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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 255 199 it is the complementary color RGB 115 0 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 255 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 255 199: RGB 145 255 194, RGB 162 255 213, RGB 179 255 232, RGB 196 255 251 and RGB 213 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 255 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 255 199: RGB 140 255 199, RGB 123 237 180, RGB 106 219 161, RGB 89 201 142 and RGB 72 183 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 22 / 0

HEX #8CFFC7

RGB 140 255 199

HSL 150.78, 1%, 0.77%

LAB 92.23, -45.14, 16.73

 

Complementary color

CMYK 0 / 100 / 51 / 55

HEX #730038

RGB 115 0 56

HSL 330.78, 1%, 0.23%

LAB 23.44, 47.13, 1.02

 

CMYK 43 / 0 / 24 / 0

HEX #91FFC2

RGB 145 255 194

HSL 146.73, 1%, 0.78%

LAB 92.32, -44.84, 19.46

 

CMYK 36 / 0 / 16 / 0

HEX #A2FFD5

RGB 162 255 213

HSL 152.9, 1%, 0.82%

LAB 93.45, -36.59, 11.41

 

CMYK 30 / 0 / 9 / 0

HEX #B3FFE8

RGB 179 255 232

HSL 161.84, 1%, 0.85%

LAB 94.71, -28, 3.53

 

CMYK 23 / 0 / 2 / 0

HEX #C4FFFB

RGB 196 255 251

HSL 175.93, 1%, 0.88%

LAB 96.09, -19.18, -4.14

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 45 / 0 / 22 / 0

HEX #8CFFC7

RGB 140 255 199

HSL 150.78, 1%, 0.77%

LAB 92.23, -45.14, 16.73

 

CMYK 48 / 0 / 24 / 7

HEX #7BEDB4

RGB 123 237 180

HSL 150, 0.76%, 0.71%

LAB 86.04, -45.33, 17.77

 

CMYK 52 / 0 / 26 / 14

HEX #6ADBA1

RGB 106 219 161

HSL 149.2, 0.61%, 0.64%

LAB 79.78, -45.47, 18.87

 

CMYK 56 / 0 / 29 / 21

HEX #59C98E

RGB 89 201 142

HSL 148.39, 0.51%, 0.57%

LAB 73.45, -45.54, 20.06

 

CMYK 61 / 0 / 33 / 28

HEX #48B77B

RGB 72 183 123

HSL 147.57, 0.44%, 0.5%

LAB 67.03, -45.5, 21.35

 

CMYK 45 / 0 / 22 / 0

HEX #8CFFC7

RGB 140 255 199

HSL 150.78, 1%, 0.77%

LAB 92.23, -45.14, 16.73

 

CMYK 46 / 0 / 16 / 0

HEX #89FFD7

RGB 137 255 215

HSL 159.66, 1%, 0.77%

LAB 92.46, -42.58, 8.82

 

CMYK 46 / 0 / 8 / 0

HEX #89FFEB

RGB 137 255 235

HSL 169.83, 1%, 0.77%

LAB 92.94, -38.12, -0.81

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 46 / 8 / 0 / 0

HEX #89EBFF

RGB 137 235 255

HSL 190.17, 1%, 0.77%

LAB 87.95, -23.77, -18.65

 

CMYK 45 / 0 / 22 / 0

HEX #8CFFC7

RGB 140 255 199

HSL 150.78, 1%, 0.77%

LAB 92.23, -45.14, 16.73

 

CMYK 45 / 0 / 22 / 80

HEX #1C3328

RGB 28 51 40

HSL 151.3, 0.29%, 0.15%

LAB 19.09, -12.16, 4.16

 

CMYK 45 / 0 / 22 / 60

HEX #386650

RGB 56 102 80

HSL 151.3, 0.29%, 0.31%

LAB 39.45, -21.45, 7.57

 

CMYK 45 / 0 / 22 / 40

HEX #549977

RGB 84 153 119

HSL 150.43, 0.29%, 0.46%

LAB 58.04, -30, 11.18

 

CMYK 45 / 0 / 22 / 20

HEX #70CC9F

RGB 112 204 159

HSL 150.65, 0.47%, 0.62%

LAB 75.53, -37.76, 14.03

 

CMYK 45 / 0 / 22 / 0

HEX #8CFFC7

RGB 140 255 199

HSL 150.78, 1%, 0.77%

LAB 92.23, -45.14, 16.73

 

CMYK 46 / 33 / 0 / 0

HEX #89ACFF

RGB 137 172 255

HSL 222.2, 1%, 0.77%

LAB 70.9, 9.62, -44.87

 

CMYK 0 / 42 / 46 / 0

HEX #FF9589

RGB 255 149 137

HSL 6.1, 1%, 0.77%

LAB 72.6, 38.51, 23.65

 

CMYK 45 / 0 / 22 / 0

HEX #8CFFC7

RGB 140 255 199

HSL 150.78, 1%, 0.77%

LAB 92.23, -45.14, 16.73

 

CMYK 23 / 46 / 0 / 0

HEX #C489FF

RGB 196 137 255

HSL 270, 1%, 0.77%

LAB 67.16, 44.52, -50.44

 

CMYK 0 / 23 / 46 / 0

HEX #FFC489

RGB 255 196 137

HSL 30, 1%, 0.77%

LAB 83.2, 14.03, 37.67

 

CMYK 45 / 0 / 22 / 0

HEX #8CFFC7

RGB 140 255 199

HSL 150.78, 1%, 0.77%

LAB 92.23, -45.14, 16.73

 

CMYK 46 / 33 / 0 / 0

HEX #89ACFF

RGB 137 172 255

HSL 222.2, 1%, 0.77%

LAB 70.9, 9.62, -44.87

 

CMYK 0 / 46 / 23 / 0

HEX #FF89C4

RGB 255 137 196

HSL 330, 1%, 0.77%

LAB 71.65, 51.48, -10.43

 

CMYK 0 / 14 / 46 / 0

HEX #FFDB89

RGB 255 219 137

HSL 41.69, 1%, 0.77%

LAB 88.79, 2.16, 44.79

 

CMYK 45 / 0 / 22 / 0

HEX #8CFFC7

RGB 140 255 199

HSL 150.78, 1%, 0.77%

LAB 92.23, -45.14, 16.73

 

CMYK 46 / 46 / 0 / 0

HEX #8989FF

RGB 137 137 255

HSL 240, 1%, 0.77%

LAB 62.02, 29.8, -58.92

 

CMYK 0 / 46 / 23 / 0

HEX #FF89C4

RGB 255 137 196

HSL 330, 1%, 0.77%

LAB 71.65, 51.48, -10.43

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

Description

Color code: RGB 140 255 199 | qconv.com Color code: RGB 140 255 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 255 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 255 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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