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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E2AFF it is the complementary color #A1D500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E2AFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E2AFF shade: #632AFA, #743CFF, #854EFF, #9660FF and #A772FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E2AFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E2AFF shade: #5E2AFF, #4D18EC, #3C06D9, #2B00C6 and #1A00B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E2AFF shade: #5D29FF, #9729FF, #D129FF, #FF29F4 and #FF29BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E2AFF shade: #5D29FF and #2929FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E2AFF shade matches the following richer shades: #5D29FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E2AFF shade: #5D29FF, #663AEE, #6F4BDC, #785DCB and #816EBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E2AFF shade: #2969FF, #2930FF, #5B29FF, #9429FF and #CD29FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E2AFF shade: #3400D5, #3E00FF, #5D29FF, #7C52FF and #9B7BFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E2AFF shade: #5E2AFF, #FF29A2 and #4DFF29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E2AFF shade: #5E2AFF, #FF5B29 and #29FF5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E2AFF shade: #5E2AFF, #FF29A2, #CDFF29 and #29FF86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E2AFF shade: #5E2AFF, #FF2962, #CDFF29 and #29FFC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 84 / 0 / 0

HEX #5E2AFF

RGB 94 42 255

HSL 254.65, 1%, 0.58%

LAB 40.01, 72.38, -94.91

 

Complementary color

CMYK 24 / 0 / 100 / 16

HEX #A1D500

RGB 161 213 0

HSL 74.65, 1%, 0.42%

LAB 79.14, -40.15, 78.15

 

CMYK 60 / 83 / 0 / 2

HEX #632AFA

RGB 99 42 250

HSL 256.44, 0.95%, 0.57%

LAB 39.93, 71.52, -92.22

 

CMYK 55 / 76 / 0 / 0

HEX #743CFF

RGB 116 60 255

HSL 257.23, 1%, 0.62%

LAB 44.47, 67.51, -87.47

 

CMYK 48 / 69 / 0 / 0

HEX #854EFF

RGB 133 78 255

HSL 258.64, 1%, 0.65%

LAB 49.08, 61.62, -79.85

 

CMYK 41 / 62 / 0 / 0

HEX #9660FF

RGB 150 96 255

HSL 260.38, 1%, 0.69%

LAB 54.1, 55.58, -71.6

 

CMYK 35 / 55 / 0 / 0

HEX #A772FF

RGB 167 114 255

HSL 262.55, 1%, 0.72%

LAB 59.41, 49.68, -62.96

 

CMYK 63 / 84 / 0 / 0

HEX #5E2AFF

RGB 94 42 255

HSL 254.65, 1%, 0.58%

LAB 40.01, 72.38, -94.91

 

CMYK 67 / 90 / 0 / 7

HEX #4D18EC

RGB 77 24 236

HSL 255, 0.85%, 0.51%

LAB 34.57, 71.92, -93.26

 

CMYK 72 / 97 / 0 / 15

HEX #3C06D9

RGB 60 6 217

HSL 255.36, 0.95%, 0.44%

LAB 29.67, 70.04, -90.58

 

CMYK 78 / 100 / 0 / 22

HEX #2B00C6

RGB 43 0 198

HSL 253.03, 1%, 0.39%

LAB 25.54, 66.02, -86.42

 

CMYK 85 / 100 / 0 / 30

HEX #1A00B3

RGB 26 0 179

HSL 248.72, 1%, 0.35%

LAB 21.85, 60.99, -81.32

 

CMYK 64 / 84 / 0 / 0

HEX #5D29FF

RGB 93 41 255

HSL 254.58, 1%, 0.58%

LAB 39.8, 72.65, -95.25

 

CMYK 41 / 84 / 0 / 0

HEX #9729FF

RGB 151 41 255

HSL 270.84, 1%, 0.58%

LAB 46.16, 78.48, -84.55

 

CMYK 18 / 84 / 0 / 0

HEX #D129FF

RGB 209 41 255

HSL 287.1, 1%, 0.58%

LAB 54.41, 86.61, -70.75

 

CMYK 0 / 84 / 4 / 0

HEX #FF29F4

RGB 255 41 244

HSL 303.08, 1%, 0.58%

LAB 61.11, 92.59, -53.47

 

CMYK 0 / 84 / 27 / 0

HEX #FF29BA

RGB 255 41 186

HSL 319.35, 1%, 0.58%

LAB 58.41, 85.31, -24.84

 

CMYK 64 / 84 / 0 / 0

HEX #5D29FF

RGB 93 41 255

HSL 254.58, 1%, 0.58%

LAB 39.8, 72.65, -95.25

 

CMYK 84 / 84 / 0 / 0

HEX #2929FF

RGB 41 41 255

HSL 240, 1%, 0.58%

LAB 36.51, 69.84, -100.81

 

CMYK 64 / 84 / 0 / 0

HEX #5D29FF

RGB 93 41 255

HSL 254.58, 1%, 0.58%

LAB 39.8, 72.65, -95.25

 

CMYK 64 / 84 / 0 / 0

HEX #5D29FF

RGB 93 41 255

HSL 254.58, 1%, 0.58%

LAB 39.8, 72.65, -95.25

 

CMYK 57 / 76 / 0 / 7

HEX #663AEE

RGB 102 58 238

HSL 254.67, 0.84%, 0.58%

LAB 41.25, 62.18, -83.27

 

