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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27BD94 it is the complementary color #D8426B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27BD94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #27BD94: #2CBD8F, #3DCFA2, #4EE1B5, #5FF3C8 and #70FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27BD94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #27BD94: #27BD94, #16AB81, #05996E, #00875B and #007548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 22 / 26

HEX #27BD94

RGB 39 189 148

HSL 163.6, 0.66%, 0.45%

LAB 68.73, -47.51, 10.06

 

Complementary color

CMYK 0 / 69 / 50 / 15

HEX #D8426B

RGB 216 66 107

HSL 343.6, 0.66%, 0.55%

LAB 51.33, 60.91, 10.66

 

CMYK 77 / 0 / 24 / 26

HEX #2CBD8F

RGB 44 189 143

HSL 160.97, 0.62%, 0.46%

LAB 68.69, -48.16, 12.74

 

CMYK 71 / 0 / 22 / 19

HEX #3DCFA2

RGB 61 207 162

HSL 161.51, 0.6%, 0.53%

LAB 74.97, -48.82, 11.4

 

CMYK 65 / 0 / 20 / 12

HEX #4EE1B5

RGB 78 225 181

HSL 162.04, 0.71%, 0.59%

LAB 81.19, -49.25, 10.19

 

CMYK 61 / 0 / 18 / 5

HEX #5FF3C8

RGB 95 243 200

HSL 162.57, 0.86%, 0.66%

LAB 87.34, -49.5, 9.08

 

CMYK 56 / 0 / 14 / 0

HEX #70FFDB

RGB 112 255 219

HSL 164.9, 1%, 0.72%

LAB 91.72, -47.08, 5.58

 

CMYK 79 / 0 / 22 / 26

HEX #27BD94

RGB 39 189 148

HSL 163.6, 0.66%, 0.45%

LAB 68.73, -47.51, 10.06

 

CMYK 87 / 0 / 25 / 33

HEX #16AB81

RGB 22 171 129

HSL 163.09, 0.77%, 0.38%

LAB 62.41, -46.35, 11.53

 

CMYK 97 / 0 / 28 / 40

HEX #05996E

RGB 5 153 110

HSL 162.57, 0.94%, 0.31%

LAB 56.03, -44.73, 13.17

 

CMYK 100 / 0 / 33 / 47

HEX #00875B

RGB 0 135 91

HSL 160.44, 1%, 0.26%

LAB 49.6, -42.43, 15.04

 

CMYK 100 / 0 / 38 / 54

HEX #007548

RGB 0 117 72

HSL 156.92, 1%, 0.23%

LAB 43.05, -39.77, 17.08

 

CMYK 79 / 0 / 22 / 26

HEX #27BD94

RGB 39 189 148

HSL 163.6, 0.66%, 0.45%

LAB 68.73, -47.51, 10.06

 

CMYK 79 / 0 / 9 / 25

HEX #27BEAC

RGB 39 190 172

HSL 172.85, 0.66%, 0.45%

LAB 69.64, -41.68, -1.75

 

CMYK 79 / 4 / 0 / 25

HEX #27B6BE

RGB 39 182 190

HSL 183.18, 0.66%, 0.45%

LAB 67.73, -32.79, -14.49

 

CMYK 79 / 17 / 0 / 25

HEX #279DBE

RGB 39 157 190

HSL 193.11, 0.66%, 0.45%

LAB 60.13, -20.26, -26.08

 

CMYK 79 / 31 / 0 / 25

HEX #2784BE

RGB 39 132 190

HSL 203.05, 0.66%, 0.45%

LAB 52.57, -6.39, -37.84

 

CMYK 79 / 0 / 22 / 26

HEX #27BD94

RGB 39 189 148

HSL 163.6, 0.66%, 0.45%

LAB 68.73, -47.51, 10.06

 

CMYK 79 / 0 / 22 / 6

HEX #32F0BC

RGB 50 240 188

HSL 163.58, 0.86%, 0.57%

LAB 85.32, -57.23, 12.33

 

CMYK 81 / 0 / 22 / 86

HEX #07241C

RGB 7 36 28

HSL 163.45, 0.67%, 0.08%

LAB 11.9, -13.37, 2.17

 

CMYK 79 / 0 / 22 / 66

HEX #125744

RGB 18 87 68

HSL 163.48, 0.66%, 0.21%

LAB 32.62, -26.02, 5.09

 

CMYK 80 / 0 / 22 / 46

HEX #1C8A6C

RGB 28 138 108

HSL 163.64, 0.66%, 0.33%

LAB 51.27, -37.25, 7.65

 

CMYK 79 / 0 / 22 / 26

HEX #27BD94

RGB 39 189 148

HSL 163.6, 0.66%, 0.45%

LAB 68.73, -47.51, 10.06

 

CMYK 79 / 73 / 0 / 25

HEX #2733BE

RGB 39 51 190

HSL 235.23, 0.66%, 0.45%

LAB 30.68, 44.76, -73.17

 

CMYK 0 / 55 / 79 / 25

HEX #BE5627

RGB 190 86 39

HSL 18.68, 0.66%, 0.45%

LAB 49.19, 39.06, 45.74

 

CMYK 79 / 0 / 22 / 26

HEX #27BD94

RGB 39 189 148

HSL 163.6, 0.66%, 0.45%

LAB 68.73, -47.51, 10.06

 

CMYK 23 / 79 / 0 / 25

HEX #9327BE

RGB 147 39 190

HSL 282.91, 0.66%, 0.45%

LAB 40.2, 65, -57.14

 

CMYK 0 / 23 / 79 / 25

HEX #BE9327

RGB 190 147 39

HSL 42.91, 0.66%, 0.45%

LAB 63.31, 6.11, 58.98

 

CMYK 79 / 0 / 22 / 26

HEX #27BD94

RGB 39 189 148

HSL 163.6, 0.66%, 0.45%

LAB 68.73, -47.51, 10.06

 

CMYK 79 / 73 / 0 / 25

HEX #2733BE

RGB 39 51 190

HSL 235.23, 0.66%, 0.45%

LAB 30.68, 44.76, -73.17

 

CMYK 0 / 79 / 57 / 25

HEX #BE2751

RGB 190 39 81

HSL 343.31, 0.66%, 0.45%

LAB 42.75, 60.34, 13.99

 

CMYK 0 / 7 / 79 / 25

HEX #BEB127

RGB 190 177 39

HSL 54.83, 0.66%, 0.45%

LAB 71.24, -9.89, 66.08

 

CMYK 79 / 0 / 22 / 26

HEX #27BD94

RGB 39 189 148

HSL 163.6, 0.66%, 0.45%

LAB 68.73, -47.51, 10.06

 

CMYK 63 / 79 / 0 / 25

HEX #4727BE

RGB 71 39 190

HSL 252.72, 0.66%, 0.45%

LAB 30.66, 53.95, -73.13

 

CMYK 0 / 79 / 57 / 25

HEX #BE2751

RGB 190 39 81

HSL 343.31, 0.66%, 0.45%

LAB 42.75, 60.34, 13.99

 

CMYK 17 / 0 / 79 / 25

HEX #9DBE27

RGB 157 190 39

HSL 73.11, 0.66%, 0.45%

LAB 72.32, -30.41, 66.08

 

Description

Color code: HEX #27BD94 | qconv.com Color code: HEX #27BD94 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 189 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 189 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 22 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 22% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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