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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53C8D0 it is the complementary color #AC372F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53C8D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53C8D0 shade: #58C8CB, #69DADE, #7AECF1, #8BFEFF and #9CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53C8D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53C8D0 shade: #53C8D0, #42B6BD, #31A4AA, #209297 and #0F8084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53C8D0 shade: #53C8D0, #53A6D0, #5384D0, #5363D0 and #6553D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53C8D0 shade: #53C8D0, #53A6D0, #5384D0, #5363D0 and #5353D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53C8D0 shade matches the following richer shades: #53C8D0, #41D7E2 and #2FE7F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53C8D0 shade: #53C8D0, #65B8BE, #76A9AC, #88999B and #9A8A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53C8D0 shade: #53D093, #53D0B5, #53CAD0, #53A8D0 and #5387D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53C8D0 shade: #2D9CA3, #36BBC4, #53C8D0, #73D2D9 and #94DDE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53C8D0 shade: #53C8D0, #7253D0 and #D0A453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53C8D0 shade: #53C8D0, #D053CA and #CAD053

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53C8D0 shade: #53C8D0, #7253D0, #D05953 and #B1D053

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53C8D0 shade: #53C8D0, #9853D0, #D05953 and #8BD053

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

Complementary color

CMYK 0 / 68 / 73 / 33

HEX #AC372F

RGB 172 55 47

HSL 3.84, 0.57%, 0.43%

LAB 40.75, 47.2, 31.62

 

CMYK 57 / 1 / 0 / 20

HEX #58C8CB

RGB 88 200 203

HSL 181.57, 0.53%, 0.57%

LAB 74.63, -30.72, -11.13

 

CMYK 53 / 2 / 0 / 13

HEX #69DADE

RGB 105 218 222

HSL 182.05, 0.64%, 0.64%

LAB 80.97, -30.95, -11.81

 

CMYK 49 / 2 / 0 / 5

HEX #7AECF1

RGB 122 236 241

HSL 182.52, 0.81%, 0.71%

LAB 87.23, -31.11, -12.44

 

CMYK 45 / 0 / 0 / 0

HEX #8BFEFF

RGB 139 254 255

HSL 180.52, 1%, 0.77%

LAB 93.27, -32.44, -10.66

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

CMYK 65 / 4 / 0 / 26

HEX #42B6BD

RGB 66 182 189

HSL 183.41, 0.48%, 0.5%

LAB 68.23, -29.75, -13.13

 

CMYK 71 / 4 / 0 / 33

HEX #31A4AA

RGB 49 164 170

HSL 182.98, 0.55%, 0.43%

LAB 61.75, -29.06, -12.34

 

CMYK 79 / 3 / 0 / 41

HEX #209297

RGB 32 146 151

HSL 182.52, 0.65%, 0.36%

LAB 55.17, -28.09, -11.45

 

CMYK 89 / 3 / 0 / 48

HEX #0F8084

RGB 15 128 132

HSL 182.05, 0.8%, 0.29%

LAB 48.52, -26.7, -10.43

 

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

CMYK 60 / 20 / 0 / 18

HEX #53A6D0

RGB 83 166 208

HSL 200.16, 0.57%, 0.57%

LAB 64.7, -12.82, -28.98

 

CMYK 60 / 37 / 0 / 18

HEX #5384D0

RGB 83 132 208

HSL 216.48, 0.57%, 0.57%

LAB 54.96, 6.61, -44.19

 

CMYK 60 / 52 / 0 / 18

HEX #5363D0

RGB 83 99 208

HSL 232.32, 0.57%, 0.57%

LAB 46.07, 26.94, -58.41

 

CMYK 51 / 60 / 0 / 18

HEX #6553D0

RGB 101 83 208

HSL 248.64, 0.57%, 0.57%

LAB 43.52, 40.08, -62.47

 

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

CMYK 60 / 20 / 0 / 18

HEX #53A6D0

RGB 83 166 208

HSL 200.16, 0.57%, 0.57%

LAB 64.7, -12.82, -28.98

 

CMYK 60 / 37 / 0 / 18

HEX #5384D0

RGB 83 132 208

HSL 216.48, 0.57%, 0.57%

LAB 54.96, 6.61, -44.19

 

CMYK 60 / 52 / 0 / 18

HEX #5363D0

RGB 83 99 208

HSL 232.32, 0.57%, 0.57%

LAB 46.07, 26.94, -58.41

 

CMYK 60 / 60 / 0 / 18

HEX #5353D0

RGB 83 83 208

HSL 240, 0.57%, 0.57%

LAB 42.12, 36.85, -64.8

 

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

CMYK 71 / 5 / 0 / 11

HEX #41D7E2

RGB 65 215 226

HSL 184.1, 0.74%, 0.57%

LAB 79.17, -34.85, -16.76

 

CMYK 81 / 5 / 0 / 5

HEX #2FE7F3

RGB 47 231 243

HSL 183.67, 0.89%, 0.57%

LAB 84.08, -39.04, -18.4

 

