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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 64 / 20 / 0 / 36 it is the complementary color CMYK 0 / 37 / 53 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 64 / 20 / 0 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 64 / 20 / 0 / 36: CMYK 59 / 17 / 0 / 38, CMYK 54 / 16 / 0 / 31, CMYK 50 / 15 / 0 / 23, CMYK 47 / 14 / 0 / 16 and CMYK 44 / 13 / 0 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 64 / 20 / 0 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 64 / 20 / 0 / 36: CMYK 64 / 20 / 0 / 36, CMYK 71 / 22 / 0 / 44, CMYK 80 / 24 / 0 / 51, CMYK 92 / 27 / 0 / 58 and CMYK 100 / 32 / 0 / 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 20 / 0 / 36

HEX #3B83A3

RGB 59 131 163

HSL 198.46, 0.47%, 0.44%

LAB 51.62, -12.36, -23.74

 

Complementary color

CMYK 0 / 37 / 53 / 23

HEX #C47C5C

RGB 196 124 92

HSL 18.46, 0.47%, 0.56%

LAB 58.9, 24.63, 29.07

 

CMYK 59 / 17 / 0 / 38

HEX #40839E

RGB 64 131 158

HSL 197.23, 0.42%, 0.44%

LAB 51.6, -13.01, -20.85

 

CMYK 54 / 16 / 0 / 31

HEX #5195B1

RGB 81 149 177

HSL 197.5, 0.38%, 0.51%

LAB 58.43, -13.48, -21.23

 

CMYK 50 / 15 / 0 / 23

HEX #62A7C4

RGB 98 167 196

HSL 197.76, 0.45%, 0.58%

LAB 65.14, -13.82, -21.59

 

CMYK 47 / 14 / 0 / 16

HEX #73B9D7

RGB 115 185 215

HSL 198, 0.56%, 0.65%

LAB 71.72, -14.08, -21.94

 

CMYK 44 / 13 / 0 / 8

HEX #84CBEA

RGB 132 203 234

HSL 198.24, 0.71%, 0.72%

LAB 78.2, -14.27, -22.29

 

CMYK 64 / 20 / 0 / 36

HEX #3B83A3

RGB 59 131 163

HSL 198.46, 0.47%, 0.44%

LAB 51.62, -12.36, -23.74

 

CMYK 71 / 22 / 0 / 44

HEX #2A7190

RGB 42 113 144

HSL 198.24, 0.55%, 0.36%

LAB 44.68, -11.47, -23.34

 

CMYK 80 / 24 / 0 / 51

HEX #195F7D

RGB 25 95 125

HSL 198, 0.67%, 0.29%

LAB 37.61, -10.2, -22.89

 

CMYK 92 / 27 / 0 / 58

HEX #084D6A

RGB 8 77 106

HSL 197.76, 0.86%, 0.22%

LAB 30.4, -8.31, -22.34

 

CMYK 100 / 32 / 0 / 66

HEX #003B57

RGB 0 59 87

HSL 199.31, 1%, 0.17%

LAB 23.05, -5.48, -21.62

 

CMYK 64 / 20 / 0 / 36

HEX #3B83A3

RGB 59 131 163

HSL 198.46, 0.47%, 0.44%

LAB 51.62, -12.36, -23.74

 

CMYK 64 / 30 / 0 / 36

HEX #3B73A4

RGB 59 115 164

HSL 208, 0.47%, 0.44%

LAB 46.81, -2.72, -31.8

 

CMYK 64 / 40 / 0 / 36

HEX #3B62A4

RGB 59 98 164

HSL 217.71, 0.47%, 0.44%

LAB 41.76, 7.8, -39.76

 

CMYK 64 / 51 / 0 / 36

HEX #3B50A4

RGB 59 80 164

HSL 228, 0.47%, 0.44%

LAB 36.64, 19.47, -47.95

 

CMYK 64 / 62 / 0 / 36

HEX #3B3EA4

RGB 59 62 164

HSL 238.29, 0.47%, 0.44%

LAB 31.93, 31.21, -55.58

 

