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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FDC6D it is the complementary color #702392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FDC6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8FDC6D: #94DC68, #A5EE7B, #B6FF8E, #C7FFA1 and #D8FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FDC6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8FDC6D: #8FDC6D, #7ECA5A, #6DB847, #5CA634 and #4B9421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 50 / 14

HEX #8FDC6D

RGB 143 220 109

HSL 101.62, 0.61%, 0.65%

LAB 80.81, -43.59, 46.78

 

Complementary color

CMYK 23 / 76 / 0 / 43

HEX #702392

RGB 112 35 146

HSL 281.62, 0.61%, 0.35%

LAB 31.17, 50.77, -45.61

 

CMYK 33 / 0 / 53 / 14

HEX #94DC68

RGB 148 220 104

HSL 97.24, 0.62%, 0.64%

LAB 81.01, -42.49, 49.43

 

CMYK 31 / 0 / 48 / 7

HEX #A5EE7B

RGB 165 238 123

HSL 98.09, 0.77%, 0.71%

LAB 87.28, -42.44, 48.3

 

CMYK 29 / 0 / 44 / 0

HEX #B6FF8E

RGB 182 255 142

HSL 98.76, 1%, 0.78%

LAB 93.2, -41.92, 46.8

 

CMYK 22 / 0 / 37 / 0

HEX #C7FFA1

RGB 199 255 161

HSL 95.74, 1%, 0.82%

LAB 94.41, -33.72, 39.33

 

CMYK 15 / 0 / 29 / 0

HEX #D8FFB4

RGB 216 255 180

HSL 91.2, 1%, 0.85%

LAB 95.75, -25.23, 31.84

 

CMYK 35 / 0 / 50 / 14

HEX #8FDC6D

RGB 143 220 109

HSL 101.62, 0.61%, 0.65%

LAB 80.81, -43.59, 46.78

 

CMYK 38 / 0 / 55 / 21

HEX #7ECA5A

RGB 126 202 90

HSL 100.71, 0.51%, 0.57%

LAB 74.45, -43.62, 47.92

 

CMYK 41 / 0 / 61 / 28

HEX #6DB847

RGB 109 184 71

HSL 99.82, 0.44%, 0.5%

LAB 68.01, -43.54, 48.96

 

CMYK 45 / 0 / 69 / 35

HEX #5CA634

RGB 92 166 52

HSL 98.95, 0.52%, 0.43%

LAB 61.48, -43.31, 49.76

 

CMYK 49 / 0 / 78 / 42

HEX #4B9421

RGB 75 148 33

HSL 98.09, 0.64%, 0.35%

LAB 54.85, -42.81, 50.01

 

CMYK 35 / 0 / 50 / 14

HEX #8FDC6D

RGB 143 220 109

HSL 101.62, 0.61%, 0.65%

LAB 80.81, -43.59, 46.78

 

CMYK 42 / 0 / 50 / 14

HEX #7FDC6F

RGB 127 220 111

HSL 111.19, 0.61%, 0.65%

LAB 80.09, -48.41, 44.78

 

CMYK 50 / 0 / 49 / 14

HEX #6FDC71

RGB 111 220 113

HSL 121.1, 0.61%, 0.65%

LAB 79.48, -52.71, 42.91

 

CMYK 50 / 0 / 40 / 14

HEX #6FDC83

RGB 111 220 131

HSL 131.01, 0.61%, 0.65%

LAB 79.73, -50.05, 34.32

 

CMYK 50 / 0 / 32 / 14

HEX #6FDC95

RGB 111 220 149

HSL 140.92, 0.61%, 0.65%

LAB 80.03, -46.97, 25.5

 

CMYK 35 / 0 / 50 / 14

HEX #8FDC6D

RGB 143 220 109

HSL 101.62, 0.61%, 0.65%

LAB 80.81, -43.59, 46.78

 

CMYK 38 / 0 / 50 / 94

HEX #0A1008

RGB 10 16 8

HSL 105, 0.33%, 0.05%

LAB 4.09, -3.11, 2.78

 

CMYK 34 / 0 / 51 / 74

HEX #2C4321

RGB 44 67 33

HSL 100.59, 0.34%, 0.2%

LAB 25.74, -16.47, 17.8

 

CMYK 35 / 0 / 51 / 54

HEX #4D763A

RGB 77 118 58

HSL 101, 0.34%, 0.35%

LAB 45.41, -26.32, 28.43

 

CMYK 35 / 0 / 50 / 34

HEX #6EA954

RGB 110 169 84

HSL 101.65, 0.34%, 0.5%

LAB 63.62, -35.16, 37.65

 

CMYK 35 / 0 / 50 / 14

HEX #8FDC6D

RGB 143 220 109

HSL 101.62, 0.61%, 0.65%

LAB 80.81, -43.59, 46.78

 

CMYK 50 / 0 / 6 / 14

HEX #6FDCCF

RGB 111 220 207

HSL 172.84, 0.61%, 0.65%

LAB 81.33, -34.47, -3.26

 

CMYK 0 / 50 / 14 / 14

HEX #DC6FBD

RGB 220 111 189

HSL 317.06, 0.61%, 0.65%

LAB 61.88, 52.24, -21.7

 

CMYK 35 / 0 / 50 / 14

HEX #8FDC6D

RGB 143 220 109

HSL 101.62, 0.61%, 0.65%

LAB 80.81, -43.59, 46.78

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 0 / 50 / 34 / 14

HEX #DC6F91

RGB 220 111 145

HSL 341.28, 0.61%, 0.65%

LAB 60.45, 46.12, 1.4

 

CMYK 35 / 0 / 50 / 14

HEX #8FDC6D

RGB 143 220 109

HSL 101.62, 0.61%, 0.65%

LAB 80.81, -43.59, 46.78

 

CMYK 50 / 0 / 6 / 14

HEX #6FDCCF

RGB 111 220 207

HSL 172.84, 0.61%, 0.65%

LAB 81.33, -34.47, -3.26

 

CMYK 16 / 50 / 0 / 14

HEX #B96FDC

RGB 185 111 220

HSL 280.73, 0.61%, 0.65%

LAB 58.84, 47.74, -44.29

 

CMYK 0 / 50 / 44 / 14

HEX #DC6F7C

RGB 220 111 124

HSL 352.84, 0.61%, 0.65%

LAB 59.92, 43.77, 12.78

 

CMYK 35 / 0 / 50 / 14

HEX #8FDC6D

RGB 143 220 109

HSL 101.62, 0.61%, 0.65%

LAB 80.81, -43.59, 46.78

 

CMYK 50 / 9 / 0 / 14

HEX #6FC8DC

RGB 111 200 220

HSL 191.01, 0.61%, 0.65%

LAB 75.98, -21.37, -18.21

 

CMYK 16 / 50 / 0 / 14

HEX #B96FDC

RGB 185 111 220

HSL 280.73, 0.61%, 0.65%

LAB 58.84, 47.74, -44.29

 

CMYK 0 / 40 / 50 / 14

HEX #DC836F

RGB 220 131 111

HSL 11.01, 0.61%, 0.65%

LAB 63.83, 32.15, 25.5

 

Description

Color code: HEX #8FDC6D | qconv.com Color code: HEX #8FDC6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 220 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 220 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 50 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 50% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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