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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 217 98 it is the complementary color RGB 109 38 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 217 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 217 98: RGB 151 217 93, RGB 168 235 112, RGB 185 253 131, RGB 202 255 150 and RGB 219 255 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 217 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 217 98: RGB 146 217 98, RGB 129 199 79, RGB 112 181 60, RGB 95 163 41 and RGB 78 145 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 55 / 15

HEX #92D962

RGB 146 217 98

HSL 95.8, 0.61%, 0.62%

LAB 79.96, -42.5, 50.95

 

Complementary color

CMYK 31 / 76 / 0 / 38

HEX #6D269D

RGB 109 38 157

HSL 275.8, 0.61%, 0.38%

LAB 31.97, 51.41, -51.06

 

CMYK 30 / 0 / 57 / 15

HEX #97D95D

RGB 151 217 93

HSL 91.94, 0.62%, 0.61%

LAB 80.18, -41.27, 53.53

 

CMYK 29 / 0 / 52 / 8

HEX #A8EB70

RGB 168 235 112

HSL 92.68, 0.75%, 0.68%

LAB 86.46, -41.32, 52.48

 

CMYK 27 / 0 / 48 / 1

HEX #B9FD83

RGB 185 253 131

HSL 93.44, 0.97%, 0.75%

LAB 92.66, -41.31, 51.38

 

CMYK 21 / 0 / 41 / 0

HEX #CAFF96

RGB 202 255 150

HSL 90.29, 1%, 0.79%

LAB 94.43, -34.08, 44.75

 

CMYK 14 / 0 / 34 / 0

HEX #DBFFA9

RGB 219 255 169

HSL 85.12, 1%, 0.83%

LAB 95.77, -25.67, 37.38

 

CMYK 33 / 0 / 55 / 15

HEX #92D962

RGB 146 217 98

HSL 95.8, 0.61%, 0.62%

LAB 79.96, -42.5, 50.95

 

CMYK 35 / 0 / 60 / 22

HEX #81C74F

RGB 129 199 79

HSL 95, 0.52%, 0.55%

LAB 73.6, -42.43, 51.96

 

CMYK 38 / 0 / 67 / 29

HEX #70B53C

RGB 112 181 60

HSL 94.21, 0.5%, 0.47%

LAB 67.14, -42.24, 52.76

 

CMYK 42 / 0 / 75 / 36

HEX #5FA329

RGB 95 163 41

HSL 93.44, 0.6%, 0.4%

LAB 60.59, -41.86, 53.12

 

CMYK 46 / 0 / 85 / 43

HEX #4E9116

RGB 78 145 22

HSL 92.68, 0.74%, 0.33%

LAB 53.95, -41.2, 52.58

 

CMYK 33 / 0 / 55 / 15

HEX #92D962

RGB 146 217 98

HSL 95.8, 0.61%, 0.62%

LAB 79.96, -42.5, 50.95

 

CMYK 41 / 0 / 55 / 15

HEX #80D962

RGB 128 217 98

HSL 104.87, 0.61%, 0.62%

LAB 79.1, -48.41, 49.71

 

CMYK 50 / 0 / 55 / 15

HEX #6CD962

RGB 108 217 98

HSL 114.96, 0.61%, 0.62%

LAB 78.28, -54.26, 48.55

 

CMYK 55 / 0 / 50 / 15

HEX #62D96C

RGB 98 217 108

HSL 125.04, 0.61%, 0.62%

LAB 78.05, -55.57, 43.47

 

CMYK 55 / 0 / 41 / 15

HEX #62D980

RGB 98 217 128

HSL 135.13, 0.61%, 0.62%

LAB 78.33, -52.56, 33.93

 

CMYK 33 / 0 / 55 / 15

HEX #92D962

RGB 146 217 98

HSL 95.8, 0.61%, 0.62%

LAB 79.96, -42.5, 50.95

 

CMYK 31 / 0 / 54 / 95

HEX #090D06

RGB 9 13 6

HSL 94.29, 0.37%, 0.04%

LAB 3.24, -2.12, 2.35

 

CMYK 33 / 0 / 55 / 75

HEX #2B401D

RGB 43 64 29

HSL 96, 0.38%, 0.18%

LAB 24.54, -15.84, 18.71

 

CMYK 33 / 0 / 55 / 55

HEX #4D7334

RGB 77 115 52

HSL 96.19, 0.38%, 0.33%

LAB 44.36, -25.62, 30.35

 

CMYK 33 / 0 / 55 / 35

HEX #70A64B

RGB 112 166 75

HSL 95.6, 0.38%, 0.47%

LAB 62.7, -34.14, 41.02

 

CMYK 33 / 0 / 55 / 15

HEX #92D962

RGB 146 217 98

HSL 95.8, 0.61%, 0.62%

LAB 79.96, -42.5, 50.95

 

CMYK 55 / 0 / 12 / 15

HEX #62D9BF

RGB 98 217 191

HSL 166.89, 0.61%, 0.62%

LAB 79.6, -39.74, 2.68

 

CMYK 0 / 55 / 10 / 15

HEX #D962C3

RGB 217 98 195

HSL 311.09, 0.61%, 0.62%

LAB 59.37, 58.48, -29.01

 

CMYK 33 / 0 / 55 / 15

HEX #92D962

RGB 146 217 98

HSL 95.8, 0.61%, 0.62%

LAB 79.96, -42.5, 50.95

 

CMYK 55 / 32 / 0 / 15

HEX #6294D9

RGB 98 148 217

HSL 214.79, 0.61%, 0.62%

LAB 60.59, 3.15, -40.33

 

CMYK 0 / 55 / 32 / 15

HEX #D96294

RGB 217 98 148

HSL 334.79, 0.61%, 0.62%

LAB 57.68, 51.82, -4.46

 

CMYK 33 / 0 / 55 / 15

HEX #92D962

RGB 146 217 98

HSL 95.8, 0.61%, 0.62%

LAB 79.96, -42.5, 50.95

 

CMYK 55 / 0 / 12 / 15

HEX #62D9BF

RGB 98 217 191

HSL 166.89, 0.61%, 0.62%

LAB 79.6, -39.74, 2.68

 

CMYK 23 / 55 / 0 / 15

HEX #A762D9

RGB 167 98 217

HSL 274.79, 0.61%, 0.62%

LAB 53.99, 49.15, -50.42

 

CMYK 0 / 55 / 43 / 15

HEX #D9627C

RGB 217 98 124

HSL 346.89, 0.61%, 0.62%

LAB 57.02, 49.09, 8.62

 

CMYK 33 / 0 / 55 / 15

HEX #92D962

RGB 146 217 98

HSL 95.8, 0.61%, 0.62%

LAB 79.96, -42.5, 50.95

 

CMYK 55 / 5 / 0 / 15

HEX #62CFD9

RGB 98 207 217

HSL 185.04, 0.61%, 0.62%

LAB 77.42, -28.37, -14.48

 

CMYK 23 / 55 / 0 / 15

HEX #A762D9

RGB 167 98 217

HSL 274.79, 0.61%, 0.62%

LAB 53.99, 49.15, -50.42

 

CMYK 0 / 50 / 55 / 15

HEX #D96C62

RGB 217 108 98

HSL 5.04, 0.61%, 0.62%

LAB 58.38, 41.79, 25.55

 

Description

Color code: RGB 146 217 98 | qconv.com Color code: RGB 146 217 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 217 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 217 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 55 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 55% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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