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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #599EF1 it is the complementary color #A6610E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #599EF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #599EF1: #5E9EEC, #6FB0FF, #80C2FF, #91D4FF and #A2E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #599EF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #599EF1: #599EF1, #488CDE, #377ACB, #2668B8 and #1556A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 34 / 0 / 5

HEX #599EF1

RGB 89 158 241

HSL 212.76, 0.84%, 0.65%

LAB 64.1, 3.37, -48.1

 

Complementary color

CMYK 0 / 42 / 92 / 35

HEX #A6610E

RGB 166 97 14

HSL 32.76, 0.84%, 0.35%

LAB 47.86, 22.51, 52.68

 

CMYK 60 / 33 / 0 / 7

HEX #5E9EEC

RGB 94 158 236

HSL 212.96, 0.79%, 0.65%

LAB 64.07, 2.64, -45.39

 

CMYK 56 / 31 / 0 / 0

HEX #6FB0FF

RGB 111 176 255

HSL 212.92, 1%, 0.72%

LAB 70.63, 1.7, -45.39

 

CMYK 50 / 24 / 0 / 0

HEX #80C2FF

RGB 128 194 255

HSL 208.82, 1%, 0.75%

LAB 76.31, -4.63, -36.47

 

CMYK 43 / 17 / 0 / 0

HEX #91D4FF

RGB 145 212 255

HSL 203.45, 1%, 0.78%

LAB 82.02, -10.24, -27.62

 

CMYK 36 / 10 / 0 / 0

HEX #A2E6FF

RGB 162 230 255

HSL 196.13, 1%, 0.82%

LAB 87.72, -15.22, -18.87

 

CMYK 63 / 34 / 0 / 5

HEX #599EF1

RGB 89 158 241

HSL 212.76, 0.84%, 0.65%

LAB 64.1, 3.37, -48.1

 

CMYK 68 / 37 / 0 / 13

HEX #488CDE

RGB 72 140 222

HSL 212.8, 0.69%, 0.58%

LAB 57.47, 4.68, -48.12

 

CMYK 73 / 40 / 0 / 20

HEX #377ACB

RGB 55 122 203

HSL 212.84, 0.59%, 0.51%

LAB 50.74, 6.3, -48.13

 

CMYK 79 / 43 / 0 / 28

HEX #2668B8

RGB 38 104 184

HSL 212.88, 0.66%, 0.44%

LAB 43.91, 8.34, -48.13

 

CMYK 87 / 48 / 0 / 35

HEX #1556A5

RGB 21 86 165

HSL 212.92, 0.77%, 0.36%

LAB 36.99, 10.97, -48.06

 

CMYK 63 / 34 / 0 / 5

HEX #599EF1

RGB 89 158 241

HSL 212.76, 0.84%, 0.65%

LAB 64.1, 3.37, -48.1

 

CMYK 63 / 44 / 0 / 6

HEX #5A87F0

RGB 90 135 240

HSL 222, 0.83%, 0.65%

LAB 57.84, 16.81, -57.5

 

CMYK 63 / 54 / 0 / 6

HEX #5A6EF0

RGB 90 110 240

HSL 232, 0.83%, 0.65%

LAB 51.4, 32.05, -67.86

 

CMYK 60 / 63 / 0 / 6

HEX #5F5AF0

RGB 95 90 240

HSL 242, 0.83%, 0.65%

LAB 47.02, 44.84, -74.96

 

CMYK 50 / 63 / 0 / 6

HEX #785AF0

RGB 120 90 240

HSL 252, 0.83%, 0.65%

LAB 49, 49.02, -71.65

 

CMYK 63 / 34 / 0 / 5

HEX #599EF1

RGB 89 158 241

HSL 212.76, 0.84%, 0.65%

LAB 64.1, 3.37, -48.1

 

CMYK 62 / 35 / 0 / 85

HEX #0E1825

RGB 14 24 37

HSL 213.91, 0.45%, 0.1%

LAB 7.95, 0.21, -10.36

 

CMYK 64 / 34 / 0 / 65

HEX #203A58

RGB 32 58 88

HSL 212.14, 0.47%, 0.24%

LAB 23.8, 0.48, -21.04

 

CMYK 63 / 35 / 0 / 45

HEX #335B8B

RGB 51 91 139

HSL 212.73, 0.46%, 0.37%

LAB 37.93, 1.73, -30.86

 

CMYK 63 / 34 / 0 / 25

HEX #467DBE

RGB 70 125 190

HSL 212.5, 0.48%, 0.51%

LAB 51.48, 2.27, -39.49

 

CMYK 63 / 34 / 0 / 5

HEX #599EF1

RGB 89 158 241

HSL 212.76, 0.84%, 0.65%

LAB 64.1, 3.37, -48.1

 

CMYK 17 / 63 / 0 / 6

HEX #C85AF0

RGB 200 90 240

HSL 284, 0.83%, 0.65%

LAB 57.93, 65.8, -56.81

 

CMYK 8 / 0 / 63 / 6

HEX #DCF05A

RGB 220 240 90

HSL 68, 0.83%, 0.65%

LAB 90.9, -25.95, 67.88

 

CMYK 63 / 34 / 0 / 5

HEX #599EF1

RGB 89 158 241

HSL 212.76, 0.84%, 0.65%

LAB 64.1, 3.37, -48.1

 

CMYK 0 / 63 / 33 / 6

HEX #F05AA0

RGB 240 90 160

HSL 332, 0.83%, 0.65%

LAB 60.23, 63.82, -7.27

 

CMYK 33 / 0 / 63 / 6

HEX #A0F05A

RGB 160 240 90

HSL 92, 0.83%, 0.65%

LAB 87.26, -48.28, 62.87

 

CMYK 63 / 34 / 0 / 5

HEX #599EF1

RGB 89 158 241

HSL 212.76, 0.84%, 0.65%

LAB 64.1, 3.37, -48.1

 

CMYK 17 / 63 / 0 / 6

HEX #C85AF0

RGB 200 90 240

HSL 284, 0.83%, 0.65%

LAB 57.93, 65.8, -56.81

 

CMYK 0 / 29 / 63 / 6

HEX #F0AA5A

RGB 240 170 90

HSL 32, 0.83%, 0.65%

LAB 74.83, 17.82, 50.65

 

CMYK 46 / 0 / 63 / 6

HEX #82F05A

RGB 130 240 90

HSL 104, 0.83%, 0.65%

LAB 85.91, -57.78, 61.01

 

CMYK 63 / 34 / 0 / 5

HEX #599EF1

RGB 89 158 241

HSL 212.76, 0.84%, 0.65%

LAB 64.1, 3.37, -48.1

 

CMYK 0 / 63 / 2 / 6

HEX #F05AEB

RGB 240 90 235

HSL 302, 0.83%, 0.65%

LAB 63.21, 74.2, -45.3

 

CMYK 0 / 29 / 63 / 6

HEX #F0AA5A

RGB 240 170 90

HSL 32, 0.83%, 0.65%

LAB 74.83, 17.82, 50.65

 

CMYK 63 / 0 / 60 / 6

HEX #5AF05F

RGB 90 240 95

HSL 122, 0.83%, 0.65%

LAB 84.65, -67.3, 57.14

 

Description

Color code: HEX #599EF1 | qconv.com Color code: HEX #599EF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 158 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 158 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 34 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 34% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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