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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #649BAC it is the complementary color #9B6453. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #649BAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #649BAC: #699BA7, #7AADBA, #8BBFCD, #9CD1E0 and #ADE3F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #649BAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #649BAC: #649BAC, #538999, #427786, #316573 and #205360

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 10 / 0 / 33

HEX #649BAC

RGB 100 155 172

HSL 194.17, 0.3%, 0.53%

LAB 60.9, -13.57, -14.57

 

Complementary color

CMYK 0 / 35 / 46 / 39

HEX #9B6453

RGB 155 100 83

HSL 14.17, 0.3%, 0.47%

LAB 47.89, 20.2, 18.81

 

CMYK 37 / 7 / 0 / 35

HEX #699BA7

RGB 105 155 167

HSL 191.61, 0.26%, 0.53%

LAB 60.99, -13.55, -11.58

 

CMYK 34 / 7 / 0 / 27

HEX #7AADBA

RGB 122 173 186

HSL 192.19, 0.32%, 0.6%

LAB 67.7, -13.56, -12.04

 

CMYK 32 / 7 / 0 / 20

HEX #8BBFCD

RGB 139 191 205

HSL 192.73, 0.4%, 0.67%

LAB 74.29, -13.56, -12.5

 

CMYK 30 / 7 / 0 / 12

HEX #9CD1E0

RGB 156 209 224

HSL 193.24, 0.52%, 0.75%

LAB 80.77, -13.56, -12.95

 

CMYK 29 / 7 / 0 / 5

HEX #ADE3F3

RGB 173 227 243

HSL 193.71, 0.74%, 0.82%

LAB 87.14, -13.57, -13.38

 

CMYK 42 / 10 / 0 / 33

HEX #649BAC

RGB 100 155 172

HSL 194.17, 0.3%, 0.53%

LAB 60.9, -13.57, -14.57

 

CMYK 46 / 10 / 0 / 40

HEX #538999

RGB 83 137 153

HSL 193.71, 0.3%, 0.46%

LAB 54.06, -13.46, -14.13

 

CMYK 51 / 11 / 0 / 47

HEX #427786

RGB 66 119 134

HSL 193.24, 0.34%, 0.39%

LAB 47.07, -13.27, -13.67

 

CMYK 57 / 12 / 0 / 55

HEX #316573

RGB 49 101 115

HSL 192.73, 0.4%, 0.32%

LAB 39.91, -12.98, -13.17

 

CMYK 67 / 14 / 0 / 62

HEX #205360

RGB 32 83 96

HSL 192.19, 0.5%, 0.25%

LAB 32.56, -12.48, -12.63

 

CMYK 42 / 10 / 0 / 33

HEX #649BAC

RGB 100 155 172

HSL 194.17, 0.3%, 0.53%

LAB 60.9, -13.57, -14.57

 

CMYK 42 / 17 / 0 / 33

HEX #638EAB

RGB 99 142 171

HSL 204.17, 0.3%, 0.53%

LAB 57.02, -6.94, -19.9

 

CMYK 42 / 24 / 0 / 33

HEX #6382AB

RGB 99 130 171

HSL 214.17, 0.3%, 0.53%

LAB 53.56, -0.06, -25.21

 

CMYK 42 / 31 / 0 / 33

HEX #6376AB

RGB 99 118 171

HSL 224.17, 0.3%, 0.53%

LAB 50.16, 7.07, -30.49

 

CMYK 42 / 38 / 0 / 33

HEX #636AAB

RGB 99 106 171

HSL 234.17, 0.3%, 0.53%

LAB 46.84, 14.38, -35.68

 

CMYK 42 / 10 / 0 / 33

HEX #649BAC

RGB 100 155 172

HSL 194.17, 0.3%, 0.53%

LAB 60.9, -13.57, -14.57

 

CMYK 42 / 10 / 0 / 13

HEX #82C9DF

RGB 130 201 223

HSL 194.19, 0.59%, 0.69%

LAB 77.19, -16.62, -17.92

 

CMYK 42 / 11 / 0 / 93

HEX #0B1113

RGB 11 17 19

HSL 195, 0.27%, 0.06%

LAB 4.69, -1.53, -1.82

 

CMYK 41 / 10 / 0 / 73

HEX #293F46

RGB 41 63 70

HSL 194.48, 0.26%, 0.22%

LAB 25.16, -6.5, -7.02

 

CMYK 42 / 10 / 0 / 53

HEX #466D79

RGB 70 109 121

HSL 194.12, 0.27%, 0.37%

LAB 43.68, -10.34, -11.01

 

CMYK 42 / 10 / 0 / 33

HEX #649BAC

RGB 100 155 172

HSL 194.17, 0.3%, 0.53%

LAB 60.9, -13.57, -14.57

 

CMYK 24 / 42 / 0 / 33

HEX #8263AB

RGB 130 99 171

HSL 265.83, 0.3%, 0.53%

LAB 47.76, 27.51, -34.04

 

CMYK 0 / 7 / 42 / 33

HEX #AB9F63

RGB 171 159 99

HSL 50, 0.3%, 0.53%

LAB 65.24, -4.37, 32.85

 

CMYK 42 / 10 / 0 / 33

HEX #649BAC

RGB 100 155 172

HSL 194.17, 0.3%, 0.53%

LAB 60.9, -13.57, -14.57

 

CMYK 0 / 42 / 10 / 33

HEX #AB639A

RGB 171 99 154

HSL 314.17, 0.3%, 0.53%

LAB 51.74, 37.06, -17.53

 

CMYK 10 / 0 / 42 / 33

HEX #9AAB63

RGB 154 171 99

HSL 74.17, 0.3%, 0.53%

LAB 67.2, -17.65, 35.04

 

CMYK 42 / 10 / 0 / 33

HEX #649BAC

RGB 100 155 172

HSL 194.17, 0.3%, 0.53%

LAB 60.9, -13.57, -14.57

 

CMYK 24 / 42 / 0 / 33

HEX #8263AB

RGB 130 99 171

HSL 265.83, 0.3%, 0.53%

LAB 47.76, 27.51, -34.04

 

CMYK 0 / 33 / 42 / 33

HEX #AB7363

RGB 171 115 99

HSL 13.33, 0.3%, 0.53%

LAB 53.84, 20.1, 17.83

 

CMYK 19 / 0 / 42 / 33

HEX #8BAB63

RGB 139 171 99

HSL 86.67, 0.3%, 0.53%

LAB 66.15, -23.54, 33.49

 

CMYK 42 / 10 / 0 / 33

HEX #649BAC

RGB 100 155 172

HSL 194.17, 0.3%, 0.53%

LAB 60.9, -13.57, -14.57

 

CMYK 12 / 42 / 0 / 33

HEX #9763AB

RGB 151 99 171

HSL 283.33, 0.3%, 0.53%

LAB 50.03, 33.92, -30.34

 

CMYK 0 / 33 / 42 / 33

HEX #AB7363

RGB 171 115 99

HSL 13.33, 0.3%, 0.53%

LAB 53.84, 20.1, 17.83

 

CMYK 31 / 0 / 42 / 33

HEX #76AB63

RGB 118 171 99

HSL 104.17, 0.3%, 0.53%

LAB 64.87, -31.28, 31.6

 

Description

Color code: HEX #649BAC | qconv.com Color code: HEX #649BAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 155 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 155 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 10 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 10% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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