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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 57 102 it is the complementary color RGB 144 198 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 57 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 111 57 102: RGB 116 57 97, RGB 133 75 116, RGB 150 93 135, RGB 167 111 154 and RGB 184 129 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 57 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 111 57 102: RGB 111 57 102, RGB 94 39 83, RGB 77 21 64, RGB 60 3 45 and RGB 43 0 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 8 / 56

HEX #6F3966

RGB 111 57 102

HSL 310, 0.32%, 0.33%

LAB 32.4, 30.65, -16.09

 

Complementary color

CMYK 27 / 0 / 23 / 22

HEX #90C699

RGB 144 198 153

HSL 130, 0.32%, 0.67%

LAB 75.21, -26.62, 17.01

 

CMYK 0 / 51 / 16 / 55

HEX #743961

RGB 116 57 97

HSL 319.32, 0.34%, 0.34%

LAB 32.92, 31.47, -12.03

 

CMYK 0 / 44 / 13 / 48

HEX #854B74

RGB 133 75 116

HSL 317.59, 0.28%, 0.41%

LAB 40.05, 30.65, -12.91

 

CMYK 0 / 38 / 10 / 41

HEX #965D87

RGB 150 93 135

HSL 315.79, 0.23%, 0.48%

LAB 47.06, 29.83, -13.62

 

CMYK 0 / 34 / 8 / 35

HEX #A76F9A

RGB 167 111 154

HSL 313.93, 0.24%, 0.55%

LAB 53.94, 29.05, -14.24

 

CMYK 0 / 30 / 6 / 28

HEX #B881AD

RGB 184 129 173

HSL 312, 0.28%, 0.61%

LAB 60.7, 28.32, -14.79

 

CMYK 0 / 49 / 8 / 56

HEX #6F3966

RGB 111 57 102

HSL 310, 0.32%, 0.33%

LAB 32.4, 30.65, -16.09

 

CMYK 0 / 59 / 12 / 63

HEX #5E2753

RGB 94 39 83

HSL 312, 0.41%, 0.26%

LAB 25.12, 31.36, -15.17

 

CMYK 0 / 73 / 17 / 70

HEX #4D1540

RGB 77 21 64

HSL 313.93, 0.57%, 0.19%

LAB 17.85, 31.63, -13.76

 

CMYK 0 / 95 / 25 / 76

HEX #3C032D

RGB 60 3 45

HSL 315.79, 0.9%, 0.12%

LAB 10.67, 31.11, -11.55

 

CMYK 0 / 100 / 40 / 83

HEX #2B001A

RGB 43 0 26

HSL 323.72, 1%, 0.08%

LAB 5.31, 24, -5.53

 

CMYK 0 / 49 / 8 / 56

HEX #6F3966

RGB 111 57 102

HSL 310, 0.32%, 0.33%

LAB 32.4, 30.65, -16.09

 

CMYK 0 / 49 / 16 / 56

HEX #6F395D

RGB 111 57 93

HSL 320, 0.32%, 0.33%

LAB 32.02, 29, -10.9

 

CMYK 0 / 49 / 24 / 56

HEX #6F3954

RGB 111 57 84

HSL 330, 0.32%, 0.33%

LAB 31.68, 27.47, -5.62

 

CMYK 0 / 49 / 32 / 56

HEX #6F394B

RGB 111 57 75

HSL 340, 0.32%, 0.33%

LAB 31.38, 26.09, -0.23

 

CMYK 0 / 49 / 41 / 56

HEX #6F3942

RGB 111 57 66

HSL 350, 0.32%, 0.33%

LAB 31.11, 24.85, 5.23

 

CMYK 0 / 49 / 8 / 56

HEX #6F3966

RGB 111 57 102

HSL 310, 0.32%, 0.33%

LAB 32.4, 30.65, -16.09

 

CMYK 0 / 49 / 8 / 36

HEX #A25395

RGB 162 83 149

HSL 309.87, 0.32%, 0.48%

LAB 47.02, 41.8, -21.91

 

CMYK 0 / 49 / 8 / 16

HEX #D56DC4

RGB 213 109 196

HSL 309.81, 0.55%, 0.63%

LAB 60.84, 52.24, -27.35

 

CMYK 0 / 44 / 11 / 96

HEX #090508

RGB 9 5 8

HSL 315, 0.29%, 0.03%

LAB 1.66, 1.46, -0.77

 

CMYK 0 / 48 / 8 / 76

HEX #3C1F37

RGB 60 31 55

HSL 310.34, 0.32%, 0.18%

LAB 16.58, 18.32, -9.64

 

CMYK 0 / 49 / 8 / 56

HEX #6F3966

RGB 111 57 102

HSL 310, 0.32%, 0.33%

LAB 32.4, 30.65, -16.09

 

CMYK 0 / 32 / 49 / 56

HEX #6F4C39

RGB 111 76 57

HSL 21.11, 0.32%, 0.33%

LAB 35.68, 12.32, 17.21

 

CMYK 49 / 0 / 12 / 56

HEX #396F62

RGB 57 111 98

HSL 165.56, 0.32%, 0.33%

LAB 42.94, -21.41, 1.7

 

CMYK 0 / 49 / 8 / 56

HEX #6F3966

RGB 111 57 102

HSL 310, 0.32%, 0.33%

LAB 32.4, 30.65, -16.09

 

CMYK 8 / 0 / 49 / 56

HEX #666F39

RGB 102 111 57

HSL 70, 0.32%, 0.33%

LAB 44.93, -12.46, 28.77

 

CMYK 49 / 8 / 0 / 56

HEX #39666F

RGB 57 102 111

HSL 190, 0.32%, 0.33%

LAB 40.44, -12.82, -9.89

 

CMYK 0 / 49 / 8 / 56

HEX #6F3966

RGB 111 57 102

HSL 310, 0.32%, 0.33%

LAB 32.4, 30.65, -16.09

 

CMYK 0 / 32 / 49 / 56

HEX #6F4C39

RGB 111 76 57

HSL 21.11, 0.32%, 0.33%

LAB 35.68, 12.32, 17.21

 

CMYK 49 / 0 / 41 / 56

HEX #396F42

RGB 57 111 66

HSL 130, 0.32%, 0.33%

LAB 42.2, -28.56, 19.65

 

CMYK 49 / 18 / 0 / 56

HEX #395B6F

RGB 57 91 111

HSL 202.22, 0.32%, 0.33%

LAB 36.93, -6.34, -15.23

 

CMYK 0 / 49 / 8 / 56

HEX #6F3966

RGB 111 57 102

HSL 310, 0.32%, 0.33%

LAB 32.4, 30.65, -16.09

 

CMYK 0 / 16 / 49 / 56

HEX #6F5D39

RGB 111 93 57

HSL 40, 0.32%, 0.33%

LAB 40.42, 2.02, 23.33

 

CMYK 49 / 0 / 41 / 56

HEX #396F42

RGB 57 111 66

HSL 130, 0.32%, 0.33%

LAB 42.2, -28.56, 19.65

 

CMYK 49 / 32 / 0 / 56

HEX #394B6F

RGB 57 75 111

HSL 220, 0.32%, 0.33%

LAB 31.92, 3.76, -22.98

 

Description

Color code: RGB 111 57 102 | qconv.com Color code: RGB 111 57 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 57 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 57 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 8 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 8% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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