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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 49 / 4 / 0 / 56 it is the complementary color CMYK 0 / 26 / 28 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 49 / 4 / 0 / 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 49 / 4 / 0 / 56: CMYK 43 / 0 / 1 / 58, CMYK 37 / 0 / 0 / 51, CMYK 34 / 1 / 0 / 43, CMYK 31 / 1 / 0 / 36 and CMYK 29 / 2 / 0 / 28

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 49 / 4 / 0 / 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 49 / 4 / 0 / 56: CMYK 49 / 4 / 0 / 56, CMYK 57 / 3 / 0 / 64, CMYK 69 / 3 / 0 / 71, CMYK 89 / 2 / 0 / 78 and CMYK 100 / 0 / 0 / 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 4 / 0 / 56

HEX #396C70

RGB 57 108 112

HSL 184.36, 0.33%, 0.33%

LAB 42.41, -15.91, -7.55

 

Complementary color

CMYK 0 / 26 / 28 / 22

HEX #C6938F

RGB 198 147 143

HSL 4.36, 0.33%, 0.67%

LAB 65.64, 18.65, 9.64

 

CMYK 43 / 0 / 1 / 58

HEX #3E6C6B

RGB 62 108 107

HSL 178.7, 0.27%, 0.33%

LAB 42.48, -15.99, -4.4

 

CMYK 37 / 0 / 0 / 51

HEX #4F7E7E

RGB 79 126 126

HSL 180, 0.23%, 0.4%

LAB 49.61, -15.92, -5.07

 

CMYK 34 / 1 / 0 / 43

HEX #609091

RGB 96 144 145

HSL 181.22, 0.2%, 0.47%

LAB 56.56, -15.83, -5.7

 

CMYK 31 / 1 / 0 / 36

HEX #71A2A4

RGB 113 162 164

HSL 182.35, 0.22%, 0.54%

LAB 63.37, -15.75, -6.29

 

CMYK 29 / 2 / 0 / 28

HEX #82B4B7

RGB 130 180 183

HSL 183.4, 0.27%, 0.61%

LAB 70.04, -15.67, -6.85

 

CMYK 49 / 4 / 0 / 56

HEX #396C70

RGB 57 108 112

HSL 184.36, 0.33%, 0.33%

LAB 42.41, -15.91, -7.55

 

CMYK 57 / 3 / 0 / 64

HEX #285A5D

RGB 40 90 93

HSL 183.4, 0.4%, 0.26%

LAB 35.11, -15.76, -6.86

 

CMYK 69 / 3 / 0 / 71

HEX #17484A

RGB 23 72 74

HSL 182.35, 0.53%, 0.19%

LAB 27.6, -15.39, -6.06

 

CMYK 89 / 2 / 0 / 78

HEX #063637

RGB 6 54 55

HSL 181.22, 0.8%, 0.12%

LAB 19.85, -14.6, -5.08

 

CMYK 100 / 0 / 0 / 86

HEX #002424

RGB 0 36 36

HSL 180, 1%, 0.07%

LAB 11.89, -12.52, -3.68

 

CMYK 49 / 4 / 0 / 56

HEX #396C70

RGB 57 108 112

HSL 184.36, 0.33%, 0.33%

LAB 42.41, -15.91, -7.55

 

CMYK 50 / 12 / 0 / 56

HEX #38626F

RGB 56 98 111

HSL 194.18, 0.33%, 0.33%

LAB 39.11, -10.77, -11.91

 

CMYK 50 / 20 / 0 / 56

HEX #38596F

RGB 56 89 111

HSL 204, 0.33%, 0.33%

LAB 36.24, -5.39, -16.29

 

CMYK 50 / 28 / 0 / 56

HEX #38506F

RGB 56 80 111

HSL 213.82, 0.33%, 0.33%

LAB 33.41, 0.25, -20.67

 

CMYK 50 / 36 / 0 / 56

HEX #38476F

RGB 56 71 111

HSL 223.64, 0.33%, 0.33%

LAB 30.63, 6.11, -25.01

 

