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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4818F5 it is the complementary color #B7E70A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4818F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4818F5: #4D18F0, #5E2AFF, #6F3CFF, #804EFF and #9160FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4818F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4818F5: #4818F5, #3706E2, #2600CF, #1500BC and #0400A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 90 / 0 / 4

HEX #4818F5

RGB 72 24 245

HSL 253.03, 0.92%, 0.53%

LAB 35.25, 73.9, -97.24

 

Complementary color

CMYK 21 / 0 / 96 / 9

HEX #B7E70A

RGB 183 231 10

HSL 73.03, 0.92%, 0.47%

LAB 85.63, -39.43, 82.84

 

CMYK 68 / 90 / 0 / 6

HEX #4D18F0

RGB 77 24 240

HSL 254.72, 0.88%, 0.52%

LAB 35.05, 72.91, -94.74

 

CMYK 63 / 84 / 0 / 0

HEX #5E2AFF

RGB 94 42 255

HSL 254.65, 1%, 0.58%

LAB 40.01, 72.38, -94.91

 

CMYK 56 / 76 / 0 / 0

HEX #6F3CFF

RGB 111 60 255

HSL 255.69, 1%, 0.62%

LAB 43.99, 66.92, -88.28

 

CMYK 50 / 69 / 0 / 0

HEX #804EFF

RGB 128 78 255

HSL 256.95, 1%, 0.65%

LAB 48.58, 60.83, -80.68

 

CMYK 43 / 62 / 0 / 0

HEX #9160FF

RGB 145 96 255

HSL 258.49, 1%, 0.69%

LAB 53.61, 54.6, -72.43

 

CMYK 71 / 90 / 0 / 4

HEX #4818F5

RGB 72 24 245

HSL 253.03, 0.92%, 0.53%

LAB 35.25, 73.9, -97.24

 

CMYK 76 / 97 / 0 / 11

HEX #3706E2

RGB 55 6 226

HSL 253.36, 0.95%, 0.45%

LAB 30.48, 72.05, -94.41

 

CMYK 82 / 100 / 0 / 19

HEX #2600CF

RGB 38 0 207

HSL 251.01, 1%, 0.41%

LAB 26.5, 68.09, -90.1

 

CMYK 89 / 100 / 0 / 26

HEX #1500BC

RGB 21 0 188

HSL 246.7, 1%, 0.37%

LAB 22.97, 63.16, -84.84

 

CMYK 98 / 100 / 0 / 34

HEX #0400A9

RGB 4 0 169

HSL 241.42, 1%, 0.33%

LAB 19.6, 58.23, -79.08

 

CMYK 71 / 90 / 0 / 4

HEX #4818F5

RGB 72 24 245

HSL 253.03, 0.92%, 0.53%

LAB 35.25, 73.9, -97.24

 

CMYK 56 / 90 / 0 / 4

HEX #6D18F5

RGB 109 24 245

HSL 263.08, 0.92%, 0.53%

LAB 38.72, 76.23, -91.38

 

CMYK 40 / 90 / 0 / 4

HEX #9218F5

RGB 146 24 245

HSL 273.12, 0.92%, 0.53%

LAB 43.3, 79.71, -83.68

 

CMYK 26 / 90 / 0 / 4

HEX #B618F5

RGB 182 24 245

HSL 282.9, 0.92%, 0.53%

LAB 48.5, 84.08, -74.95

 

CMYK 11 / 90 / 0 / 4

HEX #DB18F5

RGB 219 24 245

HSL 292.94, 0.92%, 0.53%

LAB 54.35, 89.39, -65.19

 

CMYK 71 / 90 / 0 / 4

HEX #4818F5

RGB 72 24 245

HSL 253.03, 0.92%, 0.53%

LAB 35.25, 73.9, -97.24

 

CMYK 71 / 90 / 0 / 84

HEX #0C0429

RGB 12 4 41

HSL 252.97, 0.82%, 0.09%

LAB 2.94, 11.73, -21.23

 

CMYK 71 / 90 / 0 / 64

HEX #1B095C

RGB 27 9 92

HSL 253.01, 0.82%, 0.2%

LAB 10.57, 33.82, -45.11

 

CMYK 71 / 90 / 0 / 44

HEX #2A0E8F

RGB 42 14 143

HSL 253.02, 0.82%, 0.31%

LAB 19.18, 48.22, -63.75

 

CMYK 71 / 90 / 0 / 24

HEX #3913C2

RGB 57 19 194

HSL 253.03, 0.82%, 0.42%

LAB 27.38, 61.43, -80.97

 

CMYK 71 / 90 / 0 / 4

HEX #4818F5

RGB 72 24 245

HSL 253.03, 0.92%, 0.53%

LAB 35.25, 73.9, -97.24

 

CMYK 0 / 90 / 38 / 4

HEX #F51899

RGB 245 24 153

HSL 324.98, 0.92%, 0.53%

LAB 54.41, 82.5, -11.78

 

CMYK 73 / 0 / 90 / 4

HEX #41F518

RGB 65 245 24

HSL 108.87, 0.92%, 0.53%

LAB 85.25, -78.04, 79.07

 

CMYK 71 / 90 / 0 / 4

HEX #4818F5

RGB 72 24 245

HSL 253.03, 0.92%, 0.53%

LAB 35.25, 73.9, -97.24

 

CMYK 0 / 71 / 90 / 4

HEX #F54818

RGB 245 72 24

HSL 13.03, 0.92%, 0.53%

LAB 56.2, 63.92, 61.49

 

CMYK 90 / 0 / 71 / 4

HEX #18F548

RGB 24 245 72

HSL 133.03, 0.92%, 0.53%

LAB 84.98, -79.63, 66.28

 

CMYK 71 / 90 / 0 / 4

HEX #4818F5

RGB 72 24 245

HSL 253.03, 0.92%, 0.53%

LAB 35.25, 73.9, -97.24

 

CMYK 0 / 90 / 38 / 4

HEX #F51899

RGB 245 24 153

HSL 324.98, 0.92%, 0.53%

LAB 54.41, 82.5, -11.78

 

CMYK 20 / 0 / 90 / 4

HEX #C5F518

RGB 197 245 24

HSL 73.03, 0.92%, 0.53%

LAB 90.43, -39.99, 85.45

 

CMYK 90 / 0 / 53 / 4

HEX #18F574

RGB 24 245 116

HSL 144.98, 0.92%, 0.53%

LAB 85.38, -74.62, 48.37

 

CMYK 71 / 90 / 0 / 4

HEX #4818F5

RGB 72 24 245

HSL 253.03, 0.92%, 0.53%

LAB 35.25, 73.9, -97.24

 

CMYK 0 / 90 / 64 / 4

HEX #F51857

RGB 245 24 87

HSL 342.9, 0.92%, 0.53%

LAB 52.68, 77.73, 25.46

 

CMYK 20 / 0 / 90 / 4

HEX #C5F518

RGB 197 245 24

HSL 73.03, 0.92%, 0.53%

LAB 90.43, -39.99, 85.45

 

CMYK 90 / 0 / 26 / 4

HEX #18F5B6

RGB 24 245 182

HSL 162.9, 0.92%, 0.53%

LAB 86.44, -62.33, 16.99

 

Description

Color code: HEX #4818F5 | qconv.com Color code: HEX #4818F5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 24 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 24 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 90 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 90% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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