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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65F1A6 it is the complementary color #9A0E59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65F1A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65F1A6 shade: #6AF1A1, #7BFFB4, #8CFFC7, #9DFFDA and #AEFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65F1A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65F1A6 shade: #65F1A6, #54DF93, #43CD80, #32BB6D and #21A95A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65F1A6 shade: #65F1A6, #65F180, #6FF165, #95F165 and #BBF165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65F1A6 shade: #65F1A6, #65F1CC, #65F0F1, #65CBF1 and #65A5F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65F1A6 shade matches the following richer shades: #65F1A6 and #57FEA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65F1A6 shade: #65F1A6, #73E3A7, #80D5A8, #8EC8A9 and #9BBAAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65F1A6 shade: #71F165, #65F17F, #65F1A4, #65F1C9 and #65F1EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65F1A6 shade: #1AEA7A, #3FED90, #65F1A6, #8BF4BC and #B1F8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65F1A6 shade: #65F1A6, #6596F1 and #F16C65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65F1A6 shade: #65F1A6, #A465F1 and #F1A465

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65F1A6 shade: #65F1A6, #6596F1, #F165B2 and #F1C065

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65F1A6 shade: #65F1A6, #656CF1, #F165B2 and #F1EA65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

Complementary color

CMYK 0 / 91 / 42 / 40

HEX #9A0E59

RGB 154 14 89

HSL 327.86, 0.83%, 0.33%

LAB 33.79, 57.32, -4.91

 

CMYK 56 / 0 / 33 / 5

HEX #6AF1A1

RGB 106 241 161

HSL 144.44, 0.83%, 0.68%

LAB 86.28, -54.56, 27.77

 

CMYK 52 / 0 / 29 / 0

HEX #7BFFB4

RGB 123 255 180

HSL 145.91, 1%, 0.74%

LAB 91.25, -52.89, 24.97

 

CMYK 45 / 0 / 22 / 0

HEX #8CFFC7

RGB 140 255 199

HSL 150.78, 1%, 0.77%

LAB 92.23, -45.14, 16.73

 

CMYK 38 / 0 / 15 / 0

HEX #9DFFDA

RGB 157 255 218

HSL 157.35, 1%, 0.81%

LAB 93.34, -36.93, 8.65

 

CMYK 32 / 0 / 7 / 0

HEX #AEFFED

RGB 174 255 237

HSL 166.67, 1%, 0.84%

LAB 94.58, -28.36, 0.74

 

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

CMYK 62 / 0 / 34 / 13

HEX #54DF93

RGB 84 223 147

HSL 147.19, 0.68%, 0.6%

LAB 80.05, -54.56, 26.41

 

CMYK 67 / 0 / 38 / 20

HEX #43CD80

RGB 67 205 128

HSL 146.52, 0.58%, 0.53%

LAB 73.81, -54.27, 27.82

 

CMYK 73 / 0 / 42 / 27

HEX #32BB6D

RGB 50 187 109

HSL 145.84, 0.58%, 0.46%

LAB 67.52, -53.72, 29.33

 

CMYK 80 / 0 / 47 / 34

HEX #21A95A

RGB 33 169 90

HSL 145.15, 0.67%, 0.4%

LAB 61.17, -52.79, 30.97

 

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

CMYK 58 / 0 / 47 / 5

HEX #65F180

RGB 101 241 128

HSL 131.57, 0.83%, 0.67%

LAB 85.62, -61.11, 43.28

 

CMYK 54 / 0 / 58 / 5

HEX #6FF165

RGB 111 241 101

HSL 115.71, 0.83%, 0.67%

LAB 85.62, -62.2, 55.82

 

CMYK 38 / 0 / 58 / 5

HEX #95F165

RGB 149 241 101

HSL 99.43, 0.83%, 0.67%

LAB 87.11, -51.33, 57.93

 

CMYK 22 / 0 / 58 / 5

HEX #BBF165

RGB 187 241 101

HSL 83.14, 0.83%, 0.67%

LAB 89.12, -38.22, 60.74

 

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

CMYK 58 / 0 / 15 / 5

HEX #65F1CC

RGB 101 241 204

HSL 164.14, 0.83%, 0.67%

LAB 87.01, -46.63, 6.55

 

CMYK 58 / 0 / 0 / 5

HEX #65F0F1

RGB 101 240 241

HSL 180.43, 0.83%, 0.67%

LAB 87.7, -36.98, -11.82

 

CMYK 58 / 16 / 0 / 5

HEX #65CBF1

RGB 101 203 241

HSL 196.29, 0.83%, 0.67%

LAB 77.18, -18.99, -27.72

 

CMYK 58 / 32 / 0 / 5

HEX #65A5F1

RGB 101 165 241

HSL 212.57, 0.83%, 0.67%

LAB 66.54, 1.57, -44.23

 

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

CMYK 66 / 0 / 35 / 0

HEX #57FEA5

RGB 87 254 165

HSL 148.02, 0.99%, 0.67%

LAB 89.69, -62.51, 30.25

 

