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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 0 / 22 / 29 it is the complementary color CMYK 0 / 37 / 3 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 0 / 22 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 0 / 22 / 29: CMYK 21 / 0 / 25 / 29, CMYK 20 / 0 / 22 / 22, CMYK 18 / 0 / 20 / 15, CMYK 17 / 0 / 18 / 8 and CMYK 17 / 0 / 16 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 0 / 22 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 0 / 22 / 29: CMYK 24 / 0 / 22 / 29, CMYK 26 / 0 / 25 / 36, CMYK 28 / 0 / 29 / 43, CMYK 31 / 0 / 34 / 50 and CMYK 36 / 0 / 40 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 22 / 29

HEX #8AB58D

RGB 138 181 141

HSL 124.19, 0.23%, 0.63%

LAB 69.74, -22.39, 15.8

 

Complementary color

CMYK 0 / 37 / 3 / 54

HEX #754A72

RGB 117 74 114

HSL 304.19, 0.23%, 0.37%

LAB 37.65, 25.18, -15.51

 

CMYK 21 / 0 / 25 / 29

HEX #8FB588

RGB 143 181 136

HSL 110.67, 0.23%, 0.62%

LAB 69.94, -21.53, 18.85

 

CMYK 20 / 0 / 22 / 22

HEX #A0C79B

RGB 160 199 155

HSL 113.18, 0.28%, 0.69%

LAB 76.49, -21.37, 17.86

 

CMYK 18 / 0 / 20 / 15

HEX #B1D9AE

RGB 177 217 174

HSL 115.81, 0.36%, 0.77%

LAB 82.93, -21.22, 16.94

 

CMYK 17 / 0 / 18 / 8

HEX #C2EBC1

RGB 194 235 193

HSL 118.57, 0.51%, 0.84%

LAB 89.27, -21.09, 16.06

 

CMYK 17 / 0 / 16 / 1

HEX #D3FDD4

RGB 211 253 212

HSL 121.43, 0.91%, 0.91%

LAB 95.52, -20.97, 15.22

 

CMYK 24 / 0 / 22 / 29

HEX #8AB58D

RGB 138 181 141

HSL 124.19, 0.23%, 0.63%

LAB 69.74, -22.39, 15.8

 

CMYK 26 / 0 / 25 / 36

HEX #79A37A

RGB 121 163 122

HSL 121.43, 0.19%, 0.56%

LAB 63.06, -22.61, 16.81

 

CMYK 28 / 0 / 29 / 43

HEX #689167

RGB 104 145 103

HSL 118.57, 0.17%, 0.49%

LAB 56.26, -22.84, 17.89

 

CMYK 31 / 0 / 34 / 50

HEX #577F54

RGB 87 127 84

HSL 115.81, 0.2%, 0.41%

LAB 49.31, -23.09, 19.06

 

CMYK 36 / 0 / 40 / 57

HEX #466D41

RGB 70 109 65

HSL 113.18, 0.25%, 0.34%

LAB 42.19, -23.34, 20.33

 

CMYK 24 / 0 / 22 / 29

HEX #8AB58D

RGB 138 181 141

HSL 124.19, 0.23%, 0.63%

LAB 69.74, -22.39, 15.8

 

CMYK 24 / 0 / 18 / 29

HEX #8AB695

RGB 138 182 149

HSL 135, 0.23%, 0.63%

LAB 70.2, -21.42, 12.09

 

CMYK 24 / 0 / 14 / 29

HEX #8AB69C

RGB 138 182 156

HSL 144.55, 0.23%, 0.63%

LAB 70.36, -20.06, 8.49

 

CMYK 24 / 0 / 10 / 29

HEX #8AB6A3

RGB 138 182 163

HSL 154.09, 0.23%, 0.63%

LAB 70.53, -18.65, 4.9

 

CMYK 24 / 0 / 7 / 29

HEX #8AB6AA

RGB 138 182 170

HSL 163.64, 0.23%, 0.63%

LAB 70.71, -17.19, 1.32

 

