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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #613DB0 it is the complementary color #9EC24F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #613DB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #613DB0 shade: #663DAB, #774FBE, #8861D1, #9973E4 and #AA85F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #613DB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #613DB0 shade: #613DB0, #502B9D, #3F198A, #2E0777 and #1D0064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #613DB0 shade: #603CAF, #7F3CAF, #9E3CAF, #AF3CA1 and #AF3C82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #613DB0 shade: #603CAF, #413CAF and #3C3CAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #613DB0 shade matches the following richer shades: #603CAF, #5929C2, #5216D5 and #4B03E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #613DB0 shade: #603CAF, #674F9C, #6E6289, #757576 and #7C8863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #613DB0 shade: #3C57AF, #403CAF, #5E3CAF, #7D3CAF and #9C3CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #613DB0 shade: #3E2771, #4F3190, #603CAF, #7451C3 and #8D6FCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #613DB0 shade: #613DB0, #AF3C75 and #47AF3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #613DB0 shade: #613DB0, #AF5E3C and #3CAF5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #613DB0 shade: #613DB0, #AF3C75, #8CAF3C and #3CAF75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #613DB0 shade: #613DB0, #AF3C53, #8CAF3C and #3CAF98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 65 / 0 / 31

HEX #613DB0

RGB 97 61 176

HSL 258.78, 0.49%, 0.46%

LAB 36.01, 42.58, -55.98

 

Complementary color

CMYK 19 / 0 / 59 / 24

HEX #9EC24F

RGB 158 194 79

HSL 78.78, 0.49%, 0.54%

LAB 73.82, -29.42, 52.67

 

CMYK 40 / 64 / 0 / 33

HEX #663DAB

RGB 102 61 171

HSL 262.36, 0.47%, 0.45%

LAB 36.18, 42.24, -52.7

 

CMYK 37 / 58 / 0 / 25

HEX #774FBE

RGB 119 79 190

HSL 261.62, 0.46%, 0.53%

LAB 43.11, 41.11, -52.62

 

CMYK 35 / 54 / 0 / 18

HEX #8861D1

RGB 136 97 209

HSL 260.89, 0.55%, 0.6%

LAB 49.96, 39.99, -52.49

 

CMYK 33 / 50 / 0 / 11

HEX #9973E4

RGB 153 115 228

HSL 260.18, 0.68%, 0.67%

LAB 56.72, 38.94, -52.35

 

CMYK 31 / 46 / 0 / 3

HEX #AA85F7

RGB 170 133 247

HSL 259.47, 0.88%, 0.75%

LAB 63.37, 37.97, -52.21

 

CMYK 45 / 65 / 0 / 31

HEX #613DB0

RGB 97 61 176

HSL 258.78, 0.49%, 0.46%

LAB 36.01, 42.58, -55.98

 

CMYK 49 / 73 / 0 / 38

HEX #502B9D

RGB 80 43 157

HSL 259.47, 0.57%, 0.39%

LAB 29.08, 43.76, -55.93

 

CMYK 54 / 82 / 0 / 46

HEX #3F198A

RGB 63 25 138

HSL 260.18, 0.69%, 0.32%

LAB 22.26, 44.54, -55.47

 

CMYK 61 / 94 / 0 / 53

HEX #2E0777

RGB 46 7 119

HSL 260.89, 0.89%, 0.25%

LAB 15.82, 44.15, -54.1

 

CMYK 71 / 100 / 0 / 61

HEX #1D0064

RGB 29 0 100

HSL 257.4, 1%, 0.2%

LAB 10.42, 40.68, -50.7

 

CMYK 45 / 66 / 0 / 31

HEX #603CAF

RGB 96 60 175

HSL 258.78, 0.49%, 0.46%

LAB 35.62, 42.66, -56.02

 

CMYK 27 / 66 / 0 / 31

HEX #7F3CAF

RGB 127 60 175

HSL 274.96, 0.49%, 0.46%

LAB 39.31, 49.3, -49.88

 

CMYK 10 / 66 / 0 / 31

HEX #9E3CAF

RGB 158 60 175

HSL 291.13, 0.49%, 0.46%

LAB 43.65, 56.51, -42.68

 

CMYK 0 / 66 / 8 / 31

HEX #AF3CA1

RGB 175 60 161

HSL 307.3, 0.49%, 0.46%

LAB 45.52, 58.25, -31.24

 

CMYK 0 / 66 / 26 / 31

HEX #AF3C82

RGB 175 60 130

HSL 323.48, 0.49%, 0.46%

LAB 44.17, 53.67, -14.64

 

CMYK 45 / 66 / 0 / 31

HEX #603CAF

RGB 96 60 175

HSL 258.78, 0.49%, 0.46%

LAB 35.62, 42.66, -56.02

 

CMYK 63 / 66 / 0 / 31

HEX #413CAF

RGB 65 60 175

HSL 242.61, 0.49%, 0.46%

LAB 32.81, 37.15, -60.72

 

CMYK 66 / 66 / 0 / 31

HEX #3C3CAF

RGB 60 60 175

HSL 240, 0.49%, 0.46%

LAB 32.45, 36.41, -61.32

 

CMYK 45 / 66 / 0 / 31

HEX #603CAF

RGB 96 60 175

HSL 258.78, 0.49%, 0.46%

LAB 35.62, 42.66, -56.02

 

CMYK 54 / 79 / 0 / 24

HEX #5929C2

RGB 89 41 194

HSL 258.82, 0.65%, 0.46%

LAB 33.15, 56.25, -71.33

 

CMYK 62 / 90 / 0 / 16

HEX #5216D5

RGB 82 22 213

HSL 258.85, 0.81%, 0.46%

LAB 32.19, 67.05, -84.01

 

