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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #514719 it is the complementary color #AEB8E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #514719. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #514719: #564714, #675927, #786B3A, #897D4D and #9A8F60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #514719. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #514719: #514719, #403506, #2F2300, #1E1100 and #0D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 69 / 68

HEX #514719

RGB 81 71 25

HSL 49.29, 0.53%, 0.21%

LAB 30.22, -2.13, 28.42

 

Complementary color

CMYK 24 / 20 / 0 / 10

HEX #AEB8E6

RGB 174 184 230

HSL 229.29, 0.53%, 0.79%

LAB 75.45, 6.42, -24.11

 

CMYK 0 / 17 / 77 / 66

HEX #564714

RGB 86 71 20

HSL 46.36, 0.62%, 0.21%

LAB 30.72, 0.06, 31.62

 

CMYK 0 / 14 / 62 / 60

HEX #675927

RGB 103 89 39

HSL 46.88, 0.45%, 0.28%

LAB 38.15, -1.12, 30.51

 

CMYK 0 / 11 / 52 / 53

HEX #786B3A

RGB 120 107 58

HSL 47.42, 0.35%, 0.35%

LAB 45.38, -1.98, 29.14

 

CMYK 0 / 9 / 44 / 46

HEX #897D4D

RGB 137 125 77

HSL 48, 0.28%, 0.42%

LAB 52.42, -2.62, 27.79

 

CMYK 0 / 7 / 38 / 40

HEX #9A8F60

RGB 154 143 96

HSL 48.62, 0.23%, 0.49%

LAB 59.31, -3.13, 26.51

 

CMYK 0 / 12 / 69 / 68

HEX #514719

RGB 81 71 25

HSL 49.29, 0.53%, 0.21%

LAB 30.22, -2.13, 28.42

 

CMYK 0 / 17 / 91 / 75

HEX #403506

RGB 64 53 6

HSL 48.62, 0.83%, 0.14%

LAB 22.48, -0.77, 28.79

 

CMYK 0 / 26 / 100 / 82

HEX #2F2300

RGB 47 35 0

HSL 44.68, 1%, 0.09%

LAB 14.44, 1.42, 21.24

 

CMYK 0 / 43 / 100 / 88

HEX #1E1100

RGB 30 17 0

HSL 34, 1%, 0.06%

LAB 6.11, 3.79, 9.23

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 12 / 69 / 68

HEX #514719

RGB 81 71 25

HSL 49.29, 0.53%, 0.21%

LAB 30.22, -2.13, 28.42

 

CMYK 0 / 1 / 69 / 68

HEX #515019

RGB 81 80 25

HSL 58.93, 0.53%, 0.21%

LAB 33.04, -7.58, 31.44

 

CMYK 10 / 0 / 69 / 68

HEX #495119

RGB 73 81 25

HSL 68.57, 0.53%, 0.21%

LAB 32.64, -12.06, 30.8

 

CMYK 22 / 0 / 69 / 68

HEX #3F5119

RGB 63 81 25

HSL 79.29, 0.53%, 0.21%

LAB 31.83, -16.76, 29.7

 

CMYK 33 / 0 / 69 / 68

HEX #365119

RGB 54 81 25

HSL 88.93, 0.53%, 0.21%

LAB 31.21, -20.75, 28.83

 

CMYK 0 / 12 / 69 / 68

HEX #514719

RGB 81 71 25

HSL 49.29, 0.53%, 0.21%

LAB 30.22, -2.13, 28.42

 

CMYK 0 / 12 / 69 / 48

HEX #847429

RGB 132 116 41

HSL 49.45, 0.53%, 0.34%

LAB 48.95, -2.97, 42.16

 

CMYK 0 / 13 / 69 / 28

HEX #B7A038

RGB 183 160 56

HSL 49.13, 0.53%, 0.47%

LAB 66.13, -3.26, 54.93

 

CMYK 0 / 12 / 69 / 8

HEX #EACD48

RGB 234 205 72

HSL 49.26, 0.79%, 0.6%

LAB 82.71, -4, 66.84

 

CMYK 0 / 13 / 70 / 88

HEX #1E1A09

RGB 30 26 9

HSL 48.57, 0.54%, 0.08%

LAB 9.28, -1.09, 10.16

 

CMYK 0 / 12 / 69 / 68

HEX #514719

RGB 81 71 25

HSL 49.29, 0.53%, 0.21%

LAB 30.22, -2.13, 28.42

 

CMYK 69 / 0 / 68 / 68

HEX #19511A

RGB 25 81 26

HSL 121.07, 0.53%, 0.21%

LAB 29.83, -30.72, 26.41

 

CMYK 41 / 69 / 0 / 68

HEX #301951

RGB 48 25 81

HSL 264.64, 0.53%, 0.21%

LAB 15.05, 25.08, -30.21

 

CMYK 0 / 12 / 69 / 68

HEX #514719

RGB 81 71 25

HSL 49.29, 0.53%, 0.21%

LAB 30.22, -2.13, 28.42

 

CMYK 69 / 0 / 12 / 68

HEX #195147

RGB 25 81 71

HSL 169.29, 0.53%, 0.21%

LAB 30.75, -20.89, 0.53

 

CMYK 12 / 69 / 0 / 68

HEX #471951

RGB 71 25 81

HSL 289.29, 0.53%, 0.21%

LAB 18.49, 31.29, -24.5

 

CMYK 0 / 12 / 69 / 68

HEX #514719

RGB 81 71 25

HSL 49.29, 0.53%, 0.21%

LAB 30.22, -2.13, 28.42

 

CMYK 69 / 0 / 68 / 68

HEX #19511A

RGB 25 81 26

HSL 121.07, 0.53%, 0.21%

LAB 29.83, -30.72, 26.41

 

CMYK 69 / 57 / 0 / 68

HEX #192351

RGB 25 35 81

HSL 229.29, 0.53%, 0.21%

LAB 15.5, 12.66, -29.59

 

CMYK 0 / 69 / 1 / 68

HEX #511950

RGB 81 25 80

HSL 301.07, 0.53%, 0.21%

LAB 20.14, 33.91, -21.11

 

CMYK 0 / 12 / 69 / 68

HEX #514719

RGB 81 71 25

HSL 49.29, 0.53%, 0.21%

LAB 30.22, -2.13, 28.42

 

CMYK 69 / 0 / 47 / 68

HEX #19512B

RGB 25 81 43

HSL 139.29, 0.53%, 0.21%

LAB 30.07, -27.93, 17.11

 

CMYK 69 / 57 / 0 / 68

HEX #192351

RGB 25 35 81

HSL 229.29, 0.53%, 0.21%

LAB 15.5, 12.66, -29.59

 

CMYK 0 / 69 / 22 / 68

HEX #51193F

RGB 81 25 63

HSL 319.29, 0.53%, 0.21%

LAB 19.24, 30.82, -10.86

 

Description

Color code: HEX #514719 | qconv.com Color code: HEX #514719 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 71 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 71 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 69 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 69% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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