CMYK 64 / 20 / 0 / 36

HEX #3B83A3

RGB 59 131 163

HSL 198.46, 0.47%, 0.44%

LAB 51.62, -12.36, -23.74

 

CMYK 64 / 20 / 0 / 16

HEX #4DACD6

RGB 77 172 214

HSL 198.39, 0.63%, 0.57%

LAB 66.47, -15.24, -29.57

 

CMYK 60 / 20 / 0 / 96

HEX #04080A

RGB 4 8 10

HSL 200, 0.43%, 0.03%

LAB 2, -0.77, -1.13

 

CMYK 64 / 20 / 0 / 76

HEX #16313D

RGB 22 49 61

HSL 198.46, 0.47%, 0.16%

LAB 18.82, -6.05, -10.71

 

CMYK 63 / 20 / 0 / 56

HEX #295A70

RGB 41 90 112

HSL 198.59, 0.46%, 0.3%

LAB 35.89, -9.27, -17.5

 

CMYK 64 / 20 / 0 / 36

HEX #3B83A3

RGB 59 131 163

HSL 198.46, 0.47%, 0.44%

LAB 51.62, -12.36, -23.74

 

CMYK 32 / 64 / 0 / 36

HEX #703BA4

RGB 112 59 164

HSL 270.29, 0.47%, 0.44%

LAB 36.47, 43.73, -47.99

 

CMYK 0 / 6 / 64 / 36

HEX #A49A3B

RGB 164 154 59

HSL 54.29, 0.47%, 0.44%

LAB 62.78, -8.23, 49.6

 

CMYK 64 / 20 / 0 / 36

HEX #3B83A3

RGB 59 131 163

HSL 198.46, 0.47%, 0.44%

LAB 51.62, -12.36, -23.74

 

CMYK 0 / 64 / 19 / 36

HEX #A43B85

RGB 164 59 133

HSL 317.71, 0.47%, 0.44%

LAB 42.33, 51.37, -19.46

 

CMYK 19 / 0 / 64 / 36

HEX #85A43B

RGB 133 164 59

HSL 77.71, 0.47%, 0.44%

LAB 63.22, -26.6, 49.36

 

CMYK 64 / 20 / 0 / 36

HEX #3B83A3

RGB 59 131 163

HSL 198.46, 0.47%, 0.44%

LAB 51.62, -12.36, -23.74

 

CMYK 32 / 64 / 0 / 36

HEX #703BA4

RGB 112 59 164

HSL 270.29, 0.47%, 0.44%

LAB 36.47, 43.73, -47.99

 

CMYK 0 / 45 / 64 / 36

HEX #A45B3B

RGB 164 91 59

HSL 18.29, 0.47%, 0.44%

LAB 46.57, 26.92, 31.26

 

CMYK 32 / 0 / 64 / 36

HEX #70A43B

RGB 112 164 59

HSL 89.71, 0.47%, 0.44%

LAB 61.92, -34.82, 47.57

 

CMYK 64 / 20 / 0 / 36

HEX #3B83A3

RGB 59 131 163

HSL 198.46, 0.47%, 0.44%

LAB 51.62, -12.36, -23.74

 

CMYK 13 / 64 / 0 / 36

HEX #8F3BA4

RGB 143 59 164

HSL 288, 0.47%, 0.44%

LAB 40.65, 51.18, -41.05

 

CMYK 0 / 45 / 64 / 36

HEX #A45B3B

RGB 164 91 59

HSL 18.29, 0.47%, 0.44%

LAB 46.57, 26.92, 31.26

 

CMYK 51 / 0 / 64 / 36

HEX #50A43B

RGB 80 164 59

HSL 108, 0.47%, 0.44%

LAB 60.4, -45.56, 45.46

 

Description

Color code: CMYK 64 / 20 / 0 / 36 | qconv.com Color code: CMYK 64 / 20 / 0 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 131 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 131 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 20 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 20% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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