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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7A6E it is the complementary color #738591. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7A6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7A6E shade: #917A69, #A28C7C, #B39E8F, #C4B0A2 and #D5C2B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7A6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7A6E shade: #8C7A6E, #7B685B, #6A5648, #594435 and #483222

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7A6E shade: #8B796D, #8B716D and #8B6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7A6E shade: #8B796D, #8B826D, #8B8A6D, #858B6D and #7D8B6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7A6E shade matches the following richer shades: #8B796D, #A07559, #B47145, #C86D31 and #DC691D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7A6E shade: #8B796D, #777D82, #638296, #4F86AA and #3B8ABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7A6E shade: #8B6D71, #8B716D, #8B796D, #8B816D and #8B896D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7A6E shade: #5D5149, #74655B, #8B796D, #9E8E84 and #B0A49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7A6E shade: #8C7A6E, #798B6D and #6D6D8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7A6E shade: #8C7A6E, #6D8B79 and #796D8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7A6E shade: #8C7A6E, #798B6D, #6D7F8B and #7F6D8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7A6E shade: #8C7A6E, #708B6D, #6D7F8B and #886D8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 21 / 45

HEX #8C7A6E

RGB 140 122 110

HSL 24, 0.12%, 0.49%

LAB 52.53, 4.89, 9.11

 

Complementary color

CMYK 21 / 8 / 0 / 43

HEX #738591

RGB 115 133 145

HSL 204, 0.12%, 0.51%

LAB 54.52, -3.76, -8.62

 

CMYK 0 / 16 / 28 / 43

HEX #917A69

RGB 145 122 105

HSL 25.5, 0.16%, 0.49%

LAB 52.9, 6.16, 12.62

 

CMYK 0 / 14 / 23 / 36

HEX #A28C7C

RGB 162 140 124

HSL 25.26, 0.17%, 0.56%

LAB 59.79, 5.67, 11.6

 

CMYK 0 / 12 / 20 / 30

HEX #B39E8F

RGB 179 158 143

HSL 25, 0.19%, 0.63%

LAB 66.54, 5.25, 10.65

 

CMYK 0 / 10 / 17 / 23

HEX #C4B0A2

RGB 196 176 162

HSL 24.71, 0.22%, 0.7%

LAB 73.15, 4.88, 9.78

 

CMYK 0 / 9 / 15 / 16

HEX #D5C2B5

RGB 213 194 181

HSL 24.38, 0.28%, 0.77%

LAB 79.65, 4.55, 8.95

 

CMYK 0 / 13 / 21 / 45

HEX #8C7A6E

RGB 140 122 110

HSL 24, 0.12%, 0.49%

LAB 52.53, 4.89, 9.11

 

CMYK 0 / 15 / 26 / 52

HEX #7B685B

RGB 123 104 91

HSL 24.38, 0.15%, 0.42%

LAB 45.45, 5.37, 10.12

 

CMYK 0 / 19 / 32 / 58

HEX #6A5648

RGB 106 86 72

HSL 24.71, 0.19%, 0.35%

LAB 38.18, 5.94, 11.25

 

CMYK 0 / 24 / 40 / 65

HEX #594435

RGB 89 68 53

HSL 25, 0.25%, 0.28%

LAB 30.68, 6.68, 12.55

 

CMYK 0 / 31 / 53 / 72

HEX #483222

RGB 72 50 34

HSL 25.26, 0.36%, 0.21%

LAB 22.91, 7.66, 14.09

 

CMYK 0 / 13 / 22 / 45

HEX #8B796D

RGB 139 121 109

HSL 24, 0.12%, 0.49%

LAB 52.14, 4.9, 9.13

 

CMYK 0 / 19 / 22 / 45

HEX #8B716D

RGB 139 113 109

HSL 8, 0.12%, 0.49%

LAB 49.98, 9.55, 6.06

 

