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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43CD80 it is the complementary color #BC327F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43CD80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #43CD80: #48CD7B, #59DF8E, #6AF1A1, #7BFFB4 and #8CFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43CD80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #43CD80: #43CD80, #32BB6D, #21A95A, #109747 and #008534

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 38 / 20

HEX #43CD80

RGB 67 205 128

HSL 146.52, 0.58%, 0.53%

LAB 73.81, -54.27, 27.82

 

Complementary color

CMYK 0 / 73 / 32 / 26

HEX #BC327F

RGB 188 50 127

HSL 326.52, 0.58%, 0.47%

LAB 44.95, 60.66, -11.42

 

CMYK 65 / 0 / 40 / 20

HEX #48CD7B

RGB 72 205 123

HSL 143.01, 0.57%, 0.54%

LAB 73.85, -54.28, 30.47

 

CMYK 60 / 0 / 36 / 13

HEX #59DF8E

RGB 89 223 142

HSL 143.73, 0.68%, 0.61%

LAB 80.1, -54.5, 29.07

 

CMYK 56 / 0 / 33 / 5

HEX #6AF1A1

RGB 106 241 161

HSL 144.44, 0.83%, 0.68%

LAB 86.28, -54.56, 27.77

 

CMYK 52 / 0 / 29 / 0

HEX #7BFFB4

RGB 123 255 180

HSL 145.91, 1%, 0.74%

LAB 91.25, -52.89, 24.97

 

CMYK 45 / 0 / 22 / 0

HEX #8CFFC7

RGB 140 255 199

HSL 150.78, 1%, 0.77%

LAB 92.23, -45.14, 16.73

 

CMYK 67 / 0 / 38 / 20

HEX #43CD80

RGB 67 205 128

HSL 146.52, 0.58%, 0.53%

LAB 73.81, -54.27, 27.82

 

CMYK 73 / 0 / 42 / 27

HEX #32BB6D

RGB 50 187 109

HSL 145.84, 0.58%, 0.46%

LAB 67.52, -53.72, 29.33

 

CMYK 80 / 0 / 47 / 34

HEX #21A95A

RGB 33 169 90

HSL 145.15, 0.67%, 0.4%

LAB 61.17, -52.79, 30.97

 

CMYK 89 / 0 / 53 / 41

HEX #109747

RGB 16 151 71

HSL 144.44, 0.81%, 0.33%

LAB 54.76, -51.29, 32.71

 

CMYK 100 / 0 / 61 / 48

HEX #008534

RGB 0 133 52

HSL 143.46, 1%, 0.26%

LAB 48.29, -49.15, 34.48

 

CMYK 67 / 0 / 38 / 20

HEX #43CD80

RGB 67 205 128

HSL 146.52, 0.58%, 0.53%

LAB 73.81, -54.27, 27.82

 

CMYK 68 / 0 / 27 / 20

HEX #41CC95

RGB 65 204 149

HSL 156.26, 0.58%, 0.53%

LAB 73.86, -49.94, 16.8

 

CMYK 68 / 0 / 16 / 20

HEX #41CCAC

RGB 65 204 172

HSL 166.19, 0.58%, 0.53%

LAB 74.37, -44.56, 5.19

 

CMYK 68 / 0 / 4 / 20

HEX #41CCC3

RGB 65 204 195

HSL 176.12, 0.58%, 0.53%

LAB 74.98, -38.54, -6.34

 

CMYK 68 / 7 / 0 / 20

HEX #41BECC

RGB 65 190 204

HSL 186.04, 0.58%, 0.53%

LAB 71.08, -29.38, -17.07

 

CMYK 67 / 0 / 38 / 20

HEX #43CD80

RGB 67 205 128

HSL 146.52, 0.58%, 0.53%

LAB 73.81, -54.27, 27.82

 

CMYK 100 / 0 / 0 / 100

HEX #000101

RGB 0 1 1

HSL 180, 1%, 0%

LAB 0.22, -0.26, -0.09

 

CMYK 67 / 0 / 38 / 80

HEX #113420

RGB 17 52 32

HSL 145.71, 0.51%, 0.14%

LAB 18.71, -18.35, 8.96

 

CMYK 67 / 0 / 38 / 60

HEX #226740

RGB 34 103 64

HSL 146.09, 0.5%, 0.27%

LAB 38.57, -31.43, 15.84

 

CMYK 68 / 0 / 38 / 40

HEX #329A60

RGB 50 154 96

HSL 146.54, 0.51%, 0.4%

LAB 56.72, -43.34, 22.01

 

CMYK 67 / 0 / 38 / 20

HEX #43CD80

RGB 67 205 128

HSL 146.52, 0.58%, 0.53%

LAB 73.81, -54.27, 27.82

 

CMYK 68 / 43 / 0 / 20

HEX #4174CC

RGB 65 116 204

HSL 217.99, 0.58%, 0.53%

LAB 49.46, 11.83, -50.71

 

CMYK 0 / 66 / 68 / 20

HEX #CC4641

RGB 204 70 65

HSL 2.16, 0.58%, 0.53%

LAB 49.01, 52.67, 32.27

 

CMYK 67 / 0 / 38 / 20

HEX #43CD80

RGB 67 205 128

HSL 146.52, 0.58%, 0.53%

LAB 73.81, -54.27, 27.82

 

CMYK 39 / 68 / 0 / 20

HEX #7D41CC

RGB 125 65 204

HSL 265.9, 0.58%, 0.53%

LAB 42, 53.45, -62.52

 

CMYK 0 / 39 / 68 / 20

HEX #CC7D41

RGB 204 125 65

HSL 25.9, 0.58%, 0.53%

LAB 59.79, 25.43, 44.74

 

CMYK 67 / 0 / 38 / 20

HEX #43CD80

RGB 67 205 128

HSL 146.52, 0.58%, 0.53%

LAB 73.81, -54.27, 27.82

 

CMYK 68 / 43 / 0 / 20

HEX #4174CC

RGB 65 116 204

HSL 217.99, 0.58%, 0.53%

LAB 49.46, 11.83, -50.71

 

CMYK 0 / 68 / 29 / 20

HEX #CC4190

RGB 204 65 144

HSL 325.9, 0.58%, 0.53%

LAB 50.25, 61.63, -13.41

 

CMYK 0 / 25 / 68 / 20

HEX #CC9941

RGB 204 153 65

HSL 37.99, 0.58%, 0.53%

LAB 66.52, 10.2, 52.08

 

CMYK 67 / 0 / 38 / 20

HEX #43CD80

RGB 67 205 128

HSL 146.52, 0.58%, 0.53%

LAB 73.81, -54.27, 27.82

 

CMYK 68 / 64 / 0 / 20

HEX #414ACC

RGB 65 74 204

HSL 236.12, 0.58%, 0.53%

LAB 38.52, 38.34, -68.42

 

CMYK 0 / 68 / 29 / 20

HEX #CC4190

RGB 204 65 144

HSL 325.9, 0.58%, 0.53%

LAB 50.25, 61.63, -13.41

 

CMYK 0 / 4 / 68 / 20

HEX #CCC341

RGB 204 195 65

HSL 56.12, 0.58%, 0.53%

LAB 77.43, -11.95, 63.38

 

Description

Color code: HEX #43CD80 | qconv.com Color code: HEX #43CD80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as SeaGreen3.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 205 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 205 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 38 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 38% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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