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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 60 / 4 / 0 / 78 it is the complementary color CMYK 0 / 14 / 15 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 60 / 4 / 0 / 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 60 / 4 / 0 / 78: CMYK 50 / 0 / 6 / 79, CMYK 39 / 0 / 3 / 72, CMYK 32 / 0 / 1 / 65, CMYK 28 / 0 / 0 / 58 and CMYK 25 / 1 / 0 / 50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 60 / 4 / 0 / 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 60 / 4 / 0 / 78: CMYK 61 / 4 / 0 / 78, CMYK 86 / 3 / 0 / 85, CMYK 100 / 0 / 0 / 93, CMYK 0 / 0 / 0 / 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 4 / 0 / 78

HEX #163638

RGB 22 54 56

HSL 183.53, 0.44%, 0.15%

LAB 20.42, -11.03, -4.86

 

Complementary color

CMYK 0 / 14 / 15 / 9

HEX #E9C9C7

RGB 233 201 199

HSL 3.53, 0.44%, 0.85%

LAB 83.56, 10.93, 5.15

 

CMYK 50 / 0 / 6 / 79

HEX #1B3633

RGB 27 54 51

HSL 173.33, 0.33%, 0.16%

LAB 20.48, -11.2, -1.34

 

CMYK 39 / 0 / 3 / 72

HEX #2C4846

RGB 44 72 70

HSL 175.71, 0.24%, 0.23%

LAB 28.41, -11.07, -2.16

 

CMYK 32 / 0 / 1 / 65

HEX #3D5A59

RGB 61 90 89

HSL 177.93, 0.19%, 0.3%

LAB 36.03, -10.94, -2.88

 

CMYK 28 / 0 / 0 / 58

HEX #4E6C6C

RGB 78 108 108

HSL 180, 0.16%, 0.36%

LAB 43.4, -10.82, -3.54

 

CMYK 25 / 1 / 0 / 50

HEX #5F7E7F

RGB 95 126 127

HSL 181.88, 0.14%, 0.44%

LAB 50.55, -10.73, -4.15

 

CMYK 61 / 4 / 0 / 78

HEX #163638

RGB 22 54 56

HSL 183.53, 0.44%, 0.15%

LAB 20.42, -11.03, -4.86

 

CMYK 86 / 3 / 0 / 85

HEX #052425

RGB 5 36 37

HSL 181.88, 0.76%, 0.08%

LAB 12.14, -10.74, -4

 

CMYK 100 / 0 / 0 / 93

HEX #001212

RGB 0 18 18

HSL 180, 1%, 0.04%

LAB 4.3, -5.21, -1.84

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 61 / 4 / 0 / 78

HEX #163638

RGB 22 54 56

HSL 183.53, 0.44%, 0.15%

LAB 20.42, -11.03, -4.86

 

CMYK 62 / 15 / 0 / 78

HEX #152F37

RGB 21 47 55

HSL 194.12, 0.45%, 0.15%

LAB 17.77, -7.19, -8.17

 

CMYK 62 / 24 / 0 / 78

HEX #152A37

RGB 21 42 55

HSL 202.94, 0.45%, 0.15%

LAB 15.96, -3.82, -10.95

 

CMYK 62 / 35 / 0 / 78

HEX #152437

RGB 21 36 55

HSL 213.53, 0.45%, 0.15%

LAB 13.81, 0.44, -14.28

 

CMYK 62 / 45 / 0 / 78

HEX #151E37

RGB 21 30 55

HSL 224.12, 0.45%, 0.15%

LAB 11.71, 4.92, -17.58

 

CMYK 61 / 4 / 0 / 78

HEX #163638

RGB 22 54 56

HSL 183.53, 0.44%, 0.15%

LAB 20.42, -11.03, -4.86

 

CMYK 61 / 4 / 0 / 58

HEX #2A676B

RGB 42 103 107

HSL 183.69, 0.44%, 0.29%

LAB 40.01, -18.17, -8.17

 

CMYK 61 / 4 / 0 / 38

HEX #3E989E

RGB 62 152 158

HSL 183.75, 0.44%, 0.43%

LAB 57.99, -24.6, -11.16

 

CMYK 61 / 3 / 0 / 18

HEX #52CAD1

RGB 82 202 209

HSL 183.31, 0.58%, 0.57%

LAB 75.23, -31.09, -13.51

 

CMYK 60 / 0 / 0 / 98

HEX #020505

RGB 2 5 5

HSL 180, 0.43%, 0.01%

LAB 1.2, -0.78, -0.28

 

CMYK 61 / 4 / 0 / 78

HEX #163638

RGB 22 54 56

HSL 183.53, 0.44%, 0.15%

LAB 20.42, -11.03, -4.86

 

CMYK 47 / 62 / 0 / 78

HEX #1D1537

RGB 29 21 55

HSL 254.12, 0.45%, 0.15%

LAB 9.59, 14.12, -20.92

 

CMYK 0 / 22 / 62 / 78

HEX #372B15

RGB 55 43 21

HSL 38.82, 0.45%, 0.15%

LAB 18.34, 2.15, 16.31

 

CMYK 61 / 4 / 0 / 78

HEX #163638

RGB 22 54 56

HSL 183.53, 0.44%, 0.15%

LAB 20.42, -11.03, -4.86

 

CMYK 0 / 62 / 4 / 78

HEX #371535

RGB 55 21 53

HSL 303.53, 0.45%, 0.15%

LAB 13.26, 22.29, -13.42

 

CMYK 4 / 0 / 62 / 78

HEX #353715

RGB 53 55 21

HSL 63.53, 0.45%, 0.15%

LAB 22.1, -6.74, 20.73

 

CMYK 61 / 4 / 0 / 78

HEX #163638

RGB 22 54 56

HSL 183.53, 0.44%, 0.15%

LAB 20.42, -11.03, -4.86

 

CMYK 47 / 62 / 0 / 78

HEX #1D1537

RGB 29 21 55

HSL 254.12, 0.45%, 0.15%

LAB 9.59, 14.12, -20.92

 

CMYK 0 / 58 / 62 / 78

HEX #371715

RGB 55 23 21

HSL 3.53, 0.45%, 0.15%

LAB 12.47, 15.7, 8.8

 

CMYK 16 / 0 / 62 / 78

HEX #2E3715

RGB 46 55 21

HSL 75.88, 0.45%, 0.15%

LAB 21.46, -10.26, 19.82

 

CMYK 61 / 4 / 0 / 78

HEX #163638

RGB 22 54 56

HSL 183.53, 0.44%, 0.15%

LAB 20.42, -11.03, -4.86

 

CMYK 29 / 62 / 0 / 78

HEX #271537

RGB 39 21 55

HSL 271.76, 0.45%, 0.15%

LAB 10.87, 17.3, -18.79

 

CMYK 0 / 58 / 62 / 78

HEX #371715

RGB 55 23 21

HSL 3.53, 0.45%, 0.15%

LAB 12.47, 15.7, 8.8

 

CMYK 35 / 0 / 62 / 78

HEX #243715

RGB 36 55 21

HSL 93.53, 0.45%, 0.15%

LAB 20.68, -14.98, 18.71

 

Description

Color code: CMYK 60 / 4 / 0 / 78 | qconv.com Color code: CMYK 60 / 4 / 0 / 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 54 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 54 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 4 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 4% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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