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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E524A it is the complementary color #A1ADB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E524A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E524A shade: #635245, #746458, #85766B, #96887E and #A79A91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E524A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E524A shade: #5E524A, #4D4037, #3C2E24, #2B1C11 and #1A0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E524A shade: #5E524A, #5E4C4A and #5E4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E524A shade: #5E524A, #5E574A, #5E5D4A, #5A5E4A and #545E4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E524A shade matches the following richer shades: #5E524A, #6B4F3C, #794C2E, #874921 and #944713

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E524A shade: #5E524A, #505457, #435765, #355A72 and #275D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E524A shade: #5E4A4C, #5E4C4A, #5E524A, #5E574A and #5E5C4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E524A shade: #302925, #473D37, #5E524A, #75665C and #8C7A6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E524A shade: #5E524A, #525E4A and #4A4A5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E524A shade: #5E524A, #4A5E52 and #524A5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E524A shade: #5E524A, #525E4A, #4A565E and #564A5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E524A shade: #5E524A, #4C5E4A, #4A565E and #5C4A5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

Complementary color

CMYK 11 / 4 / 0 / 29

HEX #A1ADB5

RGB 161 173 181

HSL 204, 0.12%, 0.67%

LAB 70.04, -2.56, -5.54

 

CMYK 0 / 17 / 30 / 61

HEX #635245

RGB 99 82 69

HSL 26, 0.18%, 0.33%

LAB 36.21, 4.84, 10.27

 

CMYK 0 / 14 / 24 / 55

HEX #746458

RGB 116 100 88

HSL 25.71, 0.14%, 0.4%

LAB 43.55, 4.31, 9.16

 

CMYK 0 / 11 / 20 / 48

HEX #85766B

RGB 133 118 107

HSL 25.38, 0.11%, 0.47%

LAB 50.69, 3.88, 8.17

 

CMYK 0 / 9 / 16 / 41

HEX #96887E

RGB 150 136 126

HSL 25, 0.1%, 0.54%

LAB 57.65, 3.51, 7.27

 

CMYK 0 / 8 / 13 / 35

HEX #A79A91

RGB 167 154 145

HSL 24.55, 0.11%, 0.61%

LAB 64.46, 3.19, 6.43

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 0 / 17 / 29 / 70

HEX #4D4037

RGB 77 64 55

HSL 24.55, 0.17%, 0.26%

LAB 28.17, 3.99, 7.6

 

CMYK 0 / 23 / 40 / 76

HEX #3C2E24

RGB 60 46 36

HSL 25, 0.25%, 0.19%

LAB 20.21, 4.67, 8.89

 

CMYK 0 / 35 / 60 / 83

HEX #2B1C11

RGB 43 28 17

HSL 25.38, 0.43%, 0.12%

LAB 11.85, 5.71, 10.17

 

CMYK 0 / 62 / 100 / 90

HEX #1A0A00

RGB 26 10 0

HSL 23.08, 1%, 0.05%

LAB 3.94, 4.89, 6

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 0 / 19 / 21 / 63

HEX #5E4C4A

RGB 94 76 74

HSL 6, 0.12%, 0.33%

LAB 34.07, 7.21, 4.03

 

CMYK 0 / 21 / 21 / 63

HEX #5E4A4A

RGB 94 74 74

HSL 0, 0.12%, 0.33%

LAB 33.5, 8.46, 3.22

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 0 / 7 / 21 / 63

HEX #5E574A

RGB 94 87 74

HSL 39, 0.12%, 0.33%

LAB 37.28, 0.41, 8.59

 

CMYK 0 / 1 / 21 / 63

HEX #5E5D4A

RGB 94 93 74

HSL 57, 0.12%, 0.33%

LAB 39.08, -3.2, 11.09

 

CMYK 4 / 0 / 21 / 63

HEX #5A5E4A

RGB 90 94 74

HSL 72, 0.12%, 0.33%

LAB 39.02, -5.5, 10.96

 

CMYK 11 / 0 / 21 / 63

HEX #545E4A

RGB 84 94 74

HSL 90, 0.12%, 0.33%

LAB 38.52, -8.01, 10.19

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 0 / 26 / 44 / 58

HEX #6B4F3C

RGB 107 79 60

HSL 24.26, 0.28%, 0.33%

LAB 36.07, 9.02, 15.79

 

CMYK 0 / 37 / 62 / 53

HEX #794C2E

RGB 121 76 46

HSL 24, 0.45%, 0.33%

LAB 36.8, 15.79, 25.52

 

CMYK 0 / 46 / 76 / 47

HEX #874921

RGB 135 73 33

HSL 23.53, 0.61%, 0.33%

LAB 37.89, 22.99, 34.54

 