CMYK 50 / 66 / 0 / 14

HEX #6F4BDC

RGB 111 75 220

HSL 254.9, 0.67%, 0.58%

LAB 43.62, 49.95, -69.13

 

CMYK 41 / 54 / 0 / 20

HEX #785DCB

RGB 120 93 203

HSL 254.73, 0.51%, 0.58%

LAB 47.15, 36.83, -53.65

 

CMYK 31 / 41 / 0 / 27

HEX #816EBA

RGB 129 110 186

HSL 255, 0.36%, 0.58%

LAB 51.11, 24.51, -37.51

 

CMYK 84 / 59 / 0 / 0

HEX #2969FF

RGB 41 105 255

HSL 222.06, 1%, 0.58%

LAB 49.25, 34.87, -79.8

 

CMYK 84 / 81 / 0 / 0

HEX #2930FF

RGB 41 48 255

HSL 238.04, 1%, 0.58%

LAB 37.49, 66.94, -99.18

 

CMYK 64 / 84 / 0 / 0

HEX #5B29FF

RGB 91 41 255

HSL 254.02, 1%, 0.58%

LAB 39.63, 72.5, -95.54

 

CMYK 42 / 84 / 0 / 0

HEX #9429FF

RGB 148 41 255

HSL 270, 1%, 0.58%

LAB 45.77, 78.12, -85.2

 

CMYK 20 / 84 / 0 / 0

HEX #CD29FF

RGB 205 41 255

HSL 285.98, 1%, 0.58%

LAB 53.8, 85.99, -71.76

 

CMYK 76 / 100 / 0 / 16

HEX #3400D5

RGB 52 0 213

HSL 254.65, 1%, 0.42%

LAB 28.21, 69.86, -90.71

 

CMYK 76 / 100 / 0 / 0

HEX #3E00FF

RGB 62 0 255

HSL 254.59, 1%, 0.5%

LAB 34.49, 79.96, -104.16

 

CMYK 64 / 84 / 0 / 0

HEX #5D29FF

RGB 93 41 255

HSL 254.58, 1%, 0.58%

LAB 39.8, 72.65, -95.25

 

CMYK 51 / 68 / 0 / 0

HEX #7C52FF

RGB 124 82 255

HSL 254.57, 1%, 0.66%

LAB 48.93, 58.19, -80.12

 

CMYK 39 / 52 / 0 / 0

HEX #9B7BFF

RGB 155 123 255

HSL 254.55, 1%, 0.74%

LAB 60.21, 41.95, -61.74

 

CMYK 63 / 84 / 0 / 0

HEX #5E2AFF

RGB 94 42 255

HSL 254.65, 1%, 0.58%

LAB 40.01, 72.38, -94.91

 

CMYK 0 / 84 / 36 / 0

HEX #FF29A2

RGB 255 41 162

HSL 326.07, 1%, 0.58%

LAB 57.52, 82.82, -12.23

 

CMYK 70 / 0 / 84 / 0

HEX #4DFF29

RGB 77 255 41

HSL 109.91, 1%, 0.58%

LAB 88.57, -78.49, 78.94

 

CMYK 63 / 84 / 0 / 0

HEX #5E2AFF

RGB 94 42 255

HSL 254.65, 1%, 0.58%

LAB 40.01, 72.38, -94.91

 

CMYK 0 / 64 / 84 / 0

HEX #FF5B29

RGB 255 91 41

HSL 14.02, 1%, 0.58%

LAB 60.7, 60.21, 59.28

 

CMYK 84 / 0 / 64 / 0

HEX #29FF5B

RGB 41 255 91

HSL 134.02, 1%, 0.58%

LAB 88.33, -79.53, 62.68

 

CMYK 63 / 84 / 0 / 0

HEX #5E2AFF

RGB 94 42 255

HSL 254.65, 1%, 0.58%

LAB 40.01, 72.38, -94.91

 

CMYK 0 / 84 / 36 / 0

HEX #FF29A2

RGB 255 41 162

HSL 326.07, 1%, 0.58%

LAB 57.52, 82.82, -12.23

 

CMYK 20 / 0 / 84 / 0

HEX #CDFF29

RGB 205 255 41

HSL 74.02, 1%, 0.58%

LAB 93.74, -40.92, 85.44

 

CMYK 84 / 0 / 47 / 0

HEX #29FF86

RGB 41 255 134

HSL 146.07, 1%, 0.58%

LAB 88.79, -73.94, 44.16

 

CMYK 63 / 84 / 0 / 0

HEX #5E2AFF

RGB 94 42 255

HSL 254.65, 1%, 0.58%

LAB 40.01, 72.38, -94.91

 

CMYK 0 / 84 / 62 / 0

HEX #FF2962

RGB 255 41 98

HSL 344.02, 1%, 0.58%

LAB 55.81, 77.94, 23.35

 

CMYK 20 / 0 / 84 / 0

HEX #CDFF29

RGB 205 255 41

HSL 74.02, 1%, 0.58%

LAB 93.74, -40.92, 85.44

 

CMYK 84 / 0 / 22 / 0

HEX #29FFC6

RGB 41 255 198

HSL 164.02, 1%, 0.58%

LAB 89.89, -61.41, 13.62

 

Description

Color code: HEX #5E2AFF | qconv.com Color code: HEX #5E2AFF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 42 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 42 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 84 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 84% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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