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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62CCD5 it is the complementary color #9D332A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62CCD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #62CCD5: #67CCD0, #78DEE3, #89F0F6, #9AFFFF and #ABFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62CCD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #62CCD5: #62CCD5, #51BAC2, #40A8AF, #2F969C and #1E8489

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 4 / 0 / 16

HEX #62CCD5

RGB 98 204 213

HSL 184.7, 0.58%, 0.61%

LAB 76.43, -28, -13.81

 

Complementary color

CMYK 0 / 68 / 73 / 38

HEX #9D332A

RGB 157 51 42

HSL 4.7, 0.58%, 0.39%

LAB 37.3, 43.45, 29.89

 

CMYK 50 / 2 / 0 / 18

HEX #67CCD0

RGB 103 204 208

HSL 182.29, 0.53%, 0.61%

LAB 76.45, -28.31, -11.06

 

CMYK 47 / 2 / 0 / 11

HEX #78DEE3

RGB 120 222 227

HSL 182.8, 0.66%, 0.68%

LAB 82.8, -28.42, -11.68

 

CMYK 44 / 2 / 0 / 4

HEX #89F0F6

RGB 137 240 246

HSL 183.3, 0.86%, 0.75%

LAB 89.06, -28.48, -12.27

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 54 / 4 / 0 / 16

HEX #62CCD5

RGB 98 204 213

HSL 184.7, 0.58%, 0.61%

LAB 76.43, -28, -13.81

 

CMYK 58 / 4 / 0 / 24

HEX #51BAC2

RGB 81 186 194

HSL 184.25, 0.48%, 0.54%

LAB 70.01, -27.71, -13.17

 

CMYK 63 / 4 / 0 / 31

HEX #40A8AF

RGB 64 168 175

HSL 183.78, 0.46%, 0.47%

LAB 63.5, -27.28, -12.47

 

CMYK 70 / 4 / 0 / 39

HEX #2F969C

RGB 47 150 156

HSL 183.3, 0.54%, 0.4%

LAB 56.9, -26.66, -11.7

 

CMYK 78 / 4 / 0 / 46

HEX #1E8489

RGB 30 132 137

HSL 182.8, 0.64%, 0.33%

LAB 50.2, -25.74, -10.82

 

CMYK 54 / 4 / 0 / 16

HEX #62CCD5

RGB 98 204 213

HSL 184.7, 0.58%, 0.61%

LAB 76.43, -28, -13.81

 

CMYK 54 / 13 / 0 / 16

HEX #61BAD5

RGB 97 186 213

HSL 193.97, 0.58%, 0.61%

LAB 71.19, -19.15, -21.73

 

CMYK 54 / 22 / 0 / 16

HEX #61A7D5

RGB 97 167 213

HSL 203.79, 0.58%, 0.61%

LAB 65.74, -9.03, -30.1

 

CMYK 54 / 31 / 0 / 16

HEX #6193D5

RGB 97 147 213

HSL 214.14, 0.58%, 0.61%

LAB 60.08, 2.26, -38.9

 

CMYK 54 / 40 / 0 / 16

HEX #6180D5

RGB 97 128 213

HSL 223.97, 0.58%, 0.61%

LAB 54.85, 13.51, -47.15

 

CMYK 54 / 4 / 0 / 16

HEX #62CCD5

RGB 98 204 213

HSL 184.7, 0.58%, 0.61%

LAB 76.43, -28, -13.81

 

CMYK 56 / 0 / 0 / 96

HEX #040909

RGB 4 9 9

HSL 180, 0.38%, 0.03%

LAB 2.18, -1.31, -0.46

 

CMYK 53 / 5 / 0 / 76

HEX #1C393C

RGB 28 57 60

HSL 185.63, 0.36%, 0.17%

LAB 21.94, -9.9, -5.26

 

CMYK 54 / 5 / 0 / 56

HEX #336A6F

RGB 51 106 111

HSL 185, 0.37%, 0.32%

LAB 41.47, -16.58, -8.38

 

CMYK 54 / 4 / 0 / 36

HEX #4B9BA2

RGB 75 155 162

HSL 184.83, 0.37%, 0.46%

LAB 59.48, -22.37, -11.15

 

CMYK 54 / 4 / 0 / 16

HEX #62CCD5

RGB 98 204 213

HSL 184.7, 0.58%, 0.61%

LAB 76.43, -28, -13.81

 

CMYK 40 / 54 / 0 / 16

HEX #8061D5

RGB 128 97 213

HSL 256.03, 0.58%, 0.61%

LAB 49.43, 39.15, -55.67

 

CMYK 0 / 18 / 54 / 16

HEX #D5AE61

RGB 213 174 97

HSL 39.83, 0.58%, 0.61%

LAB 73.08, 4.98, 44.45

 

CMYK 54 / 4 / 0 / 16

HEX #62CCD5

RGB 98 204 213

HSL 184.7, 0.58%, 0.61%

LAB 76.43, -28, -13.81

 

CMYK 0 / 54 / 4 / 16

HEX #D561CD

RGB 213 97 205

HSL 304.14, 0.58%, 0.61%

LAB 59.07, 59.47, -35.21

 

CMYK 4 / 0 / 54 / 16

HEX #CDD561

RGB 205 213 97

HSL 64.14, 0.58%, 0.61%

LAB 82.61, -18.4, 55.44

 

CMYK 54 / 4 / 0 / 16

HEX #62CCD5

RGB 98 204 213

HSL 184.7, 0.58%, 0.61%

LAB 76.43, -28, -13.81

 

CMYK 40 / 54 / 0 / 16

HEX #8061D5

RGB 128 97 213

HSL 256.03, 0.58%, 0.61%

LAB 49.43, 39.15, -55.67

 

CMYK 0 / 51 / 54 / 16

HEX #D56961

RGB 213 105 97

HSL 4.14, 0.58%, 0.61%

LAB 57.18, 41.73, 24.45

 

CMYK 15 / 0 / 54 / 16

HEX #B6D561

RGB 182 213 97

HSL 76.03, 0.58%, 0.61%

LAB 80.96, -27.53, 53.11

 

CMYK 54 / 4 / 0 / 16

HEX #62CCD5

RGB 98 204 213

HSL 184.7, 0.58%, 0.61%

LAB 76.43, -28, -13.81

 

CMYK 23 / 54 / 0 / 16

HEX #A361D5

RGB 163 97 213

HSL 274.14, 0.58%, 0.61%

LAB 53.1, 47.75, -49.58

 

CMYK 0 / 51 / 54 / 16

HEX #D56961

RGB 213 105 97

HSL 4.14, 0.58%, 0.61%

LAB 57.18, 41.73, 24.45

 

CMYK 31 / 0 / 54 / 16

HEX #93D561

RGB 147 213 97

HSL 94.14, 0.58%, 0.61%

LAB 78.84, -40.51, 50.1

 

Description

Color code: HEX #62CCD5 | qconv.com Color code: HEX #62CCD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 204 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 204 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 4 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 4% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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