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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 7 / 0 / 12 it is the complementary color CMYK 0 / 53 / 68 / 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 7 / 0 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 7 / 0 / 12: CMYK 26 / 5 / 0 / 14, CMYK 25 / 5 / 0 / 7, CMYK 23 / 4 / 0 / 0, CMYK 16 / 0 / 0 / 0 and CMYK 10 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 7 / 0 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 7 / 0 / 12: CMYK 30 / 7 / 0 / 12, CMYK 32 / 7 / 0 / 20, CMYK 34 / 7 / 0 / 27, CMYK 37 / 7 / 0 / 35 and CMYK 40 / 7 / 0 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 7 / 0 / 12

HEX #9DD1E0

RGB 157 209 224

HSL 193.43, 0.52%, 0.75%

LAB 80.82, -13.28, -12.86

 

Complementary color

CMYK 0 / 53 / 68 / 62

HEX #622E1F

RGB 98 46 31

HSL 13.43, 0.52%, 0.25%

LAB 25.71, 22.14, 20.37

 

CMYK 26 / 5 / 0 / 14

HEX #A2D1DB

RGB 162 209 219

HSL 190.53, 0.44%, 0.75%

LAB 80.96, -12.99, -9.95

 

CMYK 25 / 5 / 0 / 7

HEX #B3E3EE

RGB 179 227 238

HSL 191.19, 0.63%, 0.82%

LAB 87.34, -12.97, -10.43

 

CMYK 23 / 4 / 0 / 0

HEX #C4F5FF

RGB 196 245 255

HSL 190.17, 1%, 0.88%

LAB 93.56, -13.39, -9.94

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 30 / 7 / 0 / 12

HEX #9DD1E0

RGB 157 209 224

HSL 193.43, 0.52%, 0.75%

LAB 80.82, -13.28, -12.86

 

CMYK 32 / 7 / 0 / 20

HEX #8CBFCD

RGB 140 191 205

HSL 192.92, 0.39%, 0.68%

LAB 74.35, -13.28, -12.41

 

CMYK 34 / 7 / 0 / 27

HEX #7BADBA

RGB 123 173 186

HSL 192.38, 0.31%, 0.61%

LAB 67.76, -13.28, -11.96

 

CMYK 37 / 7 / 0 / 35

HEX #6A9BA7

RGB 106 155 167

HSL 191.8, 0.26%, 0.54%

LAB 61.04, -13.27, -11.49

 

CMYK 40 / 7 / 0 / 42

HEX #598994

RGB 89 137 148

HSL 191.19, 0.25%, 0.46%

LAB 54.19, -13.24, -11.01

 

CMYK 30 / 7 / 0 / 12

HEX #9DD1E0

RGB 157 209 224

HSL 193.43, 0.52%, 0.75%

LAB 80.82, -13.28, -12.86

 

CMYK 29 / 12 / 0 / 12

HEX #9EC6E0

RGB 158 198 224

HSL 203.64, 0.52%, 0.75%

LAB 77.9, -7.26, -17.25

 

CMYK 29 / 17 / 0 / 12

HEX #9EBBE0

RGB 158 187 224

HSL 213.64, 0.52%, 0.75%

LAB 74.95, -1.37, -21.72

 

CMYK 29 / 21 / 0 / 12

HEX #9EB0E0

RGB 158 176 224

HSL 223.64, 0.52%, 0.75%

LAB 72.03, 4.64, -26.17

 

CMYK 29 / 26 / 0 / 12

HEX #9EA5E0

RGB 158 165 224

HSL 233.64, 0.52%, 0.75%

LAB 69.16, 10.77, -30.59

 

CMYK 30 / 7 / 0 / 12

HEX #9DD1E0

RGB 157 209 224

HSL 193.43, 0.52%, 0.75%

LAB 80.82, -13.28, -12.86

 

CMYK 30 / 5 / 0 / 92

HEX #0E1314

RGB 14 19 20

HSL 190, 0.18%, 0.07%

LAB 5.51, -1.6, -1.25

 

CMYK 30 / 7 / 0 / 72

HEX #324247

RGB 50 66 71

HSL 194.29, 0.17%, 0.24%

LAB 26.82, -5.02, -5.13

 

CMYK 30 / 7 / 0 / 52

HEX #56727A

RGB 86 114 122

HSL 193.33, 0.17%, 0.41%

LAB 46.2, -8.09, -7.73

 

CMYK 30 / 7 / 0 / 32

HEX #79A1AD

RGB 121 161 173

HSL 193.85, 0.24%, 0.58%

LAB 63.81, -10.64, -10.63

 

CMYK 30 / 7 / 0 / 12

HEX #9DD1E0

RGB 157 209 224

HSL 193.43, 0.52%, 0.75%

LAB 80.82, -13.28, -12.86

 

CMYK 17 / 29 / 0 / 12

HEX #B99EE0

RGB 185 158 224

HSL 264.55, 0.52%, 0.75%

LAB 69.58, 22.81, -29.76

 

CMYK 0 / 5 / 29 / 12

HEX #E0D49E

RGB 224 212 158

HSL 49.09, 0.52%, 0.75%

LAB 84.69, -4.01, 28.27

 

CMYK 30 / 7 / 0 / 12

HEX #9DD1E0

RGB 157 209 224

HSL 193.43, 0.52%, 0.75%

LAB 80.82, -13.28, -12.86

 

CMYK 0 / 29 / 6 / 12

HEX #E09ED2

RGB 224 158 210

HSL 312.73, 0.52%, 0.75%

LAB 72.86, 32.62, -16.71

 

CMYK 6 / 0 / 29 / 12

HEX #D2E09E

RGB 210 224 158

HSL 72.73, 0.52%, 0.75%

LAB 86.74, -15.36, 30.83

 

CMYK 30 / 7 / 0 / 12

HEX #9DD1E0

RGB 157 209 224

HSL 193.43, 0.52%, 0.75%

LAB 80.82, -13.28, -12.86

 

CMYK 17 / 29 / 0 / 12

HEX #B99EE0

RGB 185 158 224

HSL 264.55, 0.52%, 0.75%

LAB 69.58, 22.81, -29.76

 

CMYK 0 / 23 / 29 / 12

HEX #E0AC9E

RGB 224 172 158

HSL 12.73, 0.52%, 0.75%

LAB 74.71, 17.06, 14.54

 

CMYK 13 / 0 / 29 / 12

HEX #C4E09E

RGB 196 224 158

HSL 85.45, 0.52%, 0.75%

LAB 85.76, -20.49, 29.35

 

CMYK 30 / 7 / 0 / 12

HEX #9DD1E0

RGB 157 209 224

HSL 193.43, 0.52%, 0.75%

LAB 80.82, -13.28, -12.86

 

CMYK 8 / 29 / 0 / 12

HEX #CD9EE0

RGB 205 158 224

HSL 282.73, 0.52%, 0.75%

LAB 71.43, 29.07, -26.75

 

CMYK 0 / 23 / 29 / 12

HEX #E0AC9E

RGB 224 172 158

HSL 12.73, 0.52%, 0.75%

LAB 74.71, 17.06, 14.54

 

CMYK 21 / 0 / 29 / 12

HEX #B0E09E

RGB 176 224 158

HSL 103.64, 0.52%, 0.75%

LAB 84.49, -27.56, 27.41

 

Description

Color code: CMYK 30 / 7 / 0 / 12 | qconv.com Color code: CMYK 30 / 7 / 0 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 209 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 209 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 7 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 7% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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