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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46F364 it is the complementary color #B90C9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46F364. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46F364 shade: #4BF35F, #5CFF72, #6DFF85, #7EFF98 and #8FFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46F364. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46F364 shade: #46F364, #35E151, #24CF3E, #13BD2B and #02AB18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46F364 shade: #44F362, #55F344, #84F344, #B3F344 and #E2F344

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46F364 shade: #44F362, #44F392, #44F3C1, #44F3F0 and #44C7F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46F364 shade matches the following richer shades: #44F362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46F364 shade: #44F362, #54E36D, #64D377, #74C382 and #84B38C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46F364 shade: #84F344, #56F344, #44F361, #44F390 and #44F3BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46F364 shade: #0ED731, #1DF142, #44F362, #6BF683 and #92F8A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46F364 shade: #46F364, #44B3F3 and #F3446D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46F364 shade: #46F364, #6144F3 and #F36144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46F364 shade: #46F364, #44B3F3, #F344D6 and #F38444

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46F364 shade: #46F364, #447EF3, #F344D6 and #F3B944

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 59 / 5

HEX #46F364

RGB 70 243 100

HSL 130.4, 0.88%, 0.61%

LAB 85.16, -71.36, 55.45

 

Complementary color

CMYK 0 / 94 / 16 / 27

HEX #B90C9B

RGB 185 12 155

HSL 310.4, 0.88%, 0.39%

LAB 42.68, 71.88, -31.99

 

CMYK 69 / 0 / 61 / 5

HEX #4BF35F

RGB 75 243 95

HSL 127.14, 0.88%, 0.62%

LAB 85.21, -71.12, 57.69

 

CMYK 64 / 0 / 55 / 0

HEX #5CFF72

RGB 92 255 114

HSL 128.1, 1%, 0.68%

LAB 89.4, -69.84, 54.35

 

CMYK 57 / 0 / 48 / 0

HEX #6DFF85

RGB 109 255 133

HSL 129.86, 1%, 0.71%

LAB 90.07, -63.8, 46.53

 

CMYK 51 / 0 / 40 / 0

HEX #7EFF98

RGB 126 255 152

HSL 132.09, 1%, 0.75%

LAB 90.88, -56.98, 38.5

 

CMYK 44 / 0 / 33 / 0

HEX #8FFFAB

RGB 143 255 171

HSL 135, 1%, 0.78%

LAB 91.82, -49.5, 30.41

 

CMYK 71 / 0 / 59 / 5

HEX #46F364

RGB 70 243 100

HSL 130.4, 0.88%, 0.61%

LAB 85.16, -71.36, 55.45

 

CMYK 76 / 0 / 64 / 12

HEX #35E151

RGB 53 225 81

HSL 129.77, 0.74%, 0.55%

LAB 79.16, -70.19, 56.66

 

CMYK 83 / 0 / 70 / 19

HEX #24CF3E

RGB 36 207 62

HSL 129.12, 0.7%, 0.48%

LAB 73.12, -68.51, 57.63

 

CMYK 90 / 0 / 77 / 26

HEX #13BD2B

RGB 19 189 43

HSL 128.47, 0.82%, 0.41%

LAB 67.06, -66.16, 58.15

 

CMYK 99 / 0 / 86 / 33

HEX #02AB18

RGB 2 171 24

HSL 127.81, 0.98%, 0.34%

LAB 60.96, -63.02, 57.77

 

CMYK 72 / 0 / 60 / 5

HEX #44F362

RGB 68 243 98

HSL 130.29, 0.88%, 0.61%

LAB 85.1, -71.9, 56.24

 

CMYK 65 / 0 / 72 / 5

HEX #55F344

RGB 85 243 68

HSL 114.17, 0.88%, 0.61%

LAB 85.23, -71.76, 68.22

 

CMYK 46 / 0 / 72 / 5

HEX #84F344

RGB 132 243 68

HSL 98.06, 0.88%, 0.61%

LAB 86.71, -60.06, 70.2

 

CMYK 26 / 0 / 72 / 5

HEX #B3F344

RGB 179 243 68

HSL 81.94, 0.88%, 0.61%

LAB 88.97, -44.35, 73.19

 

CMYK 7 / 0 / 72 / 5

HEX #E2F344

RGB 226 243 68

HSL 65.83, 0.88%, 0.61%

LAB 91.99, -26.2, 77.15

 

CMYK 72 / 0 / 60 / 5

HEX #44F362

RGB 68 243 98

HSL 130.29, 0.88%, 0.61%

LAB 85.1, -71.9, 56.24

 

CMYK 72 / 0 / 40 / 5

HEX #44F392

RGB 68 243 146

HSL 146.74, 0.88%, 0.61%

LAB 85.71, -64.88, 34.4

 

CMYK 72 / 0 / 21 / 5

HEX #44F3C1

RGB 68 243 193

HSL 162.86, 0.88%, 0.61%

LAB 86.59, -55.25, 11.58

 

CMYK 72 / 0 / 1 / 5

HEX #44F3F0

RGB 68 243 240

HSL 178.97, 0.88%, 0.61%

LAB 87.79, -43.29, -11.24

 

CMYK 72 / 18 / 0 / 5

HEX #44C7F3

RGB 68 199 243

HSL 195.09, 0.88%, 0.61%

LAB 75.17, -21.47, -31.97

 

CMYK 72 / 0 / 60 / 5

HEX #44F362

RGB 68 243 98

HSL 130.29, 0.88%, 0.61%

LAB 85.1, -71.9, 56.24

 

CMYK 72 / 0 / 60 / 5

HEX #44F362

RGB 68 243 98

HSL 130.29, 0.88%, 0.61%

LAB 85.1, -71.9, 56.24

 

