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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 20 / 0 / 10 it is the complementary color CMYK 0 / 12 / 69 / 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 20 / 0 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 20 / 0 / 10: CMYK 20 / 18 / 0 / 12, CMYK 20 / 17 / 0 / 4, CMYK 16 / 14 / 0 / 0, CMYK 10 / 7 / 0 / 0 and CMYK 3 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 20 / 0 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 20 / 0 / 10: CMYK 24 / 20 / 0 / 10, CMYK 26 / 21 / 0 / 17, CMYK 27 / 23 / 0 / 25, CMYK 29 / 25 / 0 / 32 and CMYK 31 / 27 / 0 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 20 / 0 / 10

HEX #AEB8E6

RGB 174 184 230

HSL 229.29, 0.53%, 0.79%

LAB 75.45, 6.42, -24.11

 

Complementary color

CMYK 0 / 12 / 69 / 68

HEX #514719

RGB 81 71 25

HSL 49.29, 0.53%, 0.21%

LAB 30.22, -2.13, 28.42

 

CMYK 20 / 18 / 0 / 12

HEX #B3B8E1

RGB 179 184 225

HSL 233.48, 0.43%, 0.79%

LAB 75.64, 6.8, -21.07

 

CMYK 20 / 17 / 0 / 4

HEX #C4CAF4

RGB 196 202 244

HSL 232.5, 0.69%, 0.86%

LAB 82.11, 6.52, -21.34

 

CMYK 16 / 14 / 0 / 0

HEX #D5DCFF

RGB 213 220 255

HSL 230, 1%, 0.92%

LAB 88.23, 4.57, -17.8

 

CMYK 10 / 7 / 0 / 0

HEX #E6EEFF

RGB 230 238 255

HSL 220.8, 1%, 0.95%

LAB 93.97, 0.56, -9.1

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 24 / 20 / 0 / 10

HEX #AEB8E6

RGB 174 184 230

HSL 229.29, 0.53%, 0.79%

LAB 75.45, 6.42, -24.11

 

CMYK 26 / 21 / 0 / 17

HEX #9DA6D3

RGB 157 166 211

HSL 230, 0.38%, 0.72%

LAB 68.86, 6.74, -23.9

 

CMYK 27 / 23 / 0 / 25

HEX #8C94C0

RGB 140 148 192

HSL 230.77, 0.29%, 0.65%

LAB 62.14, 7.09, -23.73

 

CMYK 29 / 25 / 0 / 32

HEX #7B82AD

RGB 123 130 173

HSL 231.6, 0.23%, 0.58%

LAB 55.27, 7.48, -23.58

 

CMYK 31 / 27 / 0 / 40

HEX #6A709A

RGB 106 112 154

HSL 232.5, 0.19%, 0.51%

LAB 48.24, 7.93, -23.48

 

CMYK 24 / 20 / 0 / 10

HEX #AEB8E6

RGB 174 184 230

HSL 229.29, 0.53%, 0.79%

LAB 75.45, 6.42, -24.11

 

CMYK 24 / 24 / 0 / 10

HEX #ADAEE5

RGB 173 174 229

HSL 238.93, 0.52%, 0.79%

LAB 72.77, 11.39, -27.67

 

CMYK 21 / 24 / 0 / 10

HEX #B5ADE5

RGB 181 173 229

HSL 248.57, 0.52%, 0.79%

LAB 73.13, 14.37, -27.05

 

CMYK 17 / 24 / 0 / 10

HEX #BFADE5

RGB 191 173 229

HSL 259.29, 0.52%, 0.79%

LAB 73.95, 17.46, -25.74

 

CMYK 13 / 24 / 0 / 10

HEX #C8ADE5

RGB 200 173 229

HSL 268.93, 0.52%, 0.79%

LAB 74.71, 20.29, -24.5

 