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

CMYK 47 / 3 / 0 / 25

HEX #65B8BE

RGB 101 184 190

HSL 184.04, 0.41%, 0.57%

LAB 70.01, -23.62, -10.9

 

CMYK 31 / 2 / 0 / 33

HEX #76A9AC

RGB 118 169 172

HSL 183.33, 0.25%, 0.57%

LAB 65.91, -16.04, -6.97

 

CMYK 12 / 1 / 0 / 39

HEX #88999B

RGB 136 153 155

HSL 186.32, 0.09%, 0.57%

LAB 61.98, -5.59, -3.11

 

CMYK 0 / 10 / 11 / 40

HEX #9A8A89

RGB 154 138 137

HSL 3.53, 0.08%, 0.57%

LAB 58.84, 5.82, 2.72

 

CMYK 60 / 0 / 29 / 18

HEX #53D093

RGB 83 208 147

HSL 150.72, 0.57%, 0.57%

LAB 75.49, -48.73, 20.19

 

CMYK 60 / 0 / 13 / 18

HEX #53D0B5

RGB 83 208 181

HSL 167.04, 0.57%, 0.57%

LAB 76.25, -41.07, 3.11

 

CMYK 60 / 3 / 0 / 18

HEX #53CAD0

RGB 83 202 208

HSL 182.88, 0.57%, 0.57%

LAB 75.22, -31.2, -12.97

 

CMYK 60 / 19 / 0 / 18

HEX #53A8D0

RGB 83 168 208

HSL 199.2, 0.57%, 0.57%

LAB 65.28, -13.9, -28.09

 

CMYK 60 / 35 / 0 / 18

HEX #5387D0

RGB 83 135 208

HSL 215.04, 0.57%, 0.57%

LAB 55.81, 4.82, -42.86

 

CMYK 72 / 4 / 0 / 36

HEX #2D9CA3

RGB 45 156 163

HSL 183.56, 0.57%, 0.41%

LAB 58.96, -27.78, -12.59

 

CMYK 72 / 5 / 0 / 23

HEX #36BBC4

RGB 54 187 196

HSL 183.8, 0.57%, 0.49%

LAB 69.69, -31.76, -14.82

 

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

CMYK 47 / 3 / 0 / 15

HEX #73D2D9

RGB 115 210 217

HSL 184.12, 0.57%, 0.65%

LAB 78.9, -26.27, -12.2

 

CMYK 35 / 2 / 0 / 11

HEX #94DDE2

RGB 148 221 226

HSL 183.85, 0.57%, 0.73%

LAB 83.7, -21.36, -9.67

 

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

CMYK 45 / 60 / 0 / 18

HEX #7253D0

RGB 114 83 208

HSL 254.88, 0.57%, 0.57%

LAB 44.69, 42.69, -60.52

 

CMYK 0 / 21 / 60 / 18

HEX #D0A453

RGB 208 164 83

HSL 38.88, 0.57%, 0.57%

LAB 69.88, 7.14, 47.46

 

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

CMYK 0 / 60 / 3 / 18

HEX #D053CA

RGB 208 83 202

HSL 302.88, 0.57%, 0.57%

LAB 55.95, 63.84, -38.44

 

CMYK 3 / 0 / 60 / 18

HEX #CAD053

RGB 202 208 83

HSL 62.88, 0.57%, 0.57%

LAB 80.9, -18.2, 59.63

 

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

CMYK 45 / 60 / 0 / 18

HEX #7253D0

RGB 114 83 208

HSL 254.88, 0.57%, 0.57%

LAB 44.69, 42.69, -60.52

 

CMYK 0 / 57 / 60 / 18

HEX #D05953

RGB 208 89 83

HSL 2.88, 0.57%, 0.57%

LAB 53.15, 46.67, 27.12

 

CMYK 15 / 0 / 60 / 18

HEX #B1D053

RGB 177 208 83

HSL 74.88, 0.57%, 0.57%

LAB 79.09, -28.28, 57.13

 

CMYK 60 / 4 / 0 / 18

HEX #53C8D0

RGB 83 200 208

HSL 183.84, 0.57%, 0.57%

LAB 74.64, -30.23, -13.85

 

CMYK 27 / 60 / 0 / 18

HEX #9853D0

RGB 152 83 208

HSL 273.12, 0.57%, 0.57%

LAB 48.78, 51.18, -53.72

 

CMYK 0 / 57 / 60 / 18

HEX #D05953

RGB 208 89 83

HSL 2.88, 0.57%, 0.57%

LAB 53.15, 46.67, 27.12

 

CMYK 33 / 0 / 60 / 18

HEX #8BD053

RGB 139 208 83

HSL 93.12, 0.57%, 0.57%

LAB 76.82, -42.49, 53.96

 

Description

Color code: HEX #53C8D0 | qconv.com Color code: HEX #53C8D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 200 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 200 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 4 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 4% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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