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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #638265 it is the complementary color #9C7D9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #638265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #638265: #688260, #799473, #8AA686, #9BB899 and #ACCAAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #638265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #638265: #638265, #527052, #415E3F, #304C2C and #1F3A19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 22 / 49

HEX #638265

RGB 99 130 101

HSL 123.87, 0.14%, 0.45%

LAB 51.33, -17.19, 12.18

 

Complementary color

CMYK 0 / 20 / 1 / 39

HEX #9C7D9A

RGB 156 125 154

HSL 303.87, 0.14%, 0.55%

LAB 56.16, 17.17, -11.01

 

CMYK 20 / 0 / 26 / 49

HEX #688260

RGB 104 130 96

HSL 105.88, 0.15%, 0.44%

LAB 51.56, -16.25, 15.42

 

CMYK 18 / 0 / 22 / 42

HEX #799473

RGB 121 148 115

HSL 109.09, 0.13%, 0.52%

LAB 58.49, -16.11, 14.38

 

CMYK 17 / 0 / 19 / 35

HEX #8AA686

RGB 138 166 134

HSL 112.5, 0.15%, 0.59%

LAB 65.28, -15.98, 13.41

 

CMYK 16 / 0 / 17 / 28

HEX #9BB899

RGB 155 184 153

HSL 116.13, 0.18%, 0.66%

LAB 71.93, -15.87, 12.51

 

CMYK 15 / 0 / 15 / 21

HEX #ACCAAC

RGB 172 202 172

HSL 120, 0.22%, 0.73%

LAB 78.46, -15.77, 11.65

 

CMYK 24 / 0 / 22 / 49

HEX #638265

RGB 99 130 101

HSL 123.87, 0.14%, 0.45%

LAB 51.33, -17.19, 12.18

 

CMYK 27 / 0 / 27 / 56

HEX #527052

RGB 82 112 82

HSL 120, 0.15%, 0.38%

LAB 44.22, -17.42, 13.25

 

CMYK 31 / 0 / 33 / 63

HEX #415E3F

RGB 65 94 63

HSL 116.13, 0.2%, 0.31%

LAB 36.91, -17.67, 14.44

 

CMYK 37 / 0 / 42 / 70

HEX #304C2C

RGB 48 76 44

HSL 112.5, 0.27%, 0.24%

LAB 29.36, -17.94, 15.77

 

CMYK 47 / 0 / 57 / 77

HEX #1F3A19

RGB 31 58 25

HSL 109.09, 0.4%, 0.16%

LAB 21.53, -18.14, 17.26

 

CMYK 24 / 0 / 22 / 49

HEX #638265

RGB 99 130 101

HSL 123.87, 0.14%, 0.45%

LAB 51.33, -17.19, 12.18

 

CMYK 25 / 0 / 19 / 49

HEX #628269

RGB 98 130 105

HSL 133.13, 0.14%, 0.45%

LAB 51.36, -16.77, 9.89

 

CMYK 25 / 0 / 15 / 49

HEX #62826F

RGB 98 130 111

HSL 144.38, 0.14%, 0.45%

LAB 51.51, -15.54, 6.61

 

CMYK 25 / 0 / 11 / 49

HEX #628274

RGB 98 130 116

HSL 153.75, 0.14%, 0.45%

LAB 51.64, -14.47, 3.89

 

CMYK 25 / 0 / 7 / 49

HEX #628279

RGB 98 130 121

HSL 163.13, 0.14%, 0.45%

LAB 51.77, -13.36, 1.17

 

CMYK 24 / 0 / 22 / 49

HEX #638265

RGB 99 130 101

HSL 123.87, 0.14%, 0.45%

LAB 51.33, -17.19, 12.18

 

CMYK 24 / 0 / 22 / 29

HEX #8AB58D

RGB 138 181 141

HSL 124.19, 0.23%, 0.63%

LAB 69.74, -22.39, 15.8

 

CMYK 24 / 0 / 22 / 9

HEX #B1E8B4

RGB 177 232 180

HSL 123.27, 0.54%, 0.8%

LAB 87.17, -27.48, 19.72

 

CMYK 25 / 0 / 21 / 89

HEX #151C16

RGB 21 28 22

HSL 128.57, 0.14%, 0.1%

LAB 9.38, -4.85, 3.08

 

CMYK 24 / 0 / 23 / 69

HEX #3C4F3D

RGB 60 79 61

HSL 123.16, 0.14%, 0.27%

LAB 31.55, -11.56, 8.26

 

CMYK 24 / 0 / 22 / 49

HEX #638265

RGB 99 130 101

HSL 123.87, 0.14%, 0.45%

LAB 51.33, -17.19, 12.18

 

CMYK 25 / 6 / 0 / 49

HEX #627A82

RGB 98 122 130

HSL 195, 0.14%, 0.45%

LAB 49.65, -6.75, -7.24

 

CMYK 0 / 25 / 16 / 49

HEX #82626D

RGB 130 98 109

HSL 339.38, 0.14%, 0.45%

LAB 45.06, 14.79, -1.18

 

CMYK 24 / 0 / 22 / 49

HEX #638265

RGB 99 130 101

HSL 123.87, 0.14%, 0.45%

LAB 51.33, -17.19, 12.18

 

CMYK 23 / 25 / 0 / 49

HEX #646282

RGB 100 98 130

HSL 243.75, 0.14%, 0.45%

LAB 42.85, 8.2, -17.51

 

CMYK 0 / 23 / 25 / 49

HEX #826462

RGB 130 100 98

HSL 3.75, 0.14%, 0.45%

LAB 45.28, 11.76, 5.78

 

CMYK 24 / 0 / 22 / 49

HEX #638265

RGB 99 130 101

HSL 123.87, 0.14%, 0.45%

LAB 51.33, -17.19, 12.18

 

CMYK 25 / 6 / 0 / 49

HEX #627A82

RGB 98 122 130

HSL 195, 0.14%, 0.45%

LAB 49.65, -6.75, -7.24

 

CMYK 0 / 25 / 1 / 49

HEX #826281

RGB 130 98 129

HSL 301.88, 0.14%, 0.45%

LAB 45.72, 18.59, -12.26

 

CMYK 0 / 18 / 25 / 49

HEX #826A62

RGB 130 106 98

HSL 15, 0.14%, 0.45%

LAB 46.89, 8.21, 8.07

 

CMYK 24 / 0 / 22 / 49

HEX #638265

RGB 99 130 101

HSL 123.87, 0.14%, 0.45%

LAB 51.33, -17.19, 12.18

 

CMYK 25 / 13 / 0 / 49

HEX #627182

RGB 98 113 130

HSL 211.88, 0.14%, 0.45%

LAB 47, -1.52, -11.22

 

CMYK 0 / 25 / 1 / 49

HEX #826281

RGB 130 98 129

HSL 301.88, 0.14%, 0.45%

LAB 45.72, 18.59, -12.26

 

CMYK 0 / 11 / 25 / 49

HEX #827462

RGB 130 116 98

HSL 33.75, 0.14%, 0.45%

LAB 49.64, 2.36, 11.93

 

Description

Color code: HEX #638265 | qconv.com Color code: HEX #638265 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 130 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 130 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 22 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 22% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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