CMYK 24 / 0 / 22 / 29

HEX #8AB58D

RGB 138 181 141

HSL 124.19, 0.23%, 0.63%

LAB 69.74, -22.39, 15.8

 

CMYK 24 / 0 / 22 / 9

HEX #B1E8B5

RGB 177 232 181

HSL 124.36, 0.54%, 0.8%

LAB 87.19, -27.3, 19.23

 

CMYK 25 / 0 / 21 / 89

HEX #151C16

RGB 21 28 22

HSL 128.57, 0.14%, 0.1%

LAB 9.38, -4.85, 3.08

 

CMYK 24 / 0 / 22 / 69

HEX #3C4F3E

RGB 60 79 62

HSL 126.32, 0.14%, 0.27%

LAB 31.58, -11.35, 7.67

 

CMYK 24 / 0 / 22 / 49

HEX #638265

RGB 99 130 101

HSL 123.87, 0.14%, 0.45%

LAB 51.33, -17.19, 12.18

 

CMYK 24 / 0 / 22 / 29

HEX #8AB58D

RGB 138 181 141

HSL 124.19, 0.23%, 0.63%

LAB 69.74, -22.39, 15.8

 

CMYK 24 / 7 / 0 / 29

HEX #8AAAB6

RGB 138 170 182

HSL 196.36, 0.23%, 0.63%

LAB 67.67, -8.18, -9.77

 

CMYK 0 / 24 / 16 / 29

HEX #B68A99

RGB 182 138 153

HSL 339.55, 0.23%, 0.63%

LAB 62.02, 19.11, -1.45

 

CMYK 24 / 0 / 22 / 29

HEX #8AB58D

RGB 138 181 141

HSL 124.19, 0.23%, 0.63%

LAB 69.74, -22.39, 15.8

 

CMYK 23 / 24 / 0 / 29

HEX #8D8AB6

RGB 141 138 182

HSL 244.09, 0.23%, 0.63%

LAB 59.17, 10.7, -22.61

 

CMYK 0 / 23 / 24 / 29

HEX #B68D8A

RGB 182 141 138

HSL 4.09, 0.23%, 0.63%

LAB 62.36, 15.07, 7.57

 

CMYK 24 / 0 / 22 / 29

HEX #8AB58D

RGB 138 181 141

HSL 124.19, 0.23%, 0.63%

LAB 69.74, -22.39, 15.8

 

CMYK 24 / 7 / 0 / 29

HEX #8AAAB6

RGB 138 170 182

HSL 196.36, 0.23%, 0.63%

LAB 67.67, -8.18, -9.77

 

CMYK 0 / 24 / 2 / 29

HEX #B68AB3

RGB 182 138 179

HSL 304.09, 0.23%, 0.63%

LAB 62.82, 23.73, -15.01

 

CMYK 0 / 18 / 24 / 29

HEX #B6968A

RGB 182 150 138

HSL 16.36, 0.23%, 0.63%

LAB 64.64, 10.07, 10.8

 

CMYK 24 / 0 / 22 / 29

HEX #8AB58D

RGB 138 181 141

HSL 124.19, 0.23%, 0.63%

LAB 69.74, -22.39, 15.8

 

CMYK 24 / 14 / 0 / 29

HEX #8A9DB6

RGB 138 157 182

HSL 214.09, 0.23%, 0.63%

LAB 64.08, -1.05, -15.17

 

CMYK 0 / 24 / 2 / 29

HEX #B68AB3

RGB 182 138 179

HSL 304.09, 0.23%, 0.63%

LAB 62.82, 23.73, -15.01

 

CMYK 0 / 10 / 24 / 29

HEX #B6A38A

RGB 182 163 138

HSL 34.09, 0.23%, 0.63%

LAB 68, 2.93, 15.52

 

Description

Color code: CMYK 24 / 0 / 22 / 29 | qconv.com Color code: CMYK 24 / 0 / 22 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 181 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 181 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 22 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 22% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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