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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49A1BC it is the complementary color #B65E43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49A1BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #49A1BC: #4EA1B7, #5FB3CA, #70C5DD, #81D7F0 and #92E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49A1BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #49A1BC: #49A1BC, #388FA9, #277D96, #166B83 and #055970

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 14 / 0 / 26

HEX #49A1BC

RGB 73 161 188

HSL 194.09, 0.46%, 0.51%

LAB 62.11, -18.19, -21.83

 

Complementary color

CMYK 0 / 48 / 63 / 29

HEX #B65E43

RGB 182 94 67

HSL 14.09, 0.46%, 0.49%

LAB 49.92, 33.21, 31.42

 

CMYK 57 / 12 / 0 / 28

HEX #4EA1B7

RGB 78 161 183

HSL 192.57, 0.42%, 0.51%

LAB 62.11, -18.75, -19.02

 

CMYK 53 / 11 / 0 / 21

HEX #5FB3CA

RGB 95 179 202

HSL 192.9, 0.5%, 0.58%

LAB 68.71, -19.1, -19.49

 

CMYK 49 / 11 / 0 / 13

HEX #70C5DD

RGB 112 197 221

HSL 193.21, 0.62%, 0.65%

LAB 75.2, -19.35, -19.93

 

CMYK 46 / 10 / 0 / 6

HEX #81D7F0

RGB 129 215 240

HSL 193.51, 0.79%, 0.72%

LAB 81.6, -19.54, -20.36

 

CMYK 43 / 9 / 0 / 0

HEX #92E9FF

RGB 146 233 255

HSL 192.11, 1%, 0.79%

LAB 87.78, -20.7, -18.86

 

CMYK 61 / 14 / 0 / 26

HEX #49A1BC

RGB 73 161 188

HSL 194.09, 0.46%, 0.51%

LAB 62.11, -18.19, -21.83

 

CMYK 67 / 15 / 0 / 34

HEX #388FA9

RGB 56 143 169

HSL 193.81, 0.5%, 0.44%

LAB 55.43, -17.53, -21.34

 

CMYK 74 / 17 / 0 / 41

HEX #277D96

RGB 39 125 150

HSL 193.51, 0.59%, 0.37%

LAB 48.64, -16.6, -20.8

 

CMYK 83 / 18 / 0 / 49

HEX #166B83

RGB 22 107 131

HSL 193.21, 0.71%, 0.3%

LAB 41.73, -15.29, -20.17

 

CMYK 96 / 21 / 0 / 56

HEX #055970

RGB 5 89 112

HSL 192.9, 0.91%, 0.23%

LAB 34.7, -13.42, -19.43

 

CMYK 61 / 14 / 0 / 26

HEX #49A1BC

RGB 73 161 188

HSL 194.09, 0.46%, 0.51%

LAB 62.11, -18.19, -21.83

 

CMYK 61 / 25 / 0 / 27

HEX #488DBB

RGB 72 141 187

HSL 204, 0.46%, 0.51%

LAB 56.1, -7.72, -30.53

 

CMYK 61 / 35 / 0 / 27

HEX #487ABB

RGB 72 122 187

HSL 213.91, 0.46%, 0.51%

LAB 50.55, 3.43, -39.22

 

CMYK 61 / 45 / 0 / 27

HEX #4867BB

RGB 72 103 187

HSL 223.83, 0.46%, 0.51%

LAB 45.17, 15.2, -47.77

 

CMYK 61 / 55 / 0 / 27

HEX #4854BB

RGB 72 84 187

HSL 233.74, 0.46%, 0.51%

LAB 40.09, 27.3, -55.94

 

CMYK 61 / 14 / 0 / 26

HEX #49A1BC

RGB 73 161 188

HSL 194.09, 0.46%, 0.51%

LAB 62.11, -18.19, -21.83

 

CMYK 61 / 14 / 0 / 6

HEX #5DCDEF

RGB 93 205 239

HSL 193.97, 0.82%, 0.65%

LAB 77.41, -22.03, -26.31

 

CMYK 60 / 14 / 0 / 86

HEX #0E1E23

RGB 14 30 35

HSL 194.29, 0.43%, 0.1%

LAB 10.13, -4.98, -5.52

 

CMYK 62 / 14 / 0 / 66

HEX #214A56

RGB 33 74 86

HSL 193.58, 0.45%, 0.23%

LAB 29.14, -10.33, -11.47

 

CMYK 61 / 15 / 0 / 46

HEX #357589

RGB 53 117 137

HSL 194.29, 0.44%, 0.37%

LAB 46.02, -14.13, -17.09

 

CMYK 61 / 14 / 0 / 26

HEX #49A1BC

RGB 73 161 188

HSL 194.09, 0.46%, 0.51%

LAB 62.11, -18.19, -21.83

 

CMYK 35 / 61 / 0 / 27

HEX #7A48BB

RGB 122 72 187

HSL 266.09, 0.46%, 0.51%

LAB 41.78, 44.89, -52.99

 

CMYK 0 / 10 / 61 / 27

HEX #BBA848

RGB 187 168 72

HSL 50.09, 0.46%, 0.51%

LAB 68.78, -4.78, 50.85

 

CMYK 61 / 14 / 0 / 26

HEX #49A1BC

RGB 73 161 188

HSL 194.09, 0.46%, 0.51%

LAB 62.11, -18.19, -21.83

 

CMYK 0 / 61 / 14 / 27

HEX #BB48A0

RGB 187 72 160

HSL 314.09, 0.46%, 0.51%

LAB 49.18, 56.28, -24.82

 

CMYK 14 / 0 / 61 / 27

HEX #A0BB48

RGB 160 187 72

HSL 74.09, 0.46%, 0.51%

LAB 71.88, -25.83, 53.64

 

CMYK 61 / 14 / 0 / 26

HEX #49A1BC

RGB 73 161 188

HSL 194.09, 0.46%, 0.51%

LAB 62.11, -18.19, -21.83

 

CMYK 35 / 61 / 0 / 27

HEX #7A48BB

RGB 122 72 187

HSL 266.09, 0.46%, 0.51%

LAB 41.78, 44.89, -52.99

 

CMYK 0 / 47 / 61 / 27

HEX #BB6348

RGB 187 99 72

HSL 14.09, 0.46%, 0.51%

LAB 51.79, 32.91, 31.04

 

CMYK 27 / 0 / 61 / 27

HEX #89BB48

RGB 137 187 72

HSL 86.09, 0.46%, 0.51%

LAB 70.4, -34.84, 51.6

 

CMYK 61 / 14 / 0 / 26

HEX #49A1BC

RGB 73 161 188

HSL 194.09, 0.46%, 0.51%

LAB 62.11, -18.19, -21.83

 

CMYK 17 / 61 / 0 / 27

HEX #9C48BB

RGB 156 72 187

HSL 283.83, 0.46%, 0.51%

LAB 46.03, 52.98, -45.95

 

CMYK 0 / 47 / 61 / 27

HEX #BB6348

RGB 187 99 72

HSL 14.09, 0.46%, 0.51%

LAB 51.79, 32.91, 31.04

 

CMYK 45 / 0 / 61 / 27

HEX #67BB48

RGB 103 187 72

HSL 103.83, 0.46%, 0.51%

LAB 68.67, -46.62, 49.19

 

Description

Color code: HEX #49A1BC | qconv.com Color code: HEX #49A1BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 161 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 161 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 14 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 14% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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