CMYK 0 / 22 / 22 / 45

HEX #8B6D6D

RGB 139 109 109

HSL 0, 0.12%, 0.49%

LAB 48.92, 11.88, 4.54

 

CMYK 0 / 13 / 22 / 45

HEX #8B796D

RGB 139 121 109

HSL 24, 0.12%, 0.49%

LAB 52.14, 4.9, 9.13

 

CMYK 0 / 6 / 22 / 45

HEX #8B826D

RGB 139 130 109

HSL 42, 0.12%, 0.49%

LAB 54.61, -0.24, 12.61

 

CMYK 0 / 1 / 22 / 45

HEX #8B8A6D

RGB 139 138 109

HSL 58, 0.12%, 0.49%

LAB 56.85, -4.73, 15.71

 

CMYK 4 / 0 / 22 / 45

HEX #858B6D

RGB 133 139 109

HSL 72, 0.12%, 0.49%

LAB 56.64, -7.67, 15.34

 

CMYK 10 / 0 / 22 / 45

HEX #7D8B6D

RGB 125 139 109

HSL 88, 0.12%, 0.49%

LAB 56.02, -10.81, 14.38

 

CMYK 0 / 13 / 22 / 45

HEX #8B796D

RGB 139 121 109

HSL 24, 0.12%, 0.49%

LAB 52.14, 4.9, 9.13

 

CMYK 0 / 27 / 44 / 37

HEX #A07559

RGB 160 117 89

HSL 23.66, 0.29%, 0.49%

LAB 52.86, 13.24, 22.06

 

CMYK 0 / 37 / 62 / 29

HEX #B47145

RGB 180 113 69

HSL 23.78, 0.45%, 0.49%

LAB 53.97, 22.17, 35.14

 

CMYK 0 / 46 / 76 / 22

HEX #C86D31

RGB 200 109 49

HSL 23.84, 0.61%, 0.49%

LAB 55.52, 31.55, 47.81

 

CMYK 0 / 52 / 87 / 14

HEX #DC691D

RGB 220 105 29

HSL 23.87, 0.77%, 0.49%

LAB 57.47, 40.98, 58.92

 

CMYK 0 / 13 / 22 / 45

HEX #8B796D

RGB 139 121 109

HSL 24, 0.12%, 0.49%

LAB 52.14, 4.9, 9.13

 

CMYK 8 / 4 / 0 / 49

HEX #777D82

RGB 119 125 130

HSL 207.27, 0.04%, 0.49%

LAB 52.06, -1.17, -3.49

 

CMYK 34 / 13 / 0 / 41

HEX #638296

RGB 99 130 150

HSL 203.53, 0.2%, 0.49%

LAB 52.75, -5.88, -14.28

 

CMYK 54 / 21 / 0 / 33

HEX #4F86AA

RGB 79 134 170

HSL 203.74, 0.37%, 0.49%

LAB 53.62, -7.69, -24.63

 

CMYK 69 / 27 / 0 / 25

HEX #3B8ABE

RGB 59 138 190

HSL 203.82, 0.53%, 0.49%

LAB 54.89, -7.25, -34.16

 

CMYK 0 / 22 / 19 / 45

HEX #8B6D71

RGB 139 109 113

HSL 352, 0.12%, 0.49%

LAB 49.03, 12.55, 2.32

 

CMYK 0 / 19 / 22 / 45

HEX #8B716D

RGB 139 113 109

HSL 8, 0.12%, 0.49%

LAB 49.98, 9.55, 6.06

 

CMYK 0 / 13 / 22 / 45

HEX #8B796D

RGB 139 121 109

HSL 24, 0.12%, 0.49%

LAB 52.14, 4.9, 9.13

 

CMYK 0 / 7 / 22 / 45

HEX #8B816D

RGB 139 129 109

HSL 40, 0.12%, 0.49%

LAB 54.34, 0.33, 12.22

 

CMYK 0 / 1 / 22 / 45

HEX #8B896D

RGB 139 137 109

HSL 56, 0.12%, 0.49%

LAB 56.57, -4.17, 15.32

 

