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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D78AA it is the complementary color #B28755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D78AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4D78AA: #5278A5, #638AB8, #749CCB, #85AEDE and #96C0F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D78AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4D78AA: #4D78AA, #3C6697, #2B5484, #1A4271 and #09305E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 29 / 0 / 33

HEX #4D78AA

RGB 77 120 170

HSL 212.26, 0.38%, 0.48%

LAB 49.39, 0.04, -31.2

 

Complementary color

CMYK 0 / 24 / 52 / 30

HEX #B28755

RGB 178 135 85

HSL 32.26, 0.38%, 0.52%

LAB 59.39, 10.36, 33.08

 

CMYK 50 / 27 / 0 / 35

HEX #5278A5

RGB 82 120 165

HSL 212.53, 0.34%, 0.48%

LAB 49.43, -0.37, -28.21

 

CMYK 46 / 25 / 0 / 28

HEX #638AB8

RGB 99 138 184

HSL 212.47, 0.37%, 0.55%

LAB 56.38, -0.91, -28.3

 

CMYK 43 / 23 / 0 / 20

HEX #749CCB

RGB 116 156 203

HSL 212.41, 0.46%, 0.63%

LAB 63.18, -1.35, -28.42

 

CMYK 40 / 22 / 0 / 13

HEX #85AEDE

RGB 133 174 222

HSL 212.36, 0.57%, 0.7%

LAB 69.85, -1.71, -28.56

 

CMYK 38 / 20 / 0 / 5

HEX #96C0F1

RGB 150 192 241

HSL 212.31, 0.76%, 0.77%

LAB 76.4, -2.02, -28.73

 

CMYK 55 / 29 / 0 / 33

HEX #4D78AA

RGB 77 120 170

HSL 212.26, 0.38%, 0.48%

LAB 49.39, 0.04, -31.2

 

CMYK 60 / 32 / 0 / 41

HEX #3C6697

RGB 60 102 151

HSL 212.31, 0.43%, 0.41%

LAB 42.3, 0.91, -31.17

 

CMYK 67 / 36 / 0 / 48

HEX #2B5484

RGB 43 84 132

HSL 212.36, 0.51%, 0.34%

LAB 35.04, 2.09, -31.17

 

CMYK 77 / 42 / 0 / 56

HEX #1A4271

RGB 26 66 113

HSL 212.41, 0.63%, 0.27%

LAB 27.6, 3.77, -31.17

 

CMYK 90 / 49 / 0 / 63

HEX #09305E

RGB 9 48 94

HSL 212.47, 0.83%, 0.2%

LAB 19.96, 6.26, -31.13

 

CMYK 55 / 29 / 0 / 33

HEX #4D78AA

RGB 77 120 170

HSL 212.26, 0.38%, 0.48%

LAB 49.39, 0.04, -31.2

 

CMYK 55 / 39 / 0 / 34

HEX #4B67A8

RGB 75 103 168

HSL 221.94, 0.38%, 0.48%

LAB 44.27, 9.35, -38.09

 

CMYK 55 / 48 / 0 / 34

HEX #4B58A8

RGB 75 88 168

HSL 231.61, 0.38%, 0.48%

LAB 40.09, 18.87, -44.75

 

CMYK 54 / 55 / 0 / 34

HEX #4E4BA8

RGB 78 75 168

HSL 241.94, 0.38%, 0.48%

LAB 36.89, 27.81, -49.87

 

CMYK 44 / 55 / 0 / 34

HEX #5E4BA8

RGB 94 75 168

HSL 252.26, 0.38%, 0.48%

LAB 38.27, 31.4, -47.58

 

CMYK 55 / 29 / 0 / 33

HEX #4D78AA

RGB 77 120 170

HSL 212.26, 0.38%, 0.48%

LAB 49.39, 0.04, -31.2

 

CMYK 55 / 29 / 0 / 13

HEX #649CDD

RGB 100 156 221

HSL 212.23, 0.64%, 0.63%

LAB 63.1, 0.22, -38.61

 

CMYK 53 / 29 / 0 / 93

HEX #080C11

RGB 8 12 17

HSL 213.33, 0.36%, 0.05%

LAB 3.21, -0.19, -2.79

 

CMYK 54 / 29 / 0 / 73

HEX #1F3044

RGB 31 48 68

HSL 212.43, 0.37%, 0.19%

LAB 19.32, -0.33, -14.67

 

CMYK 55 / 29 / 0 / 53

HEX #365477

RGB 54 84 119

HSL 212.31, 0.38%, 0.34%

LAB 34.92, -0.15, -23.31

 

CMYK 55 / 29 / 0 / 33

HEX #4D78AA

RGB 77 120 170

HSL 212.26, 0.38%, 0.48%

LAB 49.39, 0.04, -31.2

 

CMYK 14 / 55 / 0 / 34

HEX #904BA8

RGB 144 75 168

HSL 284.52, 0.38%, 0.48%

LAB 43.93, 44.37, -38.22

 

CMYK 7 / 0 / 55 / 34

HEX #9CA84B

RGB 156 168 75

HSL 67.74, 0.38%, 0.48%

LAB 66.2, -17.76, 45.84

 

CMYK 55 / 29 / 0 / 33

HEX #4D78AA

RGB 77 120 170

HSL 212.26, 0.38%, 0.48%

LAB 49.39, 0.04, -31.2

 

CMYK 0 / 55 / 29 / 34

HEX #A84B77

RGB 168 75 119

HSL 331.61, 0.38%, 0.48%

LAB 45.21, 43.15, -6.49

 

CMYK 29 / 0 / 55 / 34

HEX #77A84B

RGB 119 168 75

HSL 91.61, 0.38%, 0.48%

LAB 63.7, -32.5, 42.3

 

CMYK 55 / 29 / 0 / 33

HEX #4D78AA

RGB 77 120 170

HSL 212.26, 0.38%, 0.48%

LAB 49.39, 0.04, -31.2

 

CMYK 14 / 55 / 0 / 34

HEX #904BA8

RGB 144 75 168

HSL 284.52, 0.38%, 0.48%

LAB 43.93, 44.37, -38.22

 

CMYK 0 / 26 / 55 / 34

HEX #A87D4B

RGB 168 125 75

HSL 32.26, 0.38%, 0.48%

LAB 55.58, 10.75, 33.52

 

CMYK 40 / 0 / 55 / 34

HEX #64A84B

RGB 100 168 75

HSL 103.87, 0.38%, 0.48%

LAB 62.7, -39.21, 40.87

 

CMYK 55 / 29 / 0 / 33

HEX #4D78AA

RGB 77 120 170

HSL 212.26, 0.38%, 0.48%

LAB 49.39, 0.04, -31.2

 

CMYK 0 / 55 / 2 / 34

HEX #A84BA5

RGB 168 75 165

HSL 301.94, 0.38%, 0.48%

LAB 47.07, 50.44, -31.27

 

CMYK 0 / 26 / 55 / 34

HEX #A87D4B

RGB 168 125 75

HSL 32.26, 0.38%, 0.48%

LAB 55.58, 10.75, 33.52

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84E

RGB 75 168 78

HSL 121.94, 0.38%, 0.48%

LAB 61.7, -46.3, 37.95

 

Description

Color code: HEX #4D78AA | qconv.com Color code: HEX #4D78AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 120 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 120 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 29 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 29% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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