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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 51 42 it is the complementary color RGB 98 204 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 51 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 157 51 42: RGB 162 51 37, RGB 179 69 56, RGB 196 87 75, RGB 213 105 94 and RGB 230 123 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 51 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 157 51 42: RGB 157 51 42, RGB 140 33 23, RGB 123 15 4, RGB 106 0 0 and RGB 89 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 73 / 38

HEX #9D332A

RGB 157 51 42

HSL 4.7, 0.58%, 0.39%

LAB 37.3, 43.45, 29.89

 

Complementary color

CMYK 54 / 4 / 0 / 16

HEX #62CCD5

RGB 98 204 213

HSL 184.7, 0.58%, 0.61%

LAB 76.43, -28, -13.81

 

CMYK 0 / 69 / 77 / 36

HEX #A23325

RGB 162 51 37

HSL 6.72, 0.63%, 0.39%

LAB 38.17, 44.98, 34.01

 

CMYK 0 / 61 / 69 / 30

HEX #B34538

RGB 179 69 56

HSL 6.34, 0.52%, 0.46%

LAB 44.41, 43.93, 30.96

 

CMYK 0 / 56 / 62 / 23

HEX #C4574B

RGB 196 87 75

HSL 5.95, 0.51%, 0.53%

LAB 50.76, 42.72, 28.34

 

CMYK 0 / 51 / 56 / 16

HEX #D5695E

RGB 213 105 94

HSL 5.55, 0.59%, 0.6%

LAB 57.13, 41.49, 26.1

 

CMYK 0 / 47 / 51 / 10

HEX #E67B71

RGB 230 123 113

HSL 5.13, 0.7%, 0.67%

LAB 63.49, 40.29, 24.16

 

CMYK 0 / 68 / 73 / 38

HEX #9D332A

RGB 157 51 42

HSL 4.7, 0.58%, 0.39%

LAB 37.3, 43.45, 29.89

 

CMYK 0 / 76 / 84 / 45

HEX #8C2117

RGB 140 33 23

HSL 5.13, 0.72%, 0.32%

LAB 31.17, 44.07, 33.37

 

CMYK 0 / 88 / 97 / 52

HEX #7B0F04

RGB 123 15 4

HSL 5.55, 0.94%, 0.25%

LAB 25.45, 43.72, 35.94

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 100 / 100 / 65

HEX #590000

RGB 89 0 0

HSL 0, 1%, 0.17%

LAB 16.12, 37.17, 25.04

 

CMYK 0 / 68 / 73 / 38

HEX #9D332A

RGB 157 51 42

HSL 4.7, 0.58%, 0.39%

LAB 37.3, 43.45, 29.89

 

CMYK 0 / 57 / 74 / 38

HEX #9D4429

RGB 157 68 41

HSL 13.97, 0.59%, 0.39%

LAB 40.35, 35.32, 33.88

 

CMYK 0 / 45 / 74 / 38

HEX #9D5729

RGB 157 87 41

HSL 23.79, 0.59%, 0.39%

LAB 44.44, 25.08, 38.31

 

CMYK 0 / 32 / 74 / 38

HEX #9D6B29

RGB 157 107 41

HSL 34.14, 0.59%, 0.39%

LAB 49.31, 13.72, 43.39

 

CMYK 0 / 20 / 74 / 38

HEX #9D7E29

RGB 157 126 41

HSL 43.97, 0.59%, 0.39%

LAB 54.29, 2.92, 48.42

 

CMYK 0 / 68 / 73 / 38

HEX #9D332A

RGB 157 51 42

HSL 4.7, 0.58%, 0.39%

LAB 37.3, 43.45, 29.89

 

CMYK 0 / 67 / 73 / 18

HEX #D04438

RGB 208 68 56

HSL 4.74, 0.62%, 0.52%

LAB 49.29, 54.39, 37.9

 

CMYK 0 / 75 / 75 / 98

HEX #040101

RGB 4 1 1

HSL 0, 0.6%, 0.01%

LAB 0.45, 0.78, 0.28

 

CMYK 0 / 67 / 73 / 78

HEX #37120F

RGB 55 18 15

HSL 4.5, 0.57%, 0.14%

LAB 11.13, 18.23, 10.61

 

CMYK 0 / 68 / 74 / 58

HEX #6A221C

RGB 106 34 28

HSL 4.62, 0.58%, 0.26%

LAB 24.61, 31.74, 21.32

 

CMYK 0 / 68 / 73 / 38

HEX #9D332A

RGB 157 51 42

HSL 4.7, 0.58%, 0.39%

LAB 37.3, 43.45, 29.89

 

CMYK 20 / 0 / 74 / 38

HEX #7E9D29

RGB 126 157 41

HSL 76.03, 0.59%, 0.39%

LAB 60.52, -27.28, 53.66

 

CMYK 74 / 49 / 0 / 38

HEX #29509D

RGB 41 80 157

HSL 219.83, 0.59%, 0.39%

LAB 35.29, 13.94, -45.98

 

CMYK 0 / 68 / 73 / 38

HEX #9D332A

RGB 157 51 42

HSL 4.7, 0.58%, 0.39%

LAB 37.3, 43.45, 29.89

 

CMYK 74 / 0 / 69 / 38

HEX #299D31

RGB 41 157 49

HSL 124.14, 0.59%, 0.39%

LAB 56.89, -53.13, 45.62

 

CMYK 69 / 74 / 0 / 38

HEX #31299D

RGB 49 41 157

HSL 244.14, 0.59%, 0.39%

LAB 25.78, 40.34, -61.44

 

CMYK 0 / 68 / 73 / 38

HEX #9D332A

RGB 157 51 42

HSL 4.7, 0.58%, 0.39%

LAB 37.3, 43.45, 29.89

 

CMYK 20 / 0 / 74 / 38

HEX #7E9D29

RGB 126 157 41

HSL 76.03, 0.59%, 0.39%

LAB 60.52, -27.28, 53.66

 

CMYK 74 / 5 / 0 / 38

HEX #29959D

RGB 41 149 157

HSL 184.14, 0.59%, 0.39%

LAB 56.49, -26.66, -12.9

 

CMYK 54 / 74 / 0 / 38

HEX #48299D

RGB 72 41 157

HSL 256.03, 0.59%, 0.39%

LAB 27.84, 43.49, -57.99

 

CMYK 0 / 68 / 73 / 38

HEX #9D332A

RGB 157 51 42

HSL 4.7, 0.58%, 0.39%

LAB 37.3, 43.45, 29.89

 

CMYK 42 / 0 / 74 / 38

HEX #5B9D29

RGB 91 157 41

HSL 94.14, 0.59%, 0.39%

LAB 58.51, -40.7, 50.99

 

CMYK 74 / 5 / 0 / 38

HEX #29959D

RGB 41 149 157

HSL 184.14, 0.59%, 0.39%

LAB 56.49, -26.66, -12.9

 

CMYK 32 / 74 / 0 / 38

HEX #6B299D

RGB 107 41 157

HSL 274.14, 0.59%, 0.39%

LAB 32.14, 49.75, -50.8

 

Description

Color code: RGB 157 51 42 | qconv.com Color code: RGB 157 51 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 51 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 51 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 73 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 73% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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