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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 50 / 63 / 0 / 6 it is the complementary color CMYK 19 / 0 / 91 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 50 / 63 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 50 / 63 / 0 / 6: CMYK 47 / 62 / 0 / 8, CMYK 44 / 58 / 0 / 0, CMYK 38 / 51 / 0 / 0, CMYK 31 / 44 / 0 / 0 and CMYK 24 / 37 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 50 / 63 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 50 / 63 / 0 / 6: CMYK 50 / 63 / 0 / 6, CMYK 53 / 68 / 0 / 13, CMYK 57 / 74 / 0 / 21, CMYK 62 / 81 / 0 / 28 and CMYK 68 / 90 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 63 / 0 / 6

HEX #7859F0

RGB 120 89 240

HSL 252.32, 0.83%, 0.65%

LAB 48.8, 49.58, -71.99

 

Complementary color

CMYK 19 / 0 / 91 / 35

HEX #87A60F

RGB 135 166 15

HSL 72.32, 0.83%, 0.35%

LAB 63.72, -28.85, 63.66

 

CMYK 47 / 62 / 0 / 8

HEX #7D59EB

RGB 125 89 235

HSL 254.79, 0.78%, 0.64%

LAB 48.89, 49.1, -69.01

 

CMYK 44 / 58 / 0 / 0

HEX #8E6BFE

RGB 142 107 254

HSL 254.29, 0.99%, 0.71%

LAB 55.5, 47.78, -68.81

 

CMYK 38 / 51 / 0 / 0

HEX #9F7DFF

RGB 159 125 255

HSL 255.69, 1%, 0.75%

LAB 61.01, 41.76, -60.44

 

CMYK 31 / 44 / 0 / 0

HEX #B08FFF

RGB 176 143 255

HSL 257.68, 1%, 0.78%

LAB 66.59, 35.93, -51.46

 

CMYK 24 / 37 / 0 / 0

HEX #C1A1FF

RGB 193 161 255

HSL 260.43, 1%, 0.82%

LAB 72.26, 30.56, -42.45

 

CMYK 50 / 63 / 0 / 6

HEX #7859F0

RGB 120 89 240

HSL 252.32, 0.83%, 0.65%

LAB 48.8, 49.58, -71.99

 

CMYK 53 / 68 / 0 / 13

HEX #6747DD

RGB 103 71 221

HSL 252.8, 0.69%, 0.57%

LAB 42.17, 51.05, -72.11

 

CMYK 57 / 74 / 0 / 21

HEX #5635CA

RGB 86 53 202

HSL 253.29, 0.58%, 0.5%

LAB 35.57, 52.45, -72.02

 

CMYK 62 / 81 / 0 / 28

HEX #4523B7

RGB 69 35 183

HSL 253.78, 0.68%, 0.43%

LAB 29.12, 53.53, -71.53

 

CMYK 68 / 90 / 0 / 36

HEX #3411A4

RGB 52 17 164

HSL 254.29, 0.81%, 0.35%

LAB 23.04, 53.72, -70.24

 

CMYK 50 / 63 / 0 / 6

HEX #7859F0

RGB 120 89 240

HSL 252.32, 0.83%, 0.65%

LAB 48.8, 49.58, -71.99

 

CMYK 39 / 62 / 0 / 6

HEX #915BEF

RGB 145 91 239

HSL 261.89, 0.82%, 0.65%

LAB 51.54, 53.07, -66.87

 

CMYK 29 / 62 / 0 / 6

HEX #AA5BEF

RGB 170 91 239

HSL 272.03, 0.82%, 0.65%

LAB 54.3, 58.4, -62.27

 

CMYK 18 / 62 / 0 / 6

HEX #C35BEF

RGB 195 91 239

HSL 282.16, 0.82%, 0.65%

LAB 57.38, 64.01, -57.16

 

CMYK 8 / 62 / 0 / 6

HEX #DC5BEF

RGB 220 91 239

HSL 292.3, 0.82%, 0.65%

LAB 60.72, 69.78, -51.64

 