CMYK 24 / 20 / 0 / 10

HEX #AEB8E6

RGB 174 184 230

HSL 229.29, 0.53%, 0.79%

LAB 75.45, 6.42, -24.11

 

CMYK 23 / 19 / 0 / 90

HEX #14151A

RGB 20 21 26

HSL 230, 0.13%, 0.09%

LAB 6.86, 0.86, -3.62

 

CMYK 25 / 19 / 0 / 70

HEX #3A3E4D

RGB 58 62 77

HSL 227.37, 0.14%, 0.26%

LAB 26.39, 2.18, -9.65

 

CMYK 24 / 20 / 0 / 50

HEX #616680

RGB 97 102 128

HSL 230.32, 0.14%, 0.44%

LAB 43.66, 4.23, -15.09

 

CMYK 25 / 20 / 0 / 30

HEX #878FB3

RGB 135 143 179

HSL 229.09, 0.22%, 0.62%

LAB 59.93, 5.19, -19.79

 

CMYK 24 / 20 / 0 / 10

HEX #AEB8E6

RGB 174 184 230

HSL 229.29, 0.53%, 0.79%

LAB 75.45, 6.42, -24.11

 

CMYK 0 / 24 / 0 / 10

HEX #E5ADE4

RGB 229 173 228

HSL 301.07, 0.52%, 0.79%

LAB 77.37, 29.45, -19.67

 

CMYK 10 / 0 / 24 / 10

HEX #CEE5AD

RGB 206 229 173

HSL 84.64, 0.52%, 0.79%

LAB 88.05, -17.18, 24.85

 

CMYK 24 / 20 / 0 / 10

HEX #AEB8E6

RGB 174 184 230

HSL 229.29, 0.53%, 0.79%

LAB 75.45, 6.42, -24.11

 

CMYK 0 / 24 / 20 / 10

HEX #E5ADB7

RGB 229 173 183

HSL 349.29, 0.52%, 0.79%

LAB 76.05, 21.92, 2.87

 

CMYK 20 / 0 / 24 / 10

HEX #B7E5AD

RGB 183 229 173

HSL 109.29, 0.52%, 0.79%

LAB 86.56, -25.21, 22.56

 

CMYK 24 / 20 / 0 / 10

HEX #AEB8E6

RGB 174 184 230

HSL 229.29, 0.53%, 0.79%

LAB 75.45, 6.42, -24.11

 

CMYK 0 / 24 / 0 / 10

HEX #E5ADE4

RGB 229 173 228

HSL 301.07, 0.52%, 0.79%

LAB 77.37, 29.45, -19.67

 

CMYK 0 / 4 / 24 / 10

HEX #E5DBAD

RGB 229 219 173

HSL 49.29, 0.52%, 0.79%

LAB 87.16, -3.73, 23.9

 

CMYK 24 / 0 / 24 / 10

HEX #ADE5AE

RGB 173 229 174

HSL 121.07, 0.52%, 0.79%

LAB 86, -28.37, 21.17

 

CMYK 24 / 20 / 0 / 10

HEX #AEB8E6

RGB 174 184 230

HSL 229.29, 0.53%, 0.79%

LAB 75.45, 6.42, -24.11

 

CMYK 0 / 24 / 8 / 10

HEX #E5ADD3

RGB 229 173 211

HSL 319.29, 0.52%, 0.79%

LAB 76.83, 26.43, -11.25

 

CMYK 0 / 4 / 24 / 10

HEX #E5DBAD

RGB 229 219 173

HSL 49.29, 0.52%, 0.79%

LAB 87.16, -3.73, 23.9

 

CMYK 24 / 0 / 17 / 10

HEX #ADE5BF

RGB 173 229 191

HSL 139.29, 0.52%, 0.79%

LAB 86.35, -25.37, 12.8

 

Description

Color code: CMYK 24 / 20 / 0 / 10 | qconv.com Color code: CMYK 24 / 20 / 0 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 184 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 184 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 20 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 20% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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