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

CMYK 49 / 0 / 26 / 11

HEX #73E3A7

RGB 115 227 167

HSL 147.86, 0.67%, 0.67%

LAB 82.58, -45.54, 19.66

 

CMYK 40 / 0 / 21 / 16

HEX #80D5A8

RGB 128 213 168

HSL 148.24, 0.5%, 0.67%

LAB 79.04, -35.72, 14.27

 

CMYK 29 / 0 / 16 / 22

HEX #8EC8A9

RGB 142 200 169

HSL 147.93, 0.35%, 0.67%

LAB 76.02, -25.2, 9.55

 

CMYK 17 / 0 / 9 / 27

HEX #9BBAAA

RGB 155 186 170

HSL 149.03, 0.18%, 0.67%

LAB 72.88, -13.71, 4.61

 

CMYK 53 / 0 / 58 / 5

HEX #71F165

RGB 113 241 101

HSL 114.86, 0.83%, 0.67%

LAB 85.69, -61.7, 55.91

 

CMYK 58 / 0 / 47 / 5

HEX #65F17F

RGB 101 241 127

HSL 131.14, 0.83%, 0.67%

LAB 85.61, -61.25, 43.75

 

CMYK 58 / 0 / 32 / 5

HEX #65F1A4

RGB 101 241 164

HSL 147, 0.83%, 0.67%

LAB 86.18, -55.07, 26.09

 

CMYK 58 / 0 / 17 / 5

HEX #65F1C9

RGB 101 241 201

HSL 162.86, 0.83%, 0.67%

LAB 86.95, -47.32, 8.01

 

CMYK 58 / 0 / 1 / 5

HEX #65F1EE

RGB 101 241 238

HSL 178.71, 0.83%, 0.67%

LAB 87.9, -38.22, -9.95

 

CMYK 89 / 0 / 48 / 8

HEX #1AEA7A

RGB 26 234 122

HSL 147.69, 0.83%, 0.51%

LAB 82.09, -70.11, 41.45

 

CMYK 73 / 0 / 39 / 7

HEX #3FED90

RGB 63 237 144

HSL 147.93, 0.83%, 0.59%

LAB 83.78, -63.79, 32.84

 

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

CMYK 43 / 0 / 23 / 4

HEX #8BF4BC

RGB 139 244 188

HSL 148, 0.83%, 0.75%

LAB 88.84, -42.75, 17.63

 

CMYK 29 / 0 / 15 / 3

HEX #B1F8D2

RGB 177 248 210

HSL 147.89, 0.84%, 0.83%

LAB 92.19, -29.63, 11.26

 

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

CMYK 58 / 38 / 0 / 5

HEX #6596F1

RGB 101 150 241

HSL 219, 0.83%, 0.67%

LAB 62.45, 10.24, -50.68

 

CMYK 0 / 55 / 58 / 5

HEX #F16C65

RGB 241 108 101

HSL 3, 0.83%, 0.67%

LAB 61.97, 50.68, 29.21

 

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

CMYK 32 / 58 / 0 / 5

HEX #A465F1

RGB 164 101 241

HSL 267, 0.83%, 0.67%

LAB 55.64, 52.46, -61.28

 

CMYK 0 / 32 / 58 / 5

HEX #F1A465

RGB 241 164 101

HSL 27, 0.83%, 0.67%

LAB 73.67, 22.17, 43.84

 

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

CMYK 58 / 38 / 0 / 5

HEX #6596F1

RGB 101 150 241

HSL 219, 0.83%, 0.67%

LAB 62.45, 10.24, -50.68

 

CMYK 0 / 58 / 26 / 5

HEX #F165B2

RGB 241 101 178

HSL 327, 0.83%, 0.67%

LAB 62.7, 61.62, -13.92

 

CMYK 0 / 20 / 58 / 5

HEX #F1C065

RGB 241 192 101

HSL 39, 0.83%, 0.67%

LAB 80.37, 7.42, 51.81

 

CMYK 58 / 0 / 31 / 5

HEX #65F1A6

RGB 101 241 166

HSL 147.86, 0.83%, 0.67%

LAB 86.22, -54.69, 25.11

 

CMYK 58 / 55 / 0 / 5

HEX #656CF1

RGB 101 108 241

HSL 237, 0.83%, 0.67%

LAB 51.66, 35.45, -67.97

 

CMYK 0 / 58 / 26 / 5

HEX #F165B2

RGB 241 101 178

HSL 327, 0.83%, 0.67%

LAB 62.7, 61.62, -13.92

 

CMYK 0 / 3 / 58 / 5

HEX #F1EA65

RGB 241 234 101

HSL 57, 0.83%, 0.67%

LAB 91, -13.92, 63.88

 

Description

Color code: HEX #65F1A6 | qconv.com Color code: HEX #65F1A6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 241 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 241 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 31 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 31% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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