CMYK 50 / 63 / 0 / 6

HEX #7859F0

RGB 120 89 240

HSL 252.32, 0.83%, 0.65%

LAB 48.8, 49.58, -71.99

 

CMYK 50 / 64 / 0 / 86

HEX #120D24

RGB 18 13 36

HSL 253.04, 0.47%, 0.1%

LAB 4.91, 7.99, -14.29

 

CMYK 49 / 63 / 0 / 66

HEX #2C2057

RGB 44 32 87

HSL 253.09, 0.46%, 0.23%

LAB 16.78, 21.42, -31.5

 

CMYK 50 / 63 / 0 / 46

HEX #45338A

RGB 69 51 138

HSL 252.41, 0.46%, 0.37%

LAB 28.03, 31.39, -46.01

 

CMYK 50 / 63 / 0 / 26

HEX #5F46BD

RGB 95 70 189

HSL 252.61, 0.47%, 0.51%

LAB 38.7, 40.83, -59.28

 

CMYK 50 / 63 / 0 / 6

HEX #7859F0

RGB 120 89 240

HSL 252.32, 0.83%, 0.65%

LAB 48.8, 49.58, -71.99

 

CMYK 0 / 62 / 25 / 6

HEX #EF5BB4

RGB 239 91 180

HSL 323.92, 0.82%, 0.65%

LAB 60.89, 65.55, -17.81

 

CMYK 49 / 0 / 62 / 6

HEX #79EF5B

RGB 121 239 91

HSL 107.84, 0.82%, 0.65%

LAB 85.28, -59.86, 59.8

 

CMYK 50 / 63 / 0 / 6

HEX #7859F0

RGB 120 89 240

HSL 252.32, 0.83%, 0.65%

LAB 48.8, 49.58, -71.99

 

CMYK 0 / 49 / 62 / 6

HEX #EF795B

RGB 239 121 91

HSL 12.16, 0.82%, 0.65%

LAB 63.98, 42.98, 37.22

 

CMYK 62 / 0 / 49 / 6

HEX #5BEF79

RGB 91 239 121

HSL 132.16, 0.82%, 0.65%

LAB 84.66, -63.49, 45.37

 

CMYK 50 / 63 / 0 / 6

HEX #7859F0

RGB 120 89 240

HSL 252.32, 0.83%, 0.65%

LAB 48.8, 49.58, -71.99

 

CMYK 0 / 62 / 25 / 6

HEX #EF5BB4

RGB 239 91 180

HSL 323.92, 0.82%, 0.65%

LAB 60.89, 65.55, -17.81

 

CMYK 12 / 0 / 62 / 6

HEX #D2EF5B

RGB 210 239 91

HSL 71.76, 0.82%, 0.65%

LAB 89.95, -29.35, 66.25

 

CMYK 62 / 0 / 37 / 6

HEX #5BEF96

RGB 91 239 150

HSL 143.92, 0.82%, 0.65%

LAB 85.08, -58.86, 31.66

 

CMYK 50 / 63 / 0 / 6

HEX #7859F0

RGB 120 89 240

HSL 252.32, 0.83%, 0.65%

LAB 48.8, 49.58, -71.99

 

CMYK 0 / 62 / 43 / 6

HEX #EF5B88

RGB 239 91 136

HSL 341.76, 0.82%, 0.65%

LAB 59.54, 60.57, 5.66

 

CMYK 12 / 0 / 62 / 6

HEX #D2EF5B

RGB 210 239 91

HSL 71.76, 0.82%, 0.65%

LAB 89.95, -29.35, 66.25

 

CMYK 62 / 0 / 18 / 6

HEX #5BEFC3

RGB 91 239 195

HSL 162.16, 0.82%, 0.65%

LAB 85.96, -49.67, 9.69

 

Description

Color code: CMYK 50 / 63 / 0 / 6 | qconv.com Color code: CMYK 50 / 63 / 0 / 6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 89 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 89 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 63 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 63% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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