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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A73942 it is the complementary color #58C6BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A73942. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A73942: #AC393D, #BD4B50, #CE5D63, #DF6F76 and #F08189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A73942. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A73942: #A73942, #96272F, #85151C, #740309 and #630000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 60 / 35

HEX #A73942

RGB 167 57 66

HSL 355.09, 0.49%, 0.44%

LAB 40.47, 45.76, 19.55

 

Complementary color

CMYK 56 / 0 / 5 / 22

HEX #58C6BD

RGB 88 198 189

HSL 175.09, 0.49%, 0.56%

LAB 73.63, -33.51, -5.02

 

CMYK 0 / 67 / 65 / 33

HEX #AC393D

RGB 172 57 61

HSL 357.91, 0.5%, 0.45%

LAB 41.27, 47.13, 23.84

 

CMYK 0 / 60 / 58 / 26

HEX #BD4B50

RGB 189 75 80

HSL 357.37, 0.46%, 0.52%

LAB 47.53, 46.29, 21

 

CMYK 0 / 55 / 52 / 19

HEX #CE5D63

RGB 206 93 99

HSL 356.81, 0.54%, 0.59%

LAB 53.87, 45.29, 18.67

 

CMYK 0 / 50 / 47 / 13

HEX #DF6F76

RGB 223 111 118

HSL 356.25, 0.64%, 0.65%

LAB 60.22, 44.25, 16.71

 

CMYK 0 / 46 / 43 / 6

HEX #F08189

RGB 240 129 137

HSL 355.68, 0.79%, 0.72%

LAB 66.54, 43.21, 15.02

 

CMYK 0 / 66 / 60 / 35

HEX #A73942

RGB 167 57 66

HSL 355.09, 0.49%, 0.44%

LAB 40.47, 45.76, 19.55

 

CMYK 0 / 74 / 69 / 41

HEX #96272F

RGB 150 39 47

HSL 355.68, 0.59%, 0.37%

LAB 34.27, 46.2, 22.89

 

CMYK 0 / 84 / 79 / 48

HEX #85151C

RGB 133 21 28

HSL 356.25, 0.73%, 0.3%

LAB 28.4, 45.85, 27.1

 

CMYK 0 / 97 / 92 / 55

HEX #740309

RGB 116 3 9

HSL 356.81, 0.95%, 0.23%

LAB 22.99, 44.32, 30.95

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 66 / 60 / 35

HEX #A73942

RGB 167 57 66

HSL 355.09, 0.49%, 0.44%

LAB 40.47, 45.76, 19.55

 

CMYK 0 / 60 / 66 / 35

HEX #A74239

RGB 167 66 57

HSL 4.91, 0.49%, 0.44%

LAB 41.86, 41.03, 26.8

 

CMYK 0 / 50 / 66 / 35

HEX #A75439

RGB 167 84 57

HSL 14.73, 0.49%, 0.44%

LAB 45.43, 31.84, 31.13

 

CMYK 0 / 38 / 66 / 35

HEX #A76739

RGB 167 103 57

HSL 25.09, 0.49%, 0.44%

LAB 49.75, 21.36, 36.21

 

CMYK 0 / 28 / 66 / 35

HEX #A77939

RGB 167 121 57

HSL 34.91, 0.49%, 0.44%

LAB 54.22, 11.19, 41.28

 

CMYK 0 / 66 / 60 / 35

HEX #A73942

RGB 167 57 66

HSL 355.09, 0.49%, 0.44%

LAB 40.47, 45.76, 19.55

 

CMYK 0 / 66 / 61 / 15

HEX #DA4A56

RGB 218 74 86

HSL 355, 0.66%, 0.57%

LAB 52.37, 56.87, 24.69

 

CMYK 0 / 64 / 57 / 95

HEX #0E0506

RGB 14 5 6

HSL 353.33, 0.47%, 0.04%

LAB 1.94, 2.62, 0.49

 

CMYK 0 / 66 / 60 / 75

HEX #41161A

RGB 65 22 26

HSL 354.42, 0.49%, 0.17%

LAB 14.24, 21.32, 7.89

 

CMYK 0 / 66 / 60 / 55

HEX #74282E

RGB 116 40 46

HSL 355.26, 0.49%, 0.31%

LAB 27.92, 33.88, 14.09

 

CMYK 0 / 66 / 60 / 35

HEX #A73942

RGB 167 57 66

HSL 355.09, 0.49%, 0.44%

LAB 40.47, 45.76, 19.55

 

CMYK 8 / 0 / 66 / 35

HEX #9AA739

RGB 154 167 57

HSL 67.09, 0.49%, 0.44%

LAB 65.59, -19.47, 53.18

 

CMYK 66 / 34 / 0 / 35

HEX #396EA7

RGB 57 110 167

HSL 211.09, 0.49%, 0.44%

LAB 45.38, 1, -35.81

 

CMYK 0 / 66 / 60 / 35

HEX #A73942

RGB 167 57 66

HSL 355.09, 0.49%, 0.44%

LAB 40.47, 45.76, 19.55

 

CMYK 60 / 0 / 66 / 35

HEX #42A739

RGB 66 167 57

HSL 115.09, 0.49%, 0.44%

LAB 60.86, -50.68, 46.71

 

CMYK 66 / 60 / 0 / 35

HEX #3942A7

RGB 57 66 167

HSL 235.09, 0.49%, 0.44%

LAB 33.04, 29.37, -55.59

 

CMYK 0 / 66 / 60 / 35

HEX #A73942

RGB 167 57 66

HSL 355.09, 0.49%, 0.44%

LAB 40.47, 45.76, 19.55

 

CMYK 8 / 0 / 66 / 35

HEX #9AA739

RGB 154 167 57

HSL 67.09, 0.49%, 0.44%

LAB 65.59, -19.47, 53.18

 

CMYK 66 / 0 / 5 / 35

HEX #39A79E

RGB 57 167 158

HSL 175.09, 0.49%, 0.44%

LAB 62.49, -32.82, -4.47

 

CMYK 58 / 66 / 0 / 35

HEX #4639A7

RGB 70 57 167

HSL 247.09, 0.49%, 0.44%

LAB 31.85, 37.15, -57.49

 

CMYK 0 / 66 / 60 / 35

HEX #A73942

RGB 167 57 66

HSL 355.09, 0.49%, 0.44%

LAB 40.47, 45.76, 19.55

 

CMYK 28 / 0 / 66 / 35

HEX #79A739

RGB 121 167 57

HSL 85.09, 0.49%, 0.44%

LAB 63.34, -32.95, 50.11

 

CMYK 66 / 0 / 5 / 35

HEX #39A79E

RGB 57 167 158

HSL 175.09, 0.49%, 0.44%

LAB 62.49, -32.82, -4.47

 

CMYK 38 / 66 / 0 / 35

HEX #6739A7

RGB 103 57 167

HSL 265.09, 0.49%, 0.44%

LAB 35.2, 43.56, -51.89

 

Description

Color code: HEX #A73942 | qconv.com Color code: HEX #A73942 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 57 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 57 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 60 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 60% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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