CMYK 68 / 99 / 0 / 9

HEX #4B03E8

RGB 75 3 232

HSL 258.86, 0.97%, 0.46%

LAB 32.67, 74.65, -94.15

 

CMYK 45 / 66 / 0 / 31

HEX #603CAF

RGB 96 60 175

HSL 258.78, 0.49%, 0.46%

LAB 35.62, 42.66, -56.02

 

CMYK 34 / 49 / 0 / 39

HEX #674F9C

RGB 103 79 156

HSL 258.7, 0.33%, 0.46%

LAB 39.37, 27.82, -38.6

 

CMYK 20 / 28 / 0 / 46

HEX #6E6289

RGB 110 98 137

HSL 258.46, 0.17%, 0.46%

LAB 44.03, 13.34, -19.84

 

CMYK 1 / 1 / 0 / 54

HEX #757576

RGB 117 117 118

HSL 240, 0%, 0.46%

LAB 49.27, 0.21, -0.56

 

CMYK 9 / 0 / 27 / 47

HEX #7C8863

RGB 124 136 99

HSL 79.46, 0.16%, 0.46%

LAB 54.86, -11.2, 18.46

 

CMYK 66 / 50 / 0 / 31

HEX #3C57AF

RGB 60 87 175

HSL 225.91, 0.49%, 0.46%

LAB 39.36, 19.04, -50.1

 

CMYK 63 / 66 / 0 / 31

HEX #403CAF

RGB 64 60 175

HSL 242.09, 0.49%, 0.46%

LAB 32.74, 36.99, -60.84

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 29 / 66 / 0 / 31

HEX #7D3CAF

RGB 125 60 175

HSL 273.91, 0.49%, 0.46%

LAB 39.05, 48.85, -50.31

 

CMYK 11 / 66 / 0 / 31

HEX #9C3CAF

RGB 156 60 175

HSL 290.09, 0.49%, 0.46%

LAB 43.35, 56.04, -43.17

 

CMYK 45 / 65 / 0 / 56

HEX #3E2771

RGB 62 39 113

HSL 258.65, 0.49%, 0.3%

LAB 22.54, 29.51, -39.16

 

CMYK 45 / 66 / 0 / 44

HEX #4F3190

RGB 79 49 144

HSL 258.95, 0.49%, 0.38%

LAB 29.09, 36.52, -47.95

 

CMYK 45 / 66 / 0 / 31

HEX #603CAF

RGB 96 60 175

HSL 258.78, 0.49%, 0.46%

LAB 35.62, 42.66, -56.02

 

CMYK 41 / 58 / 0 / 24

HEX #7451C3

RGB 116 81 195

HSL 258.42, 0.49%, 0.54%

LAB 43.56, 40.63, -54.82

 

CMYK 32 / 46 / 0 / 19

HEX #8D6FCE

RGB 141 111 206

HSL 258.95, 0.49%, 0.62%

LAB 53.48, 32.46, -45.15

 

CMYK 45 / 65 / 0 / 31

HEX #613DB0

RGB 97 61 176

HSL 258.78, 0.49%, 0.46%

LAB 36.01, 42.58, -55.98

 

CMYK 0 / 66 / 33 / 31

HEX #AF3C75

RGB 175 60 117

HSL 330.26, 0.49%, 0.46%

LAB 43.7, 52.01, -7.39

 

CMYK 59 / 0 / 66 / 31

HEX #47AF3C

RGB 71 175 60

HSL 114.26, 0.49%, 0.46%

LAB 63.61, -52.12, 48.47

 

CMYK 45 / 65 / 0 / 31

HEX #613DB0

RGB 97 61 176

HSL 258.78, 0.49%, 0.46%

LAB 36.01, 42.58, -55.98

 

CMYK 0 / 46 / 66 / 31

HEX #AF5E3C

RGB 175 94 60

HSL 17.74, 0.49%, 0.46%

LAB 48.82, 29.91, 33.76

 

CMYK 66 / 0 / 46 / 31

HEX #3CAF5E

RGB 60 175 94

HSL 137.74, 0.49%, 0.46%

LAB 63.7, -50.07, 32.23

 

CMYK 45 / 65 / 0 / 31

HEX #613DB0

RGB 97 61 176

HSL 258.78, 0.49%, 0.46%

LAB 36.01, 42.58, -55.98

 

CMYK 0 / 66 / 33 / 31

HEX #AF3C75

RGB 175 60 117

HSL 330.26, 0.49%, 0.46%

LAB 43.7, 52.01, -7.39

 

CMYK 20 / 0 / 66 / 31

HEX #8CAF3C

RGB 140 175 60

HSL 78.26, 0.49%, 0.46%

LAB 66.95, -29, 53.04

 

CMYK 66 / 0 / 33 / 31

HEX #3CAF75

RGB 60 175 117

HSL 149.74, 0.49%, 0.46%

LAB 64.08, -45.8, 20.53

 

CMYK 45 / 65 / 0 / 31

HEX #613DB0

RGB 97 61 176

HSL 258.78, 0.49%, 0.46%

LAB 36.01, 42.58, -55.98

 

CMYK 0 / 66 / 53 / 31

HEX #AF3C53

RGB 175 60 83

HSL 348, 0.49%, 0.46%

LAB 42.72, 48.48, 12.26

 

CMYK 20 / 0 / 66 / 31

HEX #8CAF3C

RGB 140 175 60

HSL 78.26, 0.49%, 0.46%

LAB 66.95, -29, 53.04

 

CMYK 66 / 0 / 13 / 31

HEX #3CAF98

RGB 60 175 152

HSL 168, 0.49%, 0.46%

LAB 64.87, -37.64, 2.38

 

Description

Color code: HEX #613DB0 | qconv.com Color code: HEX #613DB0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 61 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 61 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 65 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 65% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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