CMYK 63 / 0 / 52 / 11

HEX #54E36D

RGB 84 227 109

HSL 130.49, 0.72%, 0.61%

LAB 80.7, -62.27, 46.14

 

CMYK 53 / 0 / 44 / 17

HEX #64D377

RGB 100 211 119

HSL 130.27, 0.56%, 0.61%

LAB 76.45, -51.11, 36.05

 

CMYK 41 / 0 / 33 / 24

HEX #74C382

RGB 116 195 130

HSL 130.63, 0.4%, 0.61%

LAB 72.47, -38.08, 25.25

 

CMYK 26 / 0 / 22 / 30

HEX #84B38C

RGB 132 179 140

HSL 130.21, 0.24%, 0.61%

LAB 68.78, -23.61, 14.96

 

CMYK 46 / 0 / 72 / 5

HEX #84F344

RGB 132 243 68

HSL 98.06, 0.88%, 0.61%

LAB 86.71, -60.06, 70.2

 

CMYK 65 / 0 / 72 / 5

HEX #56F344

RGB 86 243 68

HSL 113.83, 0.88%, 0.61%

LAB 85.25, -71.56, 68.25

 

CMYK 72 / 0 / 60 / 5

HEX #44F361

RGB 68 243 97

HSL 129.94, 0.88%, 0.61%

LAB 85.09, -72.02, 56.66

 

CMYK 72 / 0 / 41 / 5

HEX #44F390

RGB 68 243 144

HSL 146.06, 0.88%, 0.61%

LAB 85.68, -65.24, 35.36

 

CMYK 72 / 0 / 21 / 5

HEX #44F3BF

RGB 68 243 191

HSL 162.17, 0.88%, 0.61%

LAB 86.55, -55.71, 12.55

 

CMYK 93 / 0 / 77 / 16

HEX #0ED731

RGB 14 215 49

HSL 130.45, 0.88%, 0.45%

LAB 75.4, -73.45, 64.36

 

CMYK 88 / 0 / 73 / 5

HEX #1DF142

RGB 29 241 66

HSL 130.47, 0.88%, 0.53%

LAB 83.74, -78.68, 67.12

 

CMYK 72 / 0 / 60 / 5

HEX #44F362

RGB 68 243 98

HSL 130.29, 0.88%, 0.61%

LAB 85.1, -71.9, 56.24

 

CMYK 57 / 0 / 47 / 4

HEX #6BF683

RGB 107 246 131

HSL 130.36, 0.89%, 0.69%

LAB 87.33, -61.2, 44.02

 

CMYK 41 / 0 / 34 / 3

HEX #92F8A3

RGB 146 248 163

HSL 130, 0.88%, 0.77%

LAB 89.81, -47.05, 31.75

 

CMYK 71 / 0 / 59 / 5

HEX #46F364

RGB 70 243 100

HSL 130.4, 0.88%, 0.61%

LAB 85.16, -71.36, 55.45

 

CMYK 72 / 26 / 0 / 5

HEX #44B3F3

RGB 68 179 243

HSL 201.94, 0.88%, 0.61%

LAB 69.43, -10.93, -40.88

 

CMYK 0 / 72 / 55 / 5

HEX #F3446D

RGB 243 68 109

HSL 345.94, 0.88%, 0.61%

LAB 56.38, 68.22, 17.2

 

CMYK 71 / 0 / 59 / 5

HEX #46F364

RGB 70 243 100

HSL 130.4, 0.88%, 0.61%

LAB 85.16, -71.36, 55.45

 

CMYK 60 / 72 / 0 / 5

HEX #6144F3

RGB 97 68 243

HSL 249.94, 0.88%, 0.61%

LAB 42.98, 58.12, -83.26

 

CMYK 0 / 60 / 72 / 5

HEX #F36144

RGB 243 97 68

HSL 9.94, 0.88%, 0.61%

LAB 59.91, 54.49, 44.9

 

CMYK 71 / 0 / 59 / 5

HEX #46F364

RGB 70 243 100

HSL 130.4, 0.88%, 0.61%

LAB 85.16, -71.36, 55.45

 

CMYK 72 / 26 / 0 / 5

HEX #44B3F3

RGB 68 179 243

HSL 201.94, 0.88%, 0.61%

LAB 69.43, -10.93, -40.88

 

CMYK 0 / 72 / 12 / 5

HEX #F344D6

RGB 243 68 214

HSL 309.94, 0.88%, 0.61%

LAB 59.93, 79.47, -38.64

 

CMYK 0 / 46 / 72 / 5

HEX #F38444

RGB 243 132 68

HSL 21.94, 0.88%, 0.61%

LAB 66.5, 37.69, 52.08

 

CMYK 71 / 0 / 59 / 5

HEX #46F364

RGB 70 243 100

HSL 130.4, 0.88%, 0.61%

LAB 85.16, -71.36, 55.45

 

CMYK 72 / 48 / 0 / 5

HEX #447EF3

RGB 68 126 243

HSL 220.11, 0.88%, 0.61%

LAB 54.68, 20.01, -64.28

 

CMYK 0 / 72 / 12 / 5

HEX #F344D6

RGB 243 68 214

HSL 309.94, 0.88%, 0.61%

LAB 59.93, 79.47, -38.64

 

CMYK 0 / 24 / 72 / 5

HEX #F3B944

RGB 243 185 68

HSL 40.11, 0.88%, 0.61%

LAB 78.56, 9.96, 64.54

 

Description

Color code: HEX #46F364 | qconv.com Color code: HEX #46F364 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 243 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 243 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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