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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57A639 it is the complementary color #A859C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57A639. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #57A639: #5CA634, #6DB847, #7ECA5A, #8FDC6D and #A0EE80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57A639. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #57A639: #57A639, #469426, #358213, #247000 and #135E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

Complementary color

CMYK 15 / 55 / 0 / 22

HEX #A859C6

RGB 168 89 198

HSL 283.49, 0.49%, 0.56%

LAB 51.32, 49.93, -43.81

 

CMYK 45 / 0 / 69 / 35

HEX #5CA634

RGB 92 166 52

HSL 98.95, 0.52%, 0.43%

LAB 61.48, -43.31, 49.76

 

CMYK 41 / 0 / 61 / 28

HEX #6DB847

RGB 109 184 71

HSL 99.82, 0.44%, 0.5%

LAB 68.01, -43.54, 48.96

 

CMYK 38 / 0 / 55 / 21

HEX #7ECA5A

RGB 126 202 90

HSL 100.71, 0.51%, 0.57%

LAB 74.45, -43.62, 47.92

 

CMYK 35 / 0 / 50 / 14

HEX #8FDC6D

RGB 143 220 109

HSL 101.62, 0.61%, 0.65%

LAB 80.81, -43.59, 46.78

 

CMYK 33 / 0 / 46 / 7

HEX #A0EE80

RGB 160 238 128

HSL 102.55, 0.76%, 0.72%

LAB 87.09, -43.5, 45.62

 

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

RAL® 6018

CMYK 53 / 0 / 74 / 42

HEX #469426

RGB 70 148 38

HSL 102.55, 0.59%, 0.36%

LAB 54.68, -44, 47.97

 

CMYK 59 / 0 / 85 / 49

HEX #358213

RGB 53 130 19

HSL 101.62, 0.74%, 0.29%

LAB 47.97, -43.13, 47.63

 

CMYK 68 / 0 / 100 / 56

HEX #247000

RGB 36 112 0

HSL 100.71, 1%, 0.22%

LAB 41.16, -41.67, 46.08

 

CMYK 80 / 0 / 100 / 63

HEX #135E00

RGB 19 94 0

HSL 107.87, 1%, 0.18%

LAB 34.28, -38.96, 40.44

 

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

RAL® 6018

CMYK 58 / 0 / 66 / 35

HEX #46A739

RGB 70 167 57

HSL 112.91, 0.49%, 0.44%

LAB 60.99, -49.68, 46.88

 

CMYK 66 / 0 / 63 / 35

HEX #39A73E

RGB 57 167 62

HSL 122.73, 0.49%, 0.44%

LAB 60.65, -52.18, 44.2

 

CMYK 66 / 0 / 51 / 35

HEX #39A751

RGB 57 167 81

HSL 133.09, 0.49%, 0.44%

LAB 60.87, -49.68, 35.32

 

CMYK 66 / 0 / 41 / 35

HEX #39A763

RGB 57 167 99

HSL 142.91, 0.49%, 0.44%

LAB 61.14, -46.66, 26.28

 

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

RAL® 6018

CMYK 47 / 0 / 65 / 15

HEX #72D94B

RGB 114 217 75

HSL 103.52, 0.65%, 0.57%

LAB 78.29, -54.93, 58.63

 

CMYK 46 / 0 / 69 / 95

HEX #070D04

RGB 7 13 4

HSL 100, 0.53%, 0.03%

LAB 3.09, -2.92, 2.93

 

CMYK 47 / 0 / 66 / 75

HEX #224016

RGB 34 64 22

HSL 102.86, 0.49%, 0.17%

LAB 23.88, -20.53, 21.86

 

CMYK 48 / 0 / 66 / 55

HEX #3C7327

RGB 60 115 39

HSL 103.42, 0.49%, 0.3%

LAB 43.31, -33.3, 35.45

 

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

RAL® 6018

CMYK 66 / 0 / 5 / 35

HEX #39A79E

RGB 57 167 158

HSL 175.09, 0.49%, 0.44%

LAB 62.49, -32.82, -4.47

 

CMYK 0 / 66 / 21 / 35

HEX #A73984

RGB 167 57 132

HSL 319.09, 0.49%, 0.44%

LAB 42.47, 52.92, -18.58

 

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

RAL® 6018

CMYK 66 / 47 / 0 / 35

HEX #3958A7

RGB 57 88 167

HSL 223.09, 0.49%, 0.44%

LAB 38.97, 14.96, -46.01

 

CMYK 0 / 66 / 47 / 35

HEX #A73958

RGB 167 57 88

HSL 343.09, 0.49%, 0.44%

LAB 40.97, 47.61, 6.48

 

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

RAL® 6018

CMYK 66 / 0 / 5 / 35

HEX #39A79E

RGB 57 167 158

HSL 175.09, 0.49%, 0.44%

LAB 62.49, -32.82, -4.47

 

CMYK 19 / 66 / 0 / 35

HEX #8839A7

RGB 136 57 167

HSL 283.09, 0.49%, 0.44%

LAB 39.5, 51.03, -44.75

 

CMYK 0 / 66 / 60 / 35

HEX #A73942

RGB 167 57 66

HSL 355.09, 0.49%, 0.44%

LAB 40.47, 45.76, 19.55

 

CMYK 48 / 0 / 66 / 35

HEX #57A639

RGB 87 166 57

HSL 103.49, 0.49%, 0.44%

LAB 61.3, -44.45, 47.41

RAL® 6018

CMYK 66 / 14 / 0 / 35

HEX #398FA7

RGB 57 143 167

HSL 193.09, 0.49%, 0.44%

LAB 55.38, -18.01, -20.26

 

CMYK 19 / 66 / 0 / 35

HEX #8839A7

RGB 136 57 167

HSL 283.09, 0.49%, 0.44%

LAB 39.5, 51.03, -44.75

 

CMYK 0 / 51 / 66 / 35

HEX #A75139

RGB 167 81 57

HSL 13.09, 0.49%, 0.44%

LAB 44.8, 33.44, 30.37

 

Description

Color code: HEX #57A639 | qconv.com Color code: HEX #57A639 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 166 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 166 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 66 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 66% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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