CMYK 49 / 4 / 0 / 56

HEX #396C70

RGB 57 108 112

HSL 184.36, 0.33%, 0.33%

LAB 42.41, -15.91, -7.55

 

CMYK 49 / 4 / 0 / 36

HEX #539DA3

RGB 83 157 163

HSL 184.5, 0.33%, 0.48%

LAB 60.42, -21.33, -10.27

 

CMYK 49 / 4 / 0 / 16

HEX #6DCED6

RGB 109 206 214

HSL 184.57, 0.56%, 0.63%

LAB 77.43, -26.42, -12.81

 

CMYK 50 / 0 / 0 / 96

HEX #050A0A

RGB 5 10 10

HSL 180, 0.33%, 0.03%

LAB 2.45, -1.31, -0.46

 

CMYK 49 / 3 / 0 / 76

HEX #1F3B3D

RGB 31 59 61

HSL 184, 0.33%, 0.18%

LAB 22.85, -9.94, -4.56

 

CMYK 49 / 4 / 0 / 56

HEX #396C70

RGB 57 108 112

HSL 184.36, 0.33%, 0.33%

LAB 42.41, -15.91, -7.55

 

CMYK 36 / 50 / 0 / 56

HEX #47386F

RGB 71 56 111

HSL 256.36, 0.33%, 0.33%

LAB 27.62, 20.4, -29.68

 

CMYK 0 / 16 / 50 / 56

HEX #6F5D38

RGB 111 93 56

HSL 40.36, 0.33%, 0.33%

LAB 40.4, 1.91, 23.89

 

CMYK 49 / 4 / 0 / 56

HEX #396C70

RGB 57 108 112

HSL 184.36, 0.33%, 0.33%

LAB 42.41, -15.91, -7.55

 

CMYK 0 / 50 / 3 / 56

HEX #6F386C

RGB 111 56 108

HSL 303.27, 0.33%, 0.33%

LAB 32.46, 32.37, -19.82

 

CMYK 3 / 0 / 50 / 56

HEX #6C6F38

RGB 108 111 56

HSL 63.27, 0.33%, 0.33%

LAB 45.42, -9.9, 30.03

 

CMYK 49 / 4 / 0 / 56

HEX #396C70

RGB 57 108 112

HSL 184.36, 0.33%, 0.33%

LAB 42.41, -15.91, -7.55

 

CMYK 36 / 50 / 0 / 56

HEX #47386F

RGB 71 56 111

HSL 256.36, 0.33%, 0.33%

LAB 27.62, 20.4, -29.68

 

CMYK 0 / 46 / 50 / 56

HEX #6F3C38

RGB 111 60 56

HSL 4.36, 0.33%, 0.33%

LAB 31.57, 21.88, 12.34

 

CMYK 13 / 0 / 50 / 56

HEX #616F38

RGB 97 111 56

HSL 75.27, 0.33%, 0.33%

LAB 44.51, -14.77, 28.72

 

CMYK 49 / 4 / 0 / 56

HEX #396C70

RGB 57 108 112

HSL 184.36, 0.33%, 0.33%

LAB 42.41, -15.91, -7.55

 

CMYK 22 / 50 / 0 / 56

HEX #57386F

RGB 87 56 111

HSL 273.82, 0.33%, 0.33%

LAB 29.42, 25.29, -26.71

 

CMYK 0 / 46 / 50 / 56

HEX #6F3C38

RGB 111 60 56

HSL 4.36, 0.33%, 0.33%

LAB 31.57, 21.88, 12.34

 

CMYK 28 / 0 / 50 / 56

HEX #506F38

RGB 80 111 56

HSL 93.82, 0.33%, 0.33%

LAB 43.3, -21.9, 26.95

 

Description

Color code: CMYK 49 / 4 / 0 / 56 | qconv.com Color code: CMYK 49 / 4 / 0 / 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 108 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 108 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 4 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 4% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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