CMYK 0 / 13 / 22 / 64

HEX #5D5149

RGB 93 81 73

HSL 24, 0.12%, 0.33%

LAB 35.39, 3.49, 6.52

 

CMYK 0 / 13 / 22 / 55

HEX #74655B

RGB 116 101 91

HSL 24, 0.12%, 0.41%

LAB 43.91, 4.21, 7.85

 

CMYK 0 / 13 / 22 / 45

HEX #8B796D

RGB 139 121 109

HSL 24, 0.12%, 0.49%

LAB 52.14, 4.9, 9.13

 

CMYK 0 / 10 / 16 / 38

HEX #9E8E84

RGB 158 142 132

HSL 23.08, 0.12%, 0.57%

LAB 60.14, 4.25, 7.49

 

CMYK 0 / 7 / 12 / 31

HEX #B0A49B

RGB 176 164 155

HSL 25.71, 0.12%, 0.65%

LAB 68.13, 2.77, 6.22

 

CMYK 0 / 13 / 21 / 45

HEX #8C7A6E

RGB 140 122 110

HSL 24, 0.12%, 0.49%

LAB 52.53, 4.89, 9.11

 

CMYK 13 / 0 / 22 / 45

HEX #798B6D

RGB 121 139 109

HSL 96, 0.12%, 0.49%

LAB 55.72, -12.35, 13.93

 

CMYK 22 / 22 / 0 / 45

HEX #6D6D8B

RGB 109 109 139

HSL 240, 0.12%, 0.49%

LAB 47.04, 6.82, -16.42

 

CMYK 0 / 13 / 21 / 45

HEX #8C7A6E

RGB 140 122 110

HSL 24, 0.12%, 0.49%

LAB 52.53, 4.89, 9.11

 

CMYK 22 / 0 / 13 / 45

HEX #6D8B79

RGB 109 139 121

HSL 144, 0.12%, 0.49%

LAB 55.17, -14.47, 6.16

 

CMYK 13 / 22 / 0 / 45

HEX #796D8B

RGB 121 109 139

HSL 264, 0.12%, 0.49%

LAB 48.09, 10.95, -14.73

 

CMYK 0 / 13 / 21 / 45

HEX #8C7A6E

RGB 140 122 110

HSL 24, 0.12%, 0.49%

LAB 52.53, 4.89, 9.11

 

CMYK 13 / 0 / 22 / 45

HEX #798B6D

RGB 121 139 109

HSL 96, 0.12%, 0.49%

LAB 55.72, -12.35, 13.93

 

CMYK 22 / 9 / 0 / 45

HEX #6D7F8B

RGB 109 127 139

HSL 204, 0.12%, 0.49%

LAB 52.17, -3.77, -8.68

 

CMYK 9 / 22 / 0 / 45

HEX #7F6D8B

RGB 127 109 139

HSL 276, 0.12%, 0.49%

LAB 48.65, 13.07, -13.83

 

CMYK 0 / 13 / 21 / 45

HEX #8C7A6E

RGB 140 122 110

HSL 24, 0.12%, 0.49%

LAB 52.53, 4.89, 9.11

 

CMYK 19 / 0 / 22 / 45

HEX #708B6D

RGB 112 139 109

HSL 114, 0.12%, 0.49%

LAB 55.09, -15.73, 12.95

 

CMYK 22 / 9 / 0 / 45

HEX #6D7F8B

RGB 109 127 139

HSL 204, 0.12%, 0.49%

LAB 52.17, -3.77, -8.68

 

CMYK 2 / 22 / 0 / 45

HEX #886D8B

RGB 136 109 139

HSL 294, 0.12%, 0.49%

LAB 49.54, 16.29, -12.4

 

Description

Color code: HEX #8C7A6E | qconv.com Color code: HEX #8C7A6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 122 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 122 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 21 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 21% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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