 19

HEX #CEBAA1

RGB 206 186 161

HSL 33.33, 0.31%, 0.72%

LAB 76.57, 3.14, 15.27

 

CMYK 0 / 5 / 12 / 24

HEX #C3B9AC

RGB 195 185 172

HSL 33.91, 0.16%, 0.72%

LAB 75.62, 1.3, 7.85

 

CMYK 1 / 0 / 0 / 28

HEX #B7B8B8

RGB 183 184 184

HSL 180, 0.01%, 0.72%

LAB 74.7, -0.35, -0.13

 

CMYK 12 / 7 / 0 / 24

HEX #ACB6C3

RGB 172 182 195

HSL 213.91, 0.16%, 0.72%

LAB 73.65, -0.85, -7.78

 

CMYK 23 / 13 / 0 / 19

HEX #A0B5CF

RGB 160 181 207

HSL 213.19, 0.33%, 0.72%

LAB 72.91, -1.54, -15.54

 

CMYK 0 / 21 / 22 / 19

HEX #CEA2A1

RGB 206 162 161

HSL 1.33, 0.31%, 0.72%

LAB 70.55, 16.08, 6.74

 

CMYK 0 / 16 / 22 / 19

HEX #CEAEA1

RGB 206 174 161

HSL 17.33, 0.31%, 0.72%

LAB 73.52, 9.57, 10.98

 

CMYK 0 / 10 / 22 / 19

HEX #CEBAA1

RGB 206 186 161

HSL 33.33, 0.31%, 0.72%

LAB 76.57, 3.14, 15.27

 

CMYK 0 / 4 / 22 / 19

HEX #CEC6A1

RGB 206 198 161

HSL 49.33, 0.31%, 0.72%

LAB 79.66, -3.18, 19.58

 

CMYK 1 / 0 / 22 / 19

HEX #CBCEA1

RGB 203 206 161

HSL 64, 0.31%, 0.72%

LAB 81.52, -8.45, 22.1

 

CMYK 0 / 18 / 40 / 30

HEX #B2926A

RGB 178 146 106

HSL 33.33, 0.32%, 0.56%

LAB 62.56, 6.44, 25.71

 

CMYK 0 / 14 / 30 / 25

HEX #C0A686

RGB 192 166 134

HSL 33.1, 0.32%, 0.64%

LAB 69.61, 4.67, 20.09

 

CMYK 0 / 10 / 22 / 19

HEX #CEBAA1

RGB 206 186 161

HSL 33.33, 0.31%, 0.72%

LAB 76.57, 3.14, 15.27

 

CMYK 0 / 6 / 15 / 14

HEX #DCCEBC

RGB 220 206 188

HSL 33.75, 0.31%, 0.8%

LAB 83.44, 1.89, 10.69

 

CMYK 0 / 4 / 9 / 8

HEX #EBE2D7

RGB 235 226 215

HSL 33, 0.33%, 0.88%

LAB 90.3, 1.19, 6.45

 

CMYK 0 / 10 / 22 / 19

HEX #CFBBA2

RGB 207 187 162

HSL 33.33, 0.32%, 0.72%

LAB 76.93, 3.13, 15.25

 

CMYK 17 / 0 / 22 / 19

HEX #ACCEA1

RGB 172 206 161

HSL 105.33, 0.31%, 0.72%

LAB 79.32, -19.68, 18.72

 

CMYK 18 / 22 / 0 / 19

HEX #A8A1CE

RGB 168 161 206

HSL 249.33, 0.31%, 0.72%

LAB 68.22, 11.78, -22.04

 

CMYK 0 / 10 / 22 / 19

HEX #CFBBA2

RGB 207 187 162

HSL 33.33, 0.32%, 0.72%

LAB 76.93, 3.13, 15.25

 

CMYK 22 / 0 / 10 / 19

HEX #A1CEBA

RGB 161 206 186

HSL 153.33, 0.31%, 0.72%

LAB 79.19, -18.8, 5.12

 

CMYK 10 / 22 / 0 / 19

HEX #BAA1CE

RGB 186 161 206

HSL 273.33, 0.31%, 0.72%

LAB 69.74, 17.6, -19.58

 

CMYK 0 / 10 / 22 / 19

HEX #CFBBA2

RGB 207 187 162

HSL 33.33, 0.32%, 0.72%

LAB 76.93, 3.13, 15.25

 

CMYK 17 / 0 / 22 / 19

HEX #ACCEA1

RGB 172 206 161

HSL 105.33, 0.31%, 0.72%

LAB 79.32, -19.68, 18.72

 

CMYK 22 / 12 / 0 / 19

HEX #A1B5CE

RGB 161 181 206

HSL 213.33, 0.31%, 0.72%

LAB 72.95, -1.45, -14.93

 

CMYK 5 / 22 / 0 / 19

HEX #C3A1CE

RGB 195 161 206

HSL 285.33, 0.31%, 0.72%

LAB 70.56, 20.58, -18.27

 

CMYK 0 / 10 / 22 / 19

HEX #CFBBA2

RGB 207 187 162

HSL 33.33, 0.32%, 0.72%

LAB 76.93, 3.13, 15.25

 

CMYK 22 / 0 / 21 / 19

HEX #A1CEA3

RGB 161 206 163

HSL 122.67, 0.31%, 0.72%

LAB 78.67, -23.11, 16.66

 

CMYK 22 / 12 / 0 / 19

HEX #A1B5CE

RGB 161 181 206

HSL 213.33, 0.31%, 0.72%

LAB 72.95, -1.45, -14.93

 

CMYK 0 / 22 / 1 / 19

HEX #CEA1CC

RGB 206 161 204

HSL 302.67, 0.31%, 0.72%

LAB 71.54, 23.88, -15.59

 

Description

Color code: HEX #CFBBA2 | qconv.com Color code: HEX #CFBBA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 187 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 187 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 22 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 22% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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