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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EACD7 it is the complementary color #B15328. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EACD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4EACD7: #53ACD2, #64BEE5, #75D0F8, #86E2FF and #97F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EACD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4EACD7: #4EACD7, #3D9AC4, #2C88B1, #1B769E and #0A648B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 20 / 0 / 16

HEX #4EACD7

RGB 78 172 215

HSL 198.83, 0.63%, 0.57%

LAB 66.54, -14.75, -30.01

 

Complementary color

CMYK 0 / 53 / 77 / 31

HEX #B15328

RGB 177 83 40

HSL 18.83, 0.63%, 0.43%

LAB 46.56, 35.5, 41.96

 

CMYK 60 / 18 / 0 / 18

HEX #53ACD2

RGB 83 172 210

HSL 197.95, 0.59%, 0.57%

LAB 66.52, -15.43, -27.28

 

CMYK 56 / 17 / 0 / 10

HEX #64BEE5

RGB 100 190 229

HSL 198.14, 0.71%, 0.65%

LAB 73.02, -15.97, -27.63

 

CMYK 53 / 16 / 0 / 3

HEX #75D0F8

RGB 117 208 248

HSL 198.32, 0.9%, 0.72%

LAB 79.43, -16.39, -27.97

 

CMYK 47 / 11 / 0 / 0

HEX #86E2FF

RGB 134 226 255

HSL 194.38, 1%, 0.76%

LAB 85.34, -19.97, -22.6

 

CMYK 41 / 4 / 0 / 0

HEX #97F4FF

RGB 151 244 255

HSL 186.35, 1%, 0.8%

LAB 91.01, -24.91, -13.99

 

CMYK 64 / 20 / 0 / 16

HEX #4EACD7

RGB 78 172 215

HSL 198.83, 0.63%, 0.57%

LAB 66.54, -14.75, -30.01

 

CMYK 69 / 21 / 0 / 23

HEX #3D9AC4

RGB 61 154 196

HSL 198.67, 0.53%, 0.5%

LAB 59.97, -13.88, -29.65

 

CMYK 75 / 23 / 0 / 31

HEX #2C88B1

RGB 44 136 177

HSL 198.5, 0.6%, 0.43%

LAB 53.3, -12.74, -29.25

 

CMYK 83 / 25 / 0 / 38

HEX #1B769E

RGB 27 118 158

HSL 198.32, 0.71%, 0.36%

LAB 46.52, -11.21, -28.79

 

CMYK 93 / 28 / 0 / 45

HEX #0A648B

RGB 10 100 139

HSL 198.14, 0.87%, 0.29%

LAB 39.65, -9.13, -28.23

 

CMYK 64 / 20 / 0 / 16

HEX #4EACD7

RGB 78 172 215

HSL 198.83, 0.63%, 0.57%

LAB 66.54, -14.75, -30.01

 

CMYK 64 / 30 / 0 / 16

HEX #4C95D6

RGB 76 149 214

HSL 208.26, 0.63%, 0.57%

LAB 59.79, -2.65, -39.98

 

CMYK 64 / 41 / 0 / 16

HEX #4C7ED6

RGB 76 126 214

HSL 218.26, 0.63%, 0.57%

LAB 53.29, 11, -50.26

 

CMYK 64 / 52 / 0 / 16

HEX #4C67D6

RGB 76 103 214

HSL 228.26, 0.63%, 0.57%

LAB 47.1, 25.28, -60.2

 

CMYK 64 / 63 / 0 / 16

HEX #4C50D6

RGB 76 80 214

HSL 238.26, 0.63%, 0.57%

LAB 41.42, 39.56, -69.41

 

CMYK 64 / 20 / 0 / 16

HEX #4EACD7

RGB 78 172 215

HSL 198.83, 0.63%, 0.57%

LAB 66.54, -14.75, -30.01

 

CMYK 64 / 18 / 0 / 96

HEX #04090B

RGB 4 9 11

HSL 197.14, 0.47%, 0.03%

LAB 2.22, -1.03, -1.23

 

CMYK 65 / 19 / 0 / 76

HEX #16323E

RGB 22 50 62

HSL 198, 0.48%, 0.16%

LAB 19.22, -6.35, -10.77

 

CMYK 64 / 20 / 0 / 56

HEX #295A71

RGB 41 90 113

HSL 199.17, 0.47%, 0.3%

LAB 35.94, -8.92, -18.06

 

CMYK 64 / 20 / 0 / 36

HEX #3B83A4

RGB 59 131 164

HSL 198.86, 0.47%, 0.44%

LAB 51.66, -12.03, -24.25

 

CMYK 64 / 20 / 0 / 16

HEX #4EACD7

RGB 78 172 215

HSL 198.83, 0.63%, 0.57%

LAB 66.54, -14.75, -30.01

 

CMYK 32 / 64 / 0 / 16

HEX #914CD6

RGB 145 76 214

HSL 270, 0.63%, 0.57%

LAB 47.03, 54.54, -60.01

 

CMYK 0 / 7 / 64 / 16

HEX #D6C84C

RGB 214 200 76

HSL 53.91, 0.63%, 0.57%

LAB 79.69, -9.65, 61.56

 

CMYK 64 / 20 / 0 / 16

HEX #4EACD7

RGB 78 172 215

HSL 198.83, 0.63%, 0.57%

LAB 66.54, -14.75, -30.01

 

CMYK 0 / 64 / 20 / 16

HEX #D64CAC

RGB 214 76 172

HSL 318.26, 0.63%, 0.57%

LAB 54.49, 63.72, -23.32

 

CMYK 20 / 0 / 64 / 16

HEX #ACD64C

RGB 172 214 76

HSL 78.26, 0.63%, 0.57%

LAB 80.4, -33.56, 61.37

 

CMYK 64 / 20 / 0 / 16

HEX #4EACD7

RGB 78 172 215

HSL 198.83, 0.63%, 0.57%

LAB 66.54, -14.75, -30.01

 

CMYK 32 / 64 / 0 / 16

HEX #914CD6

RGB 145 76 214

HSL 270, 0.63%, 0.57%

LAB 47.03, 54.54, -60.01

 

CMYK 0 / 45 / 64 / 16

HEX #D6754C

RGB 214 117 76

HSL 17.83, 0.63%, 0.57%

LAB 59.47, 34.43, 39.03

 

CMYK 32 / 0 / 64 / 16

HEX #91D64C

RGB 145 214 76

HSL 90, 0.63%, 0.57%

LAB 78.83, -43.58, 59.23

 

CMYK 64 / 20 / 0 / 16

HEX #4EACD7

RGB 78 172 215

HSL 198.83, 0.63%, 0.57%

LAB 66.54, -14.75, -30.01

 

CMYK 13 / 64 / 0 / 16

HEX #BA4CD6

RGB 186 76 214

HSL 287.83, 0.63%, 0.57%

LAB 52.36, 63.64, -51.17

 

CMYK 0 / 45 / 64 / 16

HEX #D6754C

RGB 214 117 76

HSL 17.83, 0.63%, 0.57%

LAB 59.47, 34.43, 39.03

 

CMYK 52 / 0 / 64 / 16

HEX #67D64C

RGB 103 214 76

HSL 108.26, 0.63%, 0.57%

LAB 76.98, -56.81, 56.68

 

Description

Color code: HEX #4EACD7 | qconv.com Color code: HEX #4EACD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 172 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 172 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 20 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 20% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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