CMYK 0 / 52 / 87 / 42

HEX #944713

RGB 148 71 19

HSL 24.19, 0.77%, 0.33%

LAB 39.33, 29.2, 43.14

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 8 / 3 / 0 / 66

HEX #505457

RGB 80 84 87

HSL 205.71, 0.04%, 0.33%

LAB 35.47, -0.92, -2.3

 

CMYK 34 / 14 / 0 / 60

HEX #435765

RGB 67 87 101

HSL 204.71, 0.2%, 0.33%

LAB 35.89, -3.87, -10.55

 

CMYK 54 / 21 / 0 / 55

HEX #355A72

RGB 53 90 114

HSL 203.61, 0.37%, 0.33%

LAB 36.53, -5.82, -17.72

 

CMYK 70 / 27 / 0 / 50

HEX #275D80

RGB 39 93 128

HSL 203.6, 0.53%, 0.33%

LAB 37.51, -5.79, -24.85

 

CMYK 0 / 21 / 19 / 63

HEX #5E4A4C

RGB 94 74 76

HSL 354, 0.12%, 0.33%

LAB 33.56, 8.82, 2.03

 

CMYK 0 / 19 / 21 / 63

HEX #5E4C4A

RGB 94 76 74

HSL 6, 0.12%, 0.33%

LAB 34.07, 7.21, 4.03

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 0 / 7 / 21 / 63

HEX #5E574A

RGB 94 87 74

HSL 39, 0.12%, 0.33%

LAB 37.28, 0.41, 8.59

 

CMYK 0 / 2 / 21 / 63

HEX #5E5C4A

RGB 94 92 74

HSL 54, 0.12%, 0.33%

LAB 38.77, -2.61, 10.67

 

CMYK 0 / 15 / 23 / 81

HEX #302925

RGB 48 41 37

HSL 21.82, 0.13%, 0.17%

LAB 17.22, 2.4, 3.81

 

CMYK 0 / 14 / 23 / 72

HEX #473D37

RGB 71 61 55

HSL 22.5, 0.13%, 0.25%

LAB 26.6, 3.19, 5.29

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 0 / 13 / 21 / 54

HEX #75665C

RGB 117 102 92

HSL 24, 0.12%, 0.41%

LAB 44.32, 4.2, 7.84

 

CMYK 0 / 13 / 21 / 45

HEX #8C7A6E

RGB 140 122 110

HSL 24, 0.12%, 0.49%

LAB 52.53, 4.89, 9.11

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 13 / 0 / 21 / 63

HEX #525E4A

RGB 82 94 74

HSL 96, 0.12%, 0.33%

LAB 38.36, -8.83, 9.94

 

CMYK 21 / 21 / 0 / 63

HEX #4A4A5E

RGB 74 74 94

HSL 240, 0.12%, 0.33%

LAB 32.17, 4.83, -11.72

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 21 / 0 / 13 / 63

HEX #4A5E52

RGB 74 94 82

HSL 144, 0.12%, 0.33%

LAB 37.97, -10.35, 4.39

 

CMYK 13 / 21 / 0 / 63

HEX #524A5E

RGB 82 74 94

HSL 264, 0.12%, 0.33%

LAB 32.92, 7.8, -10.52

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 13 / 0 / 21 / 63

HEX #525E4A

RGB 82 94 74

HSL 96, 0.12%, 0.33%

LAB 38.36, -8.83, 9.94

 

CMYK 21 / 9 / 0 / 63

HEX #4A565E

RGB 74 86 94

HSL 204, 0.12%, 0.33%

LAB 35.83, -2.72, -6.21

 

CMYK 9 / 21 / 0 / 63

HEX #564A5E

RGB 86 74 94

HSL 276, 0.12%, 0.33%

LAB 33.32, 9.32, -9.88

 

CMYK 0 / 13 / 21 / 63

HEX #5E524A

RGB 94 82 74

HSL 24, 0.12%, 0.33%

LAB 35.81, 3.48, 6.51

 

CMYK 19 / 0 / 21 / 63

HEX #4C5E4A

RGB 76 94 74

HSL 114, 0.12%, 0.33%

LAB 37.91, -11.25, 9.24

 

CMYK 21 / 9 / 0 / 63

HEX #4A565E

RGB 74 86 94

HSL 204, 0.12%, 0.33%

LAB 35.83, -2.72, -6.21

 

CMYK 2 / 21 / 0 / 63

HEX #5C4A5E

RGB 92 74 94

HSL 294, 0.12%, 0.33%

LAB 33.94, 11.63, -8.87

 

Description

Color code: HEX #5E524A | qconv.com Color code: HEX #5E524A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 82 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 82 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 21 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 21% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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