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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6262D9 it is the complementary color #9D9D26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6262D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6262D9: #6762D4, #7874E7, #8986FA, #9A98FF and #ABAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6262D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6262D9: #6262D9, #5150C6, #403EB3, #2F2CA0 and #1E1A8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 55 / 0 / 15

HEX #6262D9

RGB 98 98 217

HSL 240, 0.61%, 0.62%

LAB 47.42, 33.3, -61.31

 

Complementary color

CMYK 0 / 0 / 76 / 38

HEX #9D9D26

RGB 157 157 38

HSL 60, 0.61%, 0.38%

LAB 62.86, -14.06, 57.76

 

CMYK 51 / 54 / 0 / 17

HEX #6762D4

RGB 103 98 212

HSL 242.63, 0.57%, 0.61%

LAB 47.46, 32.74, -58.38

 

CMYK 48 / 50 / 0 / 9

HEX #7874E7

RGB 120 116 231

HSL 242.09, 0.71%, 0.68%

LAB 54.29, 31.33, -58.06

 

CMYK 45 / 46 / 0 / 2

HEX #8986FA

RGB 137 134 250

HSL 241.55, 0.92%, 0.75%

LAB 61.02, 30.11, -57.77

 

CMYK 40 / 40 / 0 / 0

HEX #9A98FF

RGB 154 152 255

HSL 241.17, 1%, 0.8%

LAB 66.94, 25.18, -51.04

 

CMYK 33 / 33 / 0 / 0

HEX #ABAAFF

RGB 171 170 255

HSL 240.71, 1%, 0.83%

LAB 72.65, 19.42, -41.97

 

CMYK 55 / 55 / 0 / 15

HEX #6262D9

RGB 98 98 217

HSL 240, 0.61%, 0.62%

LAB 47.42, 33.3, -61.31

 

CMYK 59 / 60 / 0 / 22

HEX #5150C6

RGB 81 80 198

HSL 240.51, 0.51%, 0.55%

LAB 40.51, 35.07, -61.64

 

CMYK 64 / 65 / 0 / 30

HEX #403EB3

RGB 64 62 179

HSL 241.03, 0.49%, 0.47%

LAB 33.54, 37.11, -61.91

 

CMYK 71 / 73 / 0 / 37

HEX #2F2CA0

RGB 47 44 160

HSL 241.55, 0.57%, 0.4%

LAB 26.57, 39.37, -61.97

 

CMYK 79 / 82 / 0 / 45

HEX #1E1A8D

RGB 30 26 141

HSL 242.09, 0.69%, 0.33%

LAB 19.79, 41.57, -61.51

 

CMYK 55 / 55 / 0 / 15

HEX #6262D9

RGB 98 98 217

HSL 240, 0.61%, 0.62%

LAB 47.42, 33.3, -61.31

 

CMYK 46 / 55 / 0 / 15

HEX #7662D9

RGB 118 98 217

HSL 250.08, 0.61%, 0.62%

LAB 49, 37.43, -58.68

 

CMYK 36 / 55 / 0 / 15

HEX #8A62D9

RGB 138 98 217

HSL 260.17, 0.61%, 0.62%

LAB 50.86, 42, -55.59

 

CMYK 27 / 55 / 0 / 15

HEX #9E62D9

RGB 158 98 217

HSL 270.25, 0.61%, 0.62%

LAB 52.97, 46.88, -52.11

 

CMYK 18 / 55 / 0 / 15

HEX #B162D9

RGB 177 98 217

HSL 279.83, 0.61%, 0.62%

LAB 55.17, 51.71, -48.47

 

CMYK 55 / 55 / 0 / 15

HEX #6262D9

RGB 98 98 217

HSL 240, 0.61%, 0.62%

LAB 47.42, 33.3, -61.31

 

CMYK 54 / 54 / 0 / 95

HEX #06060D

RGB 6 6 13

HSL 240, 0.37%, 0.04%

LAB 1.79, 1.01, -2.75

 

CMYK 55 / 55 / 0 / 75

HEX #1D1D40

RGB 29 29 64

HSL 240, 0.38%, 0.18%

LAB 12.67, 11.43, -22.39

 

CMYK 55 / 55 / 0 / 55

HEX #343473

RGB 52 52 115

HSL 240, 0.38%, 0.33%

LAB 25.03, 19.32, -36.47

 

CMYK 55 / 55 / 0 / 35

HEX #4B4BA6

RGB 75 75 166

HSL 240, 0.38%, 0.47%

LAB 36.52, 26.53, -49.29

 

CMYK 55 / 55 / 0 / 15

HEX #6262D9

RGB 98 98 217

HSL 240, 0.61%, 0.62%

LAB 47.42, 33.3, -61.31

 

CMYK 0 / 55 / 11 / 15

HEX #D962C1

RGB 217 98 193

HSL 312.1, 0.61%, 0.62%

LAB 59.29, 58.16, -28

 

CMYK 33 / 0 / 55 / 15

HEX #92D962

RGB 146 217 98

HSL 95.8, 0.61%, 0.62%

LAB 79.96, -42.5, 50.95

 

CMYK 55 / 55 / 0 / 15

HEX #6262D9

RGB 98 98 217

HSL 240, 0.61%, 0.62%

LAB 47.42, 33.3, -61.31

 

CMYK 0 / 55 / 55 / 15

HEX #D96262

RGB 217 98 98

HSL 0, 0.61%, 0.62%

LAB 56.46, 46.71, 23.01

 

CMYK 55 / 0 / 55 / 15

HEX #62D962

RGB 98 217 98

HSL 120, 0.61%, 0.62%

LAB 77.94, -56.87, 48.05

 

CMYK 55 / 55 / 0 / 15

HEX #6262D9

RGB 98 98 217

HSL 240, 0.61%, 0.62%

LAB 47.42, 33.3, -61.31

 

CMYK 0 / 55 / 11 / 15

HEX #D962C1

RGB 217 98 193

HSL 312.1, 0.61%, 0.62%

LAB 59.29, 58.16, -28

 

CMYK 0 / 0 / 55 / 15

HEX #D9D962

RGB 217 217 98

HSL 60, 0.61%, 0.62%

LAB 84.62, -15.45, 57.52

 

CMYK 55 / 0 / 44 / 15

HEX #62D97A

RGB 98 217 122

HSL 132.1, 0.61%, 0.62%

LAB 78.24, -53.52, 36.83

 

CMYK 55 / 55 / 0 / 15

HEX #6262D9

RGB 98 98 217

HSL 240, 0.61%, 0.62%

LAB 47.42, 33.3, -61.31

 

CMYK 0 / 55 / 27 / 15

HEX #D9629E

RGB 217 98 158

HSL 329.75, 0.61%, 0.62%

LAB 57.99, 53.09, -9.81

 

CMYK 0 / 0 / 55 / 15

HEX #D9D962

RGB 217 217 98

HSL 60, 0.61%, 0.62%

LAB 84.62, -15.45, 57.52

 

CMYK 55 / 0 / 27 / 15

HEX #62D99E

RGB 98 217 158

HSL 150.25, 0.61%, 0.62%

LAB 78.86, -47.06, 19.13

 

Description

Color code: HEX #6262D9 | qconv.com Color code: HEX #6262D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 98 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 98 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 55 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 55% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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