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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66687F it is the complementary color #999780. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66687F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #66687F: #6B687A, #7C7A8D, #8D8CA0, #9E9EB3 and #AFB0C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66687F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #66687F: #66687F, #55566C, #444459, #333246 and #222033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 18 / 0 / 50

HEX #66687F

RGB 102 104 127

HSL 235.2, 0.11%, 0.45%

LAB 44.6, 4.48, -13.02

 

Complementary color

CMYK 0 / 1 / 16 / 40

HEX #999780

RGB 153 151 128

HSL 55.2, 0.11%, 0.55%

LAB 62.05, -3.35, 12.4

 

CMYK 12 / 15 / 0 / 52

HEX #6B687A

RGB 107 104 122

HSL 250, 0.08%, 0.44%

LAB 44.85, 5.06, -9.6

 

CMYK 12 / 13 / 0 / 45

HEX #7C7A8D

RGB 124 122 141

HSL 246.32, 0.08%, 0.52%

LAB 51.98, 4.77, -10.01

 

CMYK 12 / 13 / 0 / 37

HEX #8D8CA0

RGB 141 140 160

HSL 243, 0.1%, 0.59%

LAB 58.93, 4.5, -10.43

 

CMYK 12 / 12 / 0 / 30

HEX #9E9EB3

RGB 158 158 179

HSL 240, 0.12%, 0.66%

LAB 65.73, 4.25, -10.86

 

CMYK 12 / 11 / 0 / 22

HEX #AFB0C6

RGB 175 176 198

HSL 237.39, 0.17%, 0.73%

LAB 72.39, 4.03, -11.28

 

CMYK 20 / 18 / 0 / 50

HEX #66687F

RGB 102 104 127

HSL 235.2, 0.11%, 0.45%

LAB 44.6, 4.48, -13.02

 

CMYK 21 / 20 / 0 / 58

HEX #55566C

RGB 85 86 108

HSL 237.39, 0.12%, 0.38%

LAB 37.24, 4.81, -12.72

 

CMYK 24 / 24 / 0 / 65

HEX #444459

RGB 68 68 89

HSL 240, 0.13%, 0.31%

LAB 29.62, 5.2, -12.45

 

CMYK 27 / 29 / 0 / 73

HEX #333246

RGB 51 50 70

HSL 243, 0.17%, 0.24%

LAB 21.68, 5.68, -12.25

 

CMYK 33 / 37 / 0 / 80

HEX #222033

RGB 34 32 51

HSL 246.32, 0.23%, 0.16%

LAB 13.3, 6.31, -12.14

 

CMYK 20 / 18 / 0 / 50

HEX #66687F

RGB 102 104 127

HSL 235.2, 0.11%, 0.45%

LAB 44.6, 4.48, -13.02

 

CMYK 18 / 20 / 0 / 50

HEX #68667F

RGB 104 102 127

HSL 244.8, 0.11%, 0.45%

LAB 44.2, 6.39, -13.61

 

CMYK 15 / 20 / 0 / 50

HEX #6C667F

RGB 108 102 127

HSL 254.4, 0.11%, 0.45%

LAB 44.55, 7.79, -13.04

 

CMYK 12 / 20 / 0 / 50

HEX #70667F

RGB 112 102 127

HSL 264, 0.11%, 0.45%

LAB 44.91, 9.22, -12.46

 

CMYK 9 / 20 / 0 / 50

HEX #74667F

RGB 116 102 127

HSL 273.6, 0.11%, 0.45%

LAB 45.29, 10.66, -11.86

 

CMYK 20 / 18 / 0 / 50

HEX #66687F

RGB 102 104 127

HSL 235.2, 0.11%, 0.45%

LAB 44.6, 4.48, -13.02

 

CMYK 20 / 18 / 0 / 30

HEX #8F92B2

RGB 143 146 178

HSL 234.86, 0.19%, 0.63%

LAB 61.32, 5.81, -17.06

 

CMYK 20 / 18 / 0 / 10

HEX #B8BCE5

RGB 184 188 229

HSL 234.67, 0.46%, 0.81%

LAB 77.17, 7.07, -20.88

 

CMYK 20 / 20 / 0 / 90

HEX #141419

RGB 20 20 25

HSL 240, 0.11%, 0.09%

LAB 6.5, 1.25, -3.39

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 20 / 18 / 0 / 50

HEX #66687F

RGB 102 104 127

HSL 235.2, 0.11%, 0.45%

LAB 44.6, 4.48, -13.02

 

CMYK 0 / 20 / 2 / 50

HEX #7F667C

RGB 127 102 124

HSL 307.2, 0.11%, 0.45%

LAB 46.27, 14.08, -8.47

 

CMYK 10 / 0 / 20 / 50

HEX #727F66

RGB 114 127 102

HSL 91.2, 0.11%, 0.45%

LAB 51.51, -9.7, 12.01

 

CMYK 20 / 18 / 0 / 50

HEX #66687F

RGB 102 104 127

HSL 235.2, 0.11%, 0.45%

LAB 44.6, 4.48, -13.02

 

CMYK 0 / 20 / 18 / 50

HEX #7F6668

RGB 127 102 104

HSL 355.2, 0.11%, 0.45%

LAB 45.65, 10.34, 2.66

 

CMYK 18 / 0 / 20 / 50

HEX #687F66

RGB 104 127 102

HSL 115.2, 0.11%, 0.45%

LAB 50.78, -13.53, 10.88

 

CMYK 20 / 18 / 0 / 50

HEX #66687F

RGB 102 104 127

HSL 235.2, 0.11%, 0.45%

LAB 44.6, 4.48, -13.02

 

CMYK 0 / 20 / 2 / 50

HEX #7F667C

RGB 127 102 124

HSL 307.2, 0.11%, 0.45%

LAB 46.27, 14.08, -8.47

 

CMYK 0 / 2 / 20 / 50

HEX #7F7D66

RGB 127 125 102

HSL 55.2, 0.11%, 0.45%

LAB 51.99, -3.39, 12.84

 

CMYK 20 / 0 / 17 / 50

HEX #667F69

RGB 102 127 105

HSL 127.2, 0.11%, 0.45%

LAB 50.71, -13.7, 9.02

 

CMYK 20 / 18 / 0 / 50

HEX #66687F

RGB 102 104 127

HSL 235.2, 0.11%, 0.45%

LAB 44.6, 4.48, -13.02

 

CMYK 0 / 20 / 9 / 50

HEX #7F6674

RGB 127 102 116

HSL 326.4, 0.11%, 0.45%

LAB 46.01, 12.52, -4.05

 

CMYK 0 / 2 / 20 / 50

HEX #7F7D66

RGB 127 125 102

HSL 55.2, 0.11%, 0.45%

LAB 51.99, -3.39, 12.84

 

CMYK 20 / 0 / 12 / 50

HEX #667F70

RGB 102 127 112

HSL 144, 0.11%, 0.45%

LAB 50.89, -12.28, 5.18

 

Description

Color code: HEX #66687F | qconv.com Color code: HEX #66687F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 104 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 104 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 18 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 18% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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