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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 61 / 14 / 0 / 6 it is the complementary color CMYK 0 / 70 / 91 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 61 / 14 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 61 / 14 / 0 / 6: CMYK 58 / 12 / 0 / 8, CMYK 55 / 12 / 0 / 0, CMYK 48 / 5 / 0 / 0, CMYK 42 / 0 / 0 / 0 and CMYK 35 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 61 / 14 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 61 / 14 / 0 / 6: CMYK 61 / 14 / 0 / 6, CMYK 66 / 15 / 0 / 13, CMYK 71 / 16 / 0 / 21, CMYK 77 / 17 / 0 / 28 and CMYK 85 / 18 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 14 / 0 / 6

HEX #5DCEF0

RGB 93 206 240

HSL 193.88, 0.83%, 0.65%

LAB 77.73, -22.24, -26.36

 

Complementary color

CMYK 0 / 70 / 91 / 36

HEX #A2310F

RGB 162 49 15

HSL 13.88, 0.83%, 0.35%

LAB 37.68, 45.16, 44.43

 

CMYK 58 / 12 / 0 / 8

HEX #62CEEB

RGB 98 206 235

HSL 192.7, 0.77%, 0.65%

LAB 77.72, -22.81, -23.69

 

CMYK 55 / 12 / 0 / 0

HEX #73E0FE

RGB 115 224 254

HSL 192.95, 0.99%, 0.72%

LAB 84.02, -23.21, -24.14

 

CMYK 48 / 5 / 0 / 0

HEX #84F2FF

RGB 132 242 255

HSL 186.34, 1%, 0.76%

LAB 89.69, -28.26, -16.05

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 61 / 14 / 0 / 6

HEX #5DCEF0

RGB 93 206 240

HSL 193.88, 0.83%, 0.65%

LAB 77.73, -22.24, -26.36

 

CMYK 66 / 15 / 0 / 13

HEX #4CBCDD

RGB 76 188 221

HSL 193.66, 0.68%, 0.58%

LAB 71.37, -21.59, -25.89

 

CMYK 71 / 16 / 0 / 21

HEX #3BAACA

RGB 59 170 202

HSL 193.43, 0.57%, 0.51%

LAB 64.92, -20.75, -25.37

 

CMYK 77 / 17 / 0 / 28

HEX #2A98B7

RGB 42 152 183

HSL 193.19, 0.63%, 0.44%

LAB 58.38, -19.65, -24.8

 

CMYK 85 / 18 / 0 / 36

HEX #1986A4

RGB 25 134 164

HSL 192.95, 0.74%, 0.37%

LAB 51.77, -18.18, -24.15

 

CMYK 61 / 14 / 0 / 6

HEX #5DCEF0

RGB 93 206 240

HSL 193.88, 0.83%, 0.65%

LAB 77.73, -22.24, -26.36

 

CMYK 62 / 23 / 0 / 6

HEX #5BB7EF

RGB 91 183 239

HSL 202.7, 0.82%, 0.65%

LAB 71.09, -10.89, -36.06

 

CMYK 62 / 34 / 0 / 6

HEX #5B9EEF

RGB 91 158 239

HSL 212.84, 0.82%, 0.65%

LAB 64.09, 3.07, -47.02

 

CMYK 62 / 44 / 0 / 6

HEX #5B85EF

RGB 91 133 239

HSL 222.97, 0.82%, 0.65%

LAB 57.3, 17.86, -57.8

 

CMYK 62 / 55 / 0 / 6

HEX #5B6CEF

RGB 91 108 239

HSL 233.11, 0.82%, 0.65%

LAB 50.9, 33.1, -68.11

 

CMYK 61 / 14 / 0 / 6

HEX #5DCEF0

RGB 93 206 240

HSL 193.88, 0.83%, 0.65%

LAB 77.73, -22.24, -26.36

 

CMYK 61 / 14 / 0 / 86

HEX #0E1F24

RGB 14 31 36

HSL 193.64, 0.44%, 0.1%

LAB 10.56, -5.32, -5.61

 

CMYK 61 / 14 / 0 / 66

HEX #224B57

RGB 34 75 87

HSL 193.58, 0.44%, 0.24%

LAB 29.56, -10.36, -11.46

 

CMYK 62 / 14 / 0 / 46

HEX #35768A

RGB 53 118 138

HSL 194.12, 0.45%, 0.37%

LAB 46.38, -14.37, -17.14

 

CMYK 61 / 14 / 0 / 26

HEX #49A2BD

RGB 73 162 189

HSL 193.97, 0.47%, 0.51%

LAB 62.45, -18.41, -21.88

 

CMYK 61 / 14 / 0 / 6

HEX #5DCEF0

RGB 93 206 240

HSL 193.88, 0.83%, 0.65%

LAB 77.73, -22.24, -26.36

 

CMYK 36 / 62 / 0 / 6

HEX #995BEF

RGB 153 91 239

HSL 265.14, 0.82%, 0.65%

LAB 52.38, 54.73, -65.46

 

CMYK 0 / 11 / 62 / 6

HEX #EFD45B

RGB 239 212 91

HSL 49.05, 0.82%, 0.65%

LAB 85.09, -4.4, 61.65

 

CMYK 61 / 14 / 0 / 6

HEX #5DCEF0

RGB 93 206 240

HSL 193.88, 0.83%, 0.65%

LAB 77.73, -22.24, -26.36

 

CMYK 0 / 62 / 13 / 6

HEX #EF5BCF

RGB 239 91 207

HSL 312.97, 0.82%, 0.65%

LAB 61.94, 69.27, -31.58

 

CMYK 13 / 0 / 62 / 6

HEX #CFEF5B

RGB 207 239 91

HSL 72.97, 0.82%, 0.65%

LAB 89.74, -30.52, 65.97

 

CMYK 61 / 14 / 0 / 6

HEX #5DCEF0

RGB 93 206 240

HSL 193.88, 0.83%, 0.65%

LAB 77.73, -22.24, -26.36

 

CMYK 36 / 62 / 0 / 6

HEX #995BEF

RGB 153 91 239

HSL 265.14, 0.82%, 0.65%

LAB 52.38, 54.73, -65.46

 

CMYK 0 / 49 / 62 / 6

HEX #EF7B5B

RGB 239 123 91

HSL 12.97, 0.82%, 0.65%

LAB 64.38, 41.98, 37.71

 

CMYK 26 / 0 / 62 / 6

HEX #B2EF5B

RGB 178 239 91

HSL 84.73, 0.82%, 0.65%

LAB 87.95, -41.44, 63.5

 

CMYK 61 / 14 / 0 / 6

HEX #5DCEF0

RGB 93 206 240

HSL 193.88, 0.83%, 0.65%

LAB 77.73, -22.24, -26.36

 

CMYK 18 / 62 / 0 / 6

HEX #C55BEF

RGB 197 91 239

HSL 282.97, 0.82%, 0.65%

LAB 57.64, 64.47, -56.73

 

CMYK 0 / 49 / 62 / 6

HEX #EF7B5B

RGB 239 123 91

HSL 12.97, 0.82%, 0.65%

LAB 64.38, 41.98, 37.71

 

CMYK 44 / 0 / 62 / 6

HEX #85EF5B

RGB 133 239 91

HSL 102.97, 0.82%, 0.65%

LAB 85.74, -56.42, 60.45

 

Description

Color code: CMYK 61 / 14 / 0 / 6 | qconv.com Color code: CMYK 61 / 14 / 0 / 6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 206 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 206 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 14 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 14% 0% 6% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - 搜配网 - 全球领先的手机配件B2B平台...
Link: http://www.soopj.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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