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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 135 85 it is the complementary color RGB 77 120 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 135 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 178 135 85: RGB 183 135 80, RGB 200 153 99, RGB 217 171 118, RGB 234 189 137 and RGB 251 207 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 135 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 178 135 85: RGB 178 135 85, RGB 161 117 66, RGB 144 99 47, RGB 127 81 28 and RGB 110 63 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 52 / 30

HEX #B28755

RGB 178 135 85

HSL 32.26, 0.38%, 0.52%

LAB 59.39, 10.36, 33.08

 

Complementary color

CMYK 55 / 29 / 0 / 33

HEX #4D78AA

RGB 77 120 170

HSL 212.26, 0.38%, 0.48%

LAB 49.39, 0.04, -31.2

 

CMYK 0 / 26 / 56 / 28

HEX #B78750

RGB 183 135 80

HSL 32.04, 0.42%, 0.52%

LAB 59.87, 12.06, 36.47

 

CMYK 0 / 24 / 51 / 22

HEX #C89963

RGB 200 153 99

HSL 32.08, 0.48%, 0.59%

LAB 66.49, 11.03, 35.02

 

CMYK 0 / 21 / 46 / 15

HEX #D9AB76

RGB 217 171 118

HSL 32.12, 0.57%, 0.66%

LAB 73.01, 10.15, 33.65

 

CMYK 0 / 19 / 41 / 8

HEX #EABD89

RGB 234 189 137

HSL 32.16, 0.7%, 0.73%

LAB 79.44, 9.39, 32.37

 

CMYK 0 / 18 / 38 / 2

HEX #FBCF9C

RGB 251 207 156

HSL 32.21, 0.92%, 0.8%

LAB 85.77, 8.73, 31.17

 

CMYK 0 / 24 / 52 / 30

HEX #B28755

RGB 178 135 85

HSL 32.26, 0.38%, 0.52%

LAB 59.39, 10.36, 33.08

 

CMYK 0 / 27 / 59 / 37

HEX #A17542

RGB 161 117 66

HSL 32.21, 0.42%, 0.45%

LAB 52.61, 11.45, 34.58

 

CMYK 0 / 31 / 67 / 44

HEX #90632F

RGB 144 99 47

HSL 32.16, 0.51%, 0.37%

LAB 45.71, 12.78, 36.11

 

CMYK 0 / 36 / 78 / 50

HEX #7F511C

RGB 127 81 28

HSL 32.12, 0.64%, 0.3%

LAB 38.69, 14.42, 37.5

 

CMYK 0 / 43 / 92 / 57

HEX #6E3F09

RGB 110 63 9

HSL 32.08, 0.85%, 0.23%

LAB 31.55, 16.47, 38.07

 

CMYK 0 / 24 / 52 / 30

HEX #B28755

RGB 178 135 85

HSL 32.26, 0.38%, 0.52%

LAB 59.39, 10.36, 33.08

 

CMYK 0 / 16 / 52 / 30

HEX #B39756

RGB 179 151 86

HSL 41.94, 0.38%, 0.52%

LAB 63.66, 2.04, 37.86

 

CMYK 0 / 7 / 52 / 30

HEX #B3A656

RGB 179 166 86

HSL 51.61, 0.38%, 0.52%

LAB 67.67, -6.04, 42.69

 

CMYK 2 / 0 / 52 / 30

HEX #B0B356

RGB 176 179 86

HSL 61.94, 0.38%, 0.52%

LAB 70.97, -14.1, 46.52

 

CMYK 11 / 0 / 52 / 30

HEX #A0B356

RGB 160 179 86

HSL 72.26, 0.38%, 0.52%

LAB 69.74, -20.68, 44.78

 

CMYK 0 / 24 / 52 / 30

HEX #B28755

RGB 178 135 85

HSL 32.26, 0.38%, 0.52%

LAB 59.39, 10.36, 33.08

 

CMYK 0 / 24 / 52 / 10

HEX #E5AE6D

RGB 229 174 109

HSL 32.5, 0.7%, 0.66%

LAB 74.85, 12.61, 40.91

 

CMYK 0 / 24 / 52 / 90

HEX #19130C

RGB 25 19 12

HSL 32.31, 0.35%, 0.07%

LAB 6.31, 1.47, 4.51

 

CMYK 0 / 24 / 53 / 70

HEX #4C3A24

RGB 76 58 36

HSL 33, 0.36%, 0.22%

LAB 25.83, 4.66, 16.67

 

CMYK 0 / 24 / 52 / 50

HEX #7F603D

RGB 127 96 61

HSL 31.82, 0.35%, 0.37%

LAB 43.08, 7.98, 24.76

 

CMYK 0 / 24 / 52 / 30

HEX #B28755

RGB 178 135 85

HSL 32.26, 0.38%, 0.52%

LAB 59.39, 10.36, 33.08

 

CMYK 39 / 0 / 52 / 30

HEX #6EB356

RGB 110 179 86

HSL 104.52, 0.38%, 0.52%

LAB 66.69, -39.4, 40.4

 

CMYK 45 / 52 / 0 / 30

HEX #6256B3

RGB 98 86 179

HSL 247.74, 0.38%, 0.52%

LAB 42.01, 28.89, -48.06

 

CMYK 0 / 24 / 52 / 30

HEX #B28755

RGB 178 135 85

HSL 32.26, 0.38%, 0.52%

LAB 59.39, 10.36, 33.08

 

CMYK 52 / 0 / 25 / 30

HEX #56B387

RGB 86 179 135

HSL 151.61, 0.38%, 0.52%

LAB 66.5, -38.11, 14.18

 

CMYK 25 / 52 / 0 / 30

HEX #8756B3

RGB 135 86 179

HSL 271.61, 0.38%, 0.52%

LAB 45.72, 38.42, -41.93

 

CMYK 0 / 24 / 52 / 30

HEX #B28755

RGB 178 135 85

HSL 32.26, 0.38%, 0.52%

LAB 59.39, 10.36, 33.08

 

CMYK 39 / 0 / 52 / 30

HEX #6EB356

RGB 110 179 86

HSL 104.52, 0.38%, 0.52%

LAB 66.69, -39.4, 40.4

 

CMYK 52 / 28 / 0 / 30

HEX #5681B3

RGB 86 129 179

HSL 212.26, 0.38%, 0.52%

LAB 52.88, -0.36, -30.93

 

CMYK 14 / 52 / 0 / 30

HEX #9A56B3

RGB 154 86 179

HSL 283.87, 0.38%, 0.52%

LAB 47.98, 43.68, -38.2

 

CMYK 0 / 24 / 52 / 30

HEX #B28755

RGB 178 135 85

HSL 32.26, 0.38%, 0.52%

LAB 59.39, 10.36, 33.08

 

CMYK 52 / 0 / 50 / 30

HEX #56B359

RGB 86 179 89

HSL 121.94, 0.38%, 0.52%

LAB 65.7, -46.28, 37.46

 

CMYK 52 / 28 / 0 / 30

HEX #5681B3

RGB 86 129 179

HSL 212.26, 0.38%, 0.52%

LAB 52.88, -0.36, -30.93

 

CMYK 0 / 52 / 2 / 30

HEX #B356B0

RGB 179 86 176

HSL 301.94, 0.38%, 0.52%

LAB 51.12, 50.18, -31.29

 

Description

Color code: RGB 178 135 85 | qconv.com Color code: RGB 178 135 85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 135 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 135 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 52 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 52% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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