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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #506F39 it is the complementary color #AF90C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #506F39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #506F39: #556F34, #668147, #77935A, #88A56D and #99B780

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #506F39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #506F39: #506F39, #3F5D26, #2E4B13, #1D3900 and #0C2700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 49 / 56

HEX #506F39

RGB 80 111 57

HSL 94.44, 0.32%, 0.33%

LAB 43.32, -21.76, 26.42

 

Complementary color

CMYK 12 / 27 / 0 / 22

HEX #AF90C6

RGB 175 144 198

HSL 274.44, 0.32%, 0.67%

LAB 64.27, 21.84, -23.56

 

CMYK 23 / 0 / 53 / 56

HEX #556F34

RGB 85 111 52

HSL 86.44, 0.36%, 0.32%

LAB 43.58, -20.36, 29.54

 

CMYK 21 / 0 / 45 / 49

HEX #668147

RGB 102 129 71

HSL 87.93, 0.29%, 0.39%

LAB 50.66, -20.38, 28.26

 

CMYK 19 / 0 / 39 / 42

HEX #77935A

RGB 119 147 90

HSL 89.47, 0.24%, 0.46%

LAB 57.59, -20.35, 27.02

 

CMYK 18 / 0 / 34 / 35

HEX #88A56D

RGB 136 165 109

HSL 91.07, 0.24%, 0.54%

LAB 64.36, -20.28, 25.83

 

CMYK 16 / 0 / 30 / 28

HEX #99B780

RGB 153 183 128

HSL 92.73, 0.28%, 0.61%

LAB 71.01, -20.21, 24.71

 

CMYK 28 / 0 / 49 / 56

HEX #506F39

RGB 80 111 57

HSL 94.44, 0.32%, 0.33%

LAB 43.32, -21.76, 26.42

 

CMYK 32 / 0 / 59 / 64

HEX #3F5D26

RGB 63 93 38

HSL 92.73, 0.42%, 0.26%

LAB 36.03, -21.78, 27.72

 

CMYK 39 / 0 / 75 / 71

HEX #2E4B13

RGB 46 75 19

HSL 91.07, 0.6%, 0.18%

LAB 28.54, -21.6, 28.73

 

CMYK 49 / 0 / 100 / 78

HEX #1D3900

RGB 29 57 0

HSL 89.47, 1%, 0.11%

LAB 20.78, -21.19, 28.51

 

CMYK 69 / 0 / 100 / 85

HEX #0C2700

RGB 12 39 0

HSL 101.54, 1%, 0.08%

LAB 12.79, -19.23, 18.5

 

CMYK 28 / 0 / 49 / 56

HEX #506F39

RGB 80 111 57

HSL 94.44, 0.32%, 0.33%

LAB 43.32, -21.76, 26.42

 

CMYK 36 / 0 / 49 / 56

HEX #476F39

RGB 71 111 57

HSL 104.44, 0.32%, 0.33%

LAB 42.77, -25.24, 25.62

 

CMYK 44 / 0 / 49 / 56

HEX #3E6F39

RGB 62 111 57

HSL 114.44, 0.32%, 0.33%

LAB 42.29, -28.45, 24.92

 

CMYK 49 / 0 / 46 / 56

HEX #396F3C

RGB 57 111 60

HSL 123.33, 0.32%, 0.33%

LAB 42.1, -29.61, 22.95

 

CMYK 49 / 0 / 38 / 56

HEX #396F45

RGB 57 111 69

HSL 133.33, 0.32%, 0.33%

LAB 42.26, -28, 17.99

 

CMYK 28 / 0 / 49 / 56

HEX #506F39

RGB 80 111 57

HSL 94.44, 0.32%, 0.33%

LAB 43.32, -21.76, 26.42

 

CMYK 28 / 0 / 49 / 36

HEX #75A253

RGB 117 162 83

HSL 94.18, 0.32%, 0.48%

LAB 61.87, -29.49, 36.1

 

CMYK 28 / 0 / 49 / 16

HEX #9AD56D

RGB 154 213 109

HSL 94.04, 0.55%, 0.63%

LAB 79.36, -36.73, 45.15

 

CMYK 33 / 0 / 44 / 96

HEX #060905

RGB 6 9 5

HSL 105, 0.29%, 0.03%

LAB 2.21, -1.34, 1.24

 

CMYK 28 / 0 / 48 / 76

HEX #2B3C1F

RGB 43 60 31

HSL 95.17, 0.32%, 0.18%

LAB 23.15, -13.24, 15.74

 

CMYK 28 / 0 / 49 / 56

HEX #506F39

RGB 80 111 57

HSL 94.44, 0.32%, 0.33%

LAB 43.32, -21.76, 26.42

 

CMYK 49 / 0 / 12 / 56

HEX #396F62

RGB 57 111 98

HSL 165.56, 0.32%, 0.33%

LAB 42.94, -21.41, 1.7

 

CMYK 0 / 49 / 8 / 56

HEX #6F3966

RGB 111 57 102

HSL 310, 0.32%, 0.33%

LAB 32.4, 30.65, -16.09

 

CMYK 28 / 0 / 49 / 56

HEX #506F39

RGB 80 111 57

HSL 94.44, 0.32%, 0.33%

LAB 43.32, -21.76, 26.42

 

CMYK 49 / 28 / 0 / 56

HEX #39506F

RGB 57 80 111

HSL 214.44, 0.32%, 0.33%

LAB 33.47, 0.52, -20.57

 

CMYK 0 / 49 / 28 / 56

HEX #6F3950

RGB 111 57 80

HSL 334.44, 0.32%, 0.33%

LAB 31.54, 26.84, -3.23

 

CMYK 28 / 0 / 49 / 56

HEX #506F39

RGB 80 111 57

HSL 94.44, 0.32%, 0.33%

LAB 43.32, -21.76, 26.42

 

CMYK 49 / 0 / 12 / 56

HEX #396F62

RGB 57 111 98

HSL 165.56, 0.32%, 0.33%

LAB 42.94, -21.41, 1.7

 

CMYK 22 / 49 / 0 / 56

HEX #57396F

RGB 87 57 111

HSL 273.33, 0.32%, 0.33%

LAB 29.66, 24.67, -26.33

 

CMYK 0 / 49 / 38 / 56

HEX #6F3945

RGB 111 57 69

HSL 346.67, 0.32%, 0.33%

LAB 31.2, 25.24, 3.41

 

CMYK 28 / 0 / 49 / 56

HEX #506F39

RGB 80 111 57

HSL 94.44, 0.32%, 0.33%

LAB 43.32, -21.76, 26.42

 

CMYK 49 / 4 / 0 / 56

HEX #396B6F

RGB 57 107 111

HSL 184.44, 0.32%, 0.33%

LAB 42.05, -15.65, -7.48

 

CMYK 22 / 49 / 0 / 56

HEX #57396F

RGB 87 57 111

HSL 273.33, 0.32%, 0.33%

LAB 29.66, 24.67, -26.33

 

CMYK 0 / 46 / 49 / 56

HEX #6F3C39

RGB 111 60 57

HSL 3.33, 0.32%, 0.33%

LAB 31.59, 21.99, 11.73

 

Description

Color code: HEX #506F39 | qconv.com Color code: HEX #506F39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 111 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 111 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 49 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 49% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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