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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49E1BA it is the complementary color #B61E45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49E1BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #49E1BA: #4EE1B5, #5FF3C8, #70FFDB, #81FFEE and #92FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49E1BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #49E1BA: #49E1BA, #38CFA7, #27BD94, #16AB81 and #05996E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 17 / 12

HEX #49E1BA

RGB 73 225 186

HSL 164.61, 0.72%, 0.58%

LAB 81.19, -48.85, 7.54

 

Complementary color

CMYK 0 / 84 / 62 / 29

HEX #B61E45

RGB 182 30 69

HSL 344.61, 0.72%, 0.42%

LAB 40.09, 59.7, 17.69

 

CMYK 65 / 0 / 20 / 12

HEX #4EE1B5

RGB 78 225 181

HSL 162.04, 0.71%, 0.59%

LAB 81.19, -49.25, 10.19

 

CMYK 61 / 0 / 18 / 5

HEX #5FF3C8

RGB 95 243 200

HSL 162.57, 0.86%, 0.66%

LAB 87.34, -49.5, 9.08

 

CMYK 56 / 0 / 14 / 0

HEX #70FFDB

RGB 112 255 219

HSL 164.9, 1%, 0.72%

LAB 91.72, -47.08, 5.58

 

CMYK 49 / 0 / 7 / 0

HEX #81FFEE

RGB 129 255 238

HSL 171.9, 1%, 0.75%

LAB 92.73, -39.18, -2.7

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 68 / 0 / 17 / 12

HEX #49E1BA

RGB 73 225 186

HSL 164.61, 0.72%, 0.58%

LAB 81.19, -48.85, 7.54

 

CMYK 73 / 0 / 19 / 19

HEX #38CFA7

RGB 56 207 167

HSL 164.11, 0.61%, 0.52%

LAB 74.99, -48.31, 8.74

 

CMYK 79 / 0 / 22 / 26

HEX #27BD94

RGB 39 189 148

HSL 163.6, 0.66%, 0.45%

LAB 68.73, -47.51, 10.06

 

CMYK 87 / 0 / 25 / 33

HEX #16AB81

RGB 22 171 129

HSL 163.09, 0.77%, 0.38%

LAB 62.41, -46.35, 11.53

 

CMYK 97 / 0 / 28 / 40

HEX #05996E

RGB 5 153 110

HSL 162.57, 0.94%, 0.31%

LAB 56.03, -44.73, 13.17

 

CMYK 68 / 0 / 17 / 12

HEX #49E1BA

RGB 73 225 186

HSL 164.61, 0.72%, 0.58%

LAB 81.19, -48.85, 7.54

 

CMYK 69 / 0 / 7 / 12

HEX #46E1D1

RGB 70 225 209

HSL 173.81, 0.72%, 0.58%

LAB 81.71, -43.48, -3.91

 

CMYK 69 / 5 / 0 / 12

HEX #46D6E1

RGB 70 214 225

HSL 184.26, 0.72%, 0.58%

LAB 78.94, -34.04, -16.55

 

CMYK 69 / 16 / 0 / 12

HEX #46BDE1

RGB 70 189 225

HSL 193.94, 0.72%, 0.58%

LAB 71.65, -21.76, -27.65

 

CMYK 69 / 28 / 0 / 12

HEX #46A3E1

RGB 70 163 225

HSL 204, 0.72%, 0.58%

LAB 64.11, -7.85, -39.34

 

CMYK 68 / 0 / 17 / 12

HEX #49E1BA

RGB 73 225 186

HSL 164.61, 0.72%, 0.58%

LAB 81.19, -48.85, 7.54

 

CMYK 67 / 0 / 19 / 92

HEX #071511

RGB 7 21 17

HSL 162.86, 0.5%, 0.05%

LAB 5.62, -5.5, 0.73

 

CMYK 68 / 0 / 17 / 72

HEX #17483C

RGB 23 72 60

HSL 165.31, 0.52%, 0.19%

LAB 27.14, -19.81, 2.36

 

CMYK 67 / 0 / 17 / 52

HEX #287B66

RGB 40 123 102

HSL 164.82, 0.51%, 0.32%

LAB 46.41, -30.21, 4.24

 

CMYK 68 / 0 / 17 / 32

HEX #38AE90

RGB 56 174 144

HSL 164.75, 0.51%, 0.45%

LAB 64.26, -39.9, 5.93

 

CMYK 68 / 0 / 17 / 12

HEX #49E1BA

RGB 73 225 186

HSL 164.61, 0.72%, 0.58%

LAB 81.19, -48.85, 7.54

 

CMYK 69 / 64 / 0 / 12

HEX #4651E1

RGB 70 81 225

HSL 235.74, 0.72%, 0.58%

LAB 42.19, 41.84, -74.45

 

CMYK 0 / 46 / 69 / 12

HEX #E17A46

RGB 225 122 70

HSL 20.13, 0.72%, 0.58%

LAB 61.97, 35.83, 45.43

 

CMYK 68 / 0 / 17 / 12

HEX #49E1BA

RGB 73 225 186

HSL 164.61, 0.72%, 0.58%

LAB 81.19, -48.85, 7.54

 

CMYK 19 / 69 / 0 / 12

HEX #B746E1

RGB 183 70 225

HSL 283.74, 0.72%, 0.58%

LAB 51.71, 67.6, -58.48

 

CMYK 0 / 19 / 69 / 12

HEX #E1B746

RGB 225 183 70

HSL 43.74, 0.72%, 0.58%

LAB 76.26, 3.48, 60.8

 

CMYK 68 / 0 / 17 / 12

HEX #49E1BA

RGB 73 225 186

HSL 164.61, 0.72%, 0.58%

LAB 81.19, -48.85, 7.54

 

CMYK 69 / 64 / 0 / 12

HEX #4651E1

RGB 70 81 225

HSL 235.74, 0.72%, 0.58%

LAB 42.19, 41.84, -74.45

 

CMYK 0 / 69 / 51 / 12

HEX #E1466F

RGB 225 70 111

HSL 344.13, 0.72%, 0.58%

LAB 53.53, 62.43, 11.57

 

CMYK 0 / 5 / 69 / 12

HEX #E1D646

RGB 225 214 70

HSL 55.74, 0.72%, 0.58%

LAB 84.25, -12.43, 68.89

 

CMYK 68 / 0 / 17 / 12

HEX #49E1BA

RGB 73 225 186

HSL 164.61, 0.72%, 0.58%

LAB 81.19, -48.85, 7.54

 

CMYK 53 / 69 / 0 / 12

HEX #6A46E1

RGB 106 70 225

HSL 253.94, 0.72%, 0.58%

LAB 42.58, 53.2, -73.7

 

CMYK 0 / 69 / 51 / 12

HEX #E1466F

RGB 225 70 111

HSL 344.13, 0.72%, 0.58%

LAB 53.53, 62.43, 11.57

 

CMYK 16 / 0 / 69 / 12

HEX #BDE146

RGB 189 225 70

HSL 73.94, 0.72%, 0.58%

LAB 84.54, -32.4, 68.3

 

Description

Color code: HEX #49E1BA | qconv.com Color code: HEX #49E1BA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 225 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 225 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 17 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 17% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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