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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D3E4C it is the complementary color #C2C1B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D3E4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D3E4C shade: #423E47, #53505A, #64626D, #757480 and #868693

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D3E4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D3E4C shade: #3D3E4C, #2C2C39, #1B1A26, #0A0813 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D3E4C shade: #3D3E4C, #403D4C, #443D4C, #483D4C and #4C3D4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D3E4C shade: #3D3E4C and #3D3D4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D3E4C shade matches the following richer shades: #3D3E4C, #323457, #262A62, #1B216D and #101778

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D3E4C shade: #3D3E4C, #484741, #535136, #5E5B2B and #69641F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D3E4C shade: #3D464C, #3D424C, #3D3E4C, #403D4C and #443D4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D3E4C shade: #18181E, #2A2B35, #3D3E4C, #4F5063 and #61637A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D3E4C shade: #3D3E4C, #4C3D4A and #444C3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D3E4C shade: #3D3E4C, #4C3D3E and #3E4C3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D3E4C shade: #3D3E4C, #4C3D4A, #4C4B3D and #3D4C3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D3E4C shade: #3D3E4C, #4C3D45, #4C4B3D and #3D4C43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

Complementary color

CMYK 0 / 1 / 8 / 24

HEX #C2C1B3

RGB 194 193 179

HSL 56, 0.11%, 0.73%

LAB 77.79, -2.13, 7.16

 

CMYK 7 / 13 / 0 / 72

HEX #423E47

RGB 66 62 71

HSL 266.67, 0.07%, 0.26%

LAB 26.9, 3.75, -4.87

 

CMYK 8 / 11 / 0 / 65

HEX #53505A

RGB 83 80 90

HSL 258, 0.06%, 0.33%

LAB 34.63, 3.43, -5.41

 

CMYK 8 / 10 / 0 / 57

HEX #64626D

RGB 100 98 109

HSL 250.91, 0.05%, 0.41%

LAB 42.08, 3.15, -5.93

 

CMYK 9 / 9 / 0 / 50

HEX #757480

RGB 117 116 128

HSL 245, 0.05%, 0.48%

LAB 49.29, 2.9, -6.44

 

CMYK 9 / 9 / 0 / 42

HEX #868693

RGB 134 134 147

HSL 240, 0.06%, 0.55%

LAB 56.31, 2.67, -6.94

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 23 / 23 / 0 / 78

HEX #2C2C39

RGB 44 44 57

HSL 240, 0.13%, 0.2%

LAB 18.51, 3.41, -8.28

 

CMYK 29 / 32 / 0 / 85

HEX #1B1A26

RGB 27 26 38

HSL 245, 0.19%, 0.13%

LAB 9.89, 3.9, -8.01

 

CMYK 47 / 58 / 0 / 93

HEX #0A0813

RGB 10 8 19

HSL 250.91, 0.41%, 0.05%

LAB 2.58, 2.39, -4.91

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 16 / 20 / 0 / 70

HEX #403D4C

RGB 64 61 76

HSL 252, 0.11%, 0.27%

LAB 26.59, 4.86, -8.64

 

CMYK 11 / 20 / 0 / 70

HEX #443D4C

RGB 68 61 76

HSL 268, 0.11%, 0.27%

LAB 26.98, 6.43, -8.01

 

CMYK 5 / 20 / 0 / 70

HEX #483D4C

RGB 72 61 76

HSL 284, 0.11%, 0.27%

LAB 27.4, 8.02, -7.34

 

CMYK 0 / 20 / 0 / 70

HEX #4C3D4C

RGB 76 61 76

HSL 300, 0.11%, 0.27%

LAB 27.83, 9.63, -6.65

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 20 / 20 / 0 / 70

HEX #3D3D4C

RGB 61 61 76

HSL 240, 0.11%, 0.27%

LAB 26.31, 3.7, -9.1

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 43 / 40 / 0 / 66

HEX #323457

RGB 50 52 87

HSL 236.76, 0.27%, 0.27%

LAB 23.07, 9.23, -21.43

 

CMYK 61 / 57 / 0 / 62

HEX #262A62

RGB 38 42 98

HSL 236, 0.44%, 0.27%

LAB 19.84, 16.96, -33.89

 

CMYK 75 / 70 / 0 / 57

HEX #1B216D

RGB 27 33 109

HSL 235.61, 0.6%, 0.27%

LAB 17.58, 25.59, -44.8

 

CMYK 87 / 81 / 0 / 53

HEX #101778

RGB 16 23 120

HSL 235.96, 0.76%, 0.27%

LAB 15.9, 35.12, -54.7

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 0 / 1 / 10 / 72

HEX #484741

RGB 72 71 65

HSL 51.43, 0.05%, 0.27%

LAB 30.07, -0.84, 3.75

 

CMYK 0 / 2 / 35 / 67

HEX #535136

RGB 83 81 54

HSL 55.86, 0.21%, 0.27%

LAB 33.96, -4.03, 16.21

 

CMYK 0 / 3 / 54 / 63

HEX #5E5B2B

RGB 94 91 43

HSL 56.47, 0.37%, 0.27%

LAB 37.91, -6.22, 27.82

 

CMYK 0 / 5 / 70 / 59

HEX #69641F

RGB 105 100 31

HSL 55.95, 0.54%, 0.27%

LAB 41.56, -7.2, 38.21

 

CMYK 20 / 8 / 0 / 70

HEX #3D464C

RGB 61 70 76

HSL 204, 0.11%, 0.27%

LAB 29.14, -2.14, -4.83

 

CMYK 20 / 13 / 0 / 70

HEX #3D424C

RGB 61 66 76

HSL 220, 0.11%, 0.27%

LAB 27.87, 0.43, -6.74

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 16 / 20 / 0 / 70

HEX #403D4C

RGB 64 61 76

HSL 252, 0.11%, 0.27%

LAB 26.59, 4.86, -8.64

 

CMYK 11 / 20 / 0 / 70

HEX #443D4C

RGB 68 61 76

HSL 268, 0.11%, 0.27%

LAB 26.98, 6.43, -8.01

 

CMYK 20 / 20 / 0 / 88

HEX #18181E

RGB 24 24 30

HSL 240, 0.11%, 0.11%

LAB 8.49, 1.67, -4.18

 

CMYK 21 / 19 / 0 / 79

HEX #2A2B35

RGB 42 43 53

HSL 234.55, 0.12%, 0.19%

LAB 17.81, 2.17, -6.58

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 20 / 19 / 0 / 61

HEX #4F5063

RGB 79 80 99

HSL 237, 0.11%, 0.35%

LAB 34.6, 4.12, -11.16

 

CMYK 20 / 19 / 0 / 52

HEX #61637A

RGB 97 99 122

HSL 235.2, 0.11%, 0.43%

LAB 42.57, 4.54, -13.12

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 0 / 20 / 3 / 70

HEX #4C3D4A

RGB 76 61 74

HSL 308, 0.11%, 0.27%

LAB 27.76, 9.19, -5.45

 

CMYK 11 / 0 / 20 / 70

HEX #444C3D

RGB 68 76 61

HSL 92, 0.11%, 0.27%

LAB 31.2, -6.46, 7.85

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 0 / 20 / 18 / 70

HEX #4C3D3E

RGB 76 61 62

HSL 356, 0.11%, 0.27%

LAB 27.36, 6.73, 1.85

 

CMYK 18 / 0 / 20 / 70

HEX #3E4C3D

RGB 62 76 61

HSL 116, 0.11%, 0.27%

LAB 30.71, -8.97, 7.1

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 0 / 20 / 3 / 70

HEX #4C3D4A

RGB 76 61 74

HSL 308, 0.11%, 0.27%

LAB 27.76, 9.19, -5.45

 

CMYK 0 / 1 / 20 / 70

HEX #4C4B3D

RGB 76 75 61

HSL 56, 0.11%, 0.27%

LAB 31.59, -2.37, 8.51

 

CMYK 20 / 0 / 17 / 70

HEX #3D4C3F

RGB 61 76 63

HSL 128, 0.11%, 0.27%

LAB 30.69, -8.95, 5.78

 

CMYK 20 / 18 / 0 / 70

HEX #3D3E4C

RGB 61 62 76

HSL 236, 0.11%, 0.27%

LAB 26.62, 3.04, -8.63

 

CMYK 0 / 20 / 9 / 70

HEX #4C3D45

RGB 76 61 69

HSL 328, 0.11%, 0.27%

LAB 27.58, 8.12, -2.43

 

CMYK 0 / 1 / 20 / 70

HEX #4C4B3D

RGB 76 75 61

HSL 56, 0.11%, 0.27%

LAB 31.59, -2.37, 8.51

 

CMYK 20 / 0 / 12 / 70

HEX #3D4C43

RGB 61 76 67

HSL 144, 0.11%, 0.27%

LAB 30.8, -8.06, 3.39

 

Description

Color code: HEX #3D3E4C | qconv.com Color code: HEX #3D3E4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 62 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 62 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 18 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 18% 0% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Pagina de Prueba Ns
Link: http://paginansprueba.blogspot.com

49% - Divide and Conquer
Link: http://dncguild.net

20% - At Home Workout Vide...
Link: http://www.beachbody.com

54% - City of Shadows
Link: http://city-shadows.foroactivo.com

16% - 関西の漁港|堤防|磯|釣り堀|釣り公園の...
Link: http